| Photos (See all 272 | slideshow) | Videos (see all 13) |
| Elisha Cuthbert | ... | Carly Jones | |
| Chad Michael Murray | ... | Nick Jones | |
| Brian Van Holt | ... | Bo / Vincent | |
| Paris Hilton | ... | Paige Edwards | |
| Jared Padalecki | ... | Wade | |
| Jon Abrahams | ... | Dalton Chapman | |
| Robert Ri'chard | ... | Blake | |
| Dragicia Debert | ... | Trudy Sinclair (as Dragitsa Debert) | |
| Thomas Adamson | ... | Young Bo | |
| Murray Smith | ... | Dr. Victor Sinclair | |
| Sam Harkess | ... | Young Vincent | |
| Damon Herriman | ... | Roadkill Driver | |
| Andy Anderson | ... | Sheriff | |
| rest of cast listed alphabetically: | |||
| Emma Lung | ... | Jennifer (uncredited) | |
| Kendal Rae | ... | Sexy Girl (uncredited) | |
Directed by | |||
| Jaume Collet-Serra | |||
Writing credits(WGA) | ||
| Charles Belden | (story) | |
| Chad Hayes | (screenplay) & | |
| Carey Hayes | (screenplay) (as Carey W. Hayes) | |
Produced by | |||
| Bruce Berman | .... | executive producer | |
| Susan Downey | .... | producer (as Susan Levin) | |
| Herb Gains | .... | executive producer (as Herbert W. Gains) | |
| Richard Mirisch | .... | co-producer | |
| Erik Olsen | .... | associate producer | |
| Steve Richards | .... | executive producer | |
| Joel Silver | .... | producer | |
| Robert Zemeckis | .... | producer | |
Original Music by | |||
| John Ottman | |||
Cinematography by | |||
| Stephen F. Windon | (director of photography) (as Stephen Windon) | ||
Film Editing by | |||
| Joel Negron | |||
Casting by | |||
| Mary Gail Artz | |||
| Barbara Cohen | |||
Production Design by | |||
| Graham 'Grace' Walker | |||
Art Direction by | |||
| Brian Edmonds | (supervising art director) | ||
| Nicholas McCallum | |||
Set Decoration by | |||
| Beverley Dunn | |||
Costume Design by | |||
| Alex Alvarez | |||
| Graham Purcell | |||
Makeup Department | |||
| Karen Adcock | .... | wax hair technician (as Karen Adcock-Kelly) | |
| Paige Badenoch | .... | additional makeup artist | |
| Jason Baird | .... | prosthetic effects supervisor | |
| Jason Baird | .... | wax body supervisor | |
| Kate Birch | .... | wax hair technician (as Kate Birch) | |
| Bert Burless | .... | wax technician | |
| Rosalina Da Silva | .... | key makeup artist | |
| Sean Genders | .... | wax technician | |
| Tina Gordon | .... | wax hair technician | |
| Dave Grasso | .... | special makeup effects artist (as David Grasso) | |
| Karen Grose | .... | wax coordinator | |
| Michael Henry | .... | wax technician | |
| Grady Holder | .... | makeup effects technician: K.N.B. EFX Group | |
| Simon Joseph | .... | wax hair technician | |
| Adam Kealy | .... | wax technician | |
| Grant Lehman | .... | wax technician | |
| Maree McDonald | .... | hair stylist: second unit | |
| Maree McDonald | .... | makeup artist: second unit | |
| Antony McMullen | .... | air brush artist: wax department | |
| Anita Morgan | .... | key hair stylist | |
| Anita Morgan | .... | key makeup artist | |
| Steve Parker | .... | airbrush technician | |
| Michelle Ritchie | .... | wax hair technician | |
| Kym Sainsbury | .... | wax hair supervisor | |
| Andy Schoneberg | .... | special makeup effects artist | |
| Shane Thomas | .... | key hair stylist | |
| Shane Thomas | .... | key hair stylist | |
| Kevin Wasner | .... | special makeup effects artist | |
| Howard Berger | .... | special makeup effects artist (uncredited) | |
| Justin Ditter | .... | wig maker (uncredited) | |
Production Management | |||
| Troy Clarke | .... | unit manager | |
| Bill Draper | .... | executive in charge of production | |
| Mick Dray | .... | assistant unit manager | |
| Herb Gains | .... | unit production manager | |
| Sharon Miller | .... | unit production manager | |
| Jamie Whitfield | .... | unit manager: second unit | |
| Barbara Russo | .... | post-production executive (uncredited) | |
Art Department | |||
| Axel Bartz | .... | set designer | |
| Dianne Bennett | .... | head greens (as Di Bennett) | |
| Joshua Black | .... | set finisher | |
| Bob Booker | .... | property master | |
| Tom Brkich | .... | painter | |
| Les Brough | .... | signwriter | |
| Wendy Buick | .... | graphic designer | |
| Daniel Cairns | .... | stand-by props: second unit | |
| Graeme Callander | .... | storyboard artist | |
| Jac Charlton | .... | set dresser | |
| James Colmer | .... | concept illustrator | |
| Dane Eade | .... | set builder | |
| Craig Fison | .... | sculptor | |
| Dave Franks | .... | assistant property master | |
| Suzie Freeman | .... | art department accountant (as Suzie McLean) | |
| Christopher Glass | .... | concept illustrator | |
| Julia Holden | .... | storyboard artist | |
| Klaus Kastberg | .... | model maker | |
| Mark Kennedy | .... | stand-by painter | |
| Yoomin Lee | .... | assistant art department coordinator | |
| David Nimmo | .... | set designer | |
| Steve Parker | .... | painter | |
| Matthew Putland | .... | set dresser | |
| Russell Sharp | .... | wax department sculptor | |
| Gary Sherline | .... | head propmaker | |
| Hayon Simmons | .... | stand-by props | |
| Dilys Tan | .... | art department coordinator | |
| Brent Tasker | .... | stand-by greens | |
| Heidi Tuchscherer | .... | assistant construction coordinator | |
| Kerry Turnbull | .... | assistant art director | |
| Nick Walker | .... | scenic artist | |
| Jack Watford | .... | construction coordinator | |
| Paula Whiteway | .... | set designer | |
| Harry Zettel | .... | stand-by props | |
| Tim Allen | .... | miniatures (uncredited) | |
| Enrico Altmann | .... | assistant painter (uncredited) | |
| Phillip Beadsmoore | .... | wax sculptor (uncredited) | |
Visual Effects by | |||
| John B. Anderson | .... | shading supervisor | |
| Adam Avery | .... | visual effects editor | |
| John Breslin | .... | visual effects supervisor | |
| Andrew Butler | .... | digital effects artist | |
| Angus Cameron | .... | compositor | |
| Angus Cameron | .... | digital effects supervisor | |
| Ean Carr | .... | compositor | |
| Mark Chataway | .... | visual effects | |
| Craig Clarke | .... | digital compositor | |
| Sam Cole | .... | digital compositor | |
| Tony Cole | .... | digital effects artist | |
| Dean Cranney | .... | technical support | |
| Chris Davies | .... | digital compositor | |
| Chris Dawson | .... | motion control operator | |
| Dale Duguid | .... | visual effects designer | |
| Dale Duguid | .... | visual effects production manager | |
| Simon Dye | .... | compositor | |
| Dane Eade | .... | miniatures maker | |
| Elisa Esteban | .... | CG effects artist | |
| Suzanne Evans-Booth | .... | visual effects coordinator | |
| Matt Greig | .... | digital compositor | |
| Richard David Hall | .... | digital compositor | |
| Jayne Herrmann | .... | digital effects coordinator: Photon | |
| Mike Kelly | .... | visual effect assistant | |
| Nicky Ladas | .... | IT manager | |
| Evans Mark | .... | digital artist | |
| Mark Masson | .... | tracking supervisor: Photon VFX | |
| Damon Milman | .... | technical director | |
| Ben Morgan | .... | digital compositor | |
| Shelly Morrow | .... | digital compositor | |
| Catherine Nelson | .... | digital compositor | |
| Jim O'Hagan | .... | digital compositor: PhotonVFX | |
| Julian Parry | .... | visual effects supervisor | |
| Kim Pearce | .... | senior systems administrator | |
| Stuart Pearson | .... | visual effects color timer | |
| Eric Person | .... | digital effects colorist: Photon VFX | |
| Eric Person | .... | scanning supervisor: Photon VFX | |
| Price Pethel | .... | digital intermediate colorist (as Michael Price Pethel) | |
| Cheryl Potter | .... | visual effects editor | |
| Loren Robinson | .... | digital compositor | |
| Jennifer Lee Scheer | .... | digital compositor | |
| Matt Sloan | .... | on-set match mover | |
| Murray Smallwood | .... | digital compositor | |
| Cameron Smith | .... | digital compositor: Photon VFX | |
| Sean Steinmuller | .... | lead animator | |
| Craig Stevenson | .... | CG effects artist | |
| Michele Stewart | .... | visual effects bidding producer: Photon VFX | |
| Daniel Sunwoo | .... | compositor | |
| Elizabeth Symes | .... | visual effects producer | |
| Kat Szuminska | .... | digital effects production supervisor | |
| Mark Tamny | .... | compositor | |
| Catherine Tate | .... | digital compositor | |
| Bridget M. Taylor | .... | digital compositor: Photon VFX | |
| Greg Tuckwell | .... | art director: miniatures | |
| Louis Turcot | .... | digital effects artist | |
| Randy Vellacott | .... | digital compositor | |
| Donna Wallace | .... | visual effects production accountant | |
| Martin Wiseman | .... | digital effects production manager | |
| Paul Booth | .... | visual effects editor (uncredited) | |
| Mark Nettleton | .... | compositor (uncredited) | |
| Derek Wentworth | .... | compositor (uncredited) | |
Stunts | |||
| Danny Baldwin | .... | stunt coordinator: Australia | |
| Sue Baldwin | .... | stunts | |
| Melissa Barker | .... | stunts | |
| Keir Beck | .... | key stunt rigger | |
| Bradd Buckley | .... | stunts | |
| William H. Burton | .... | stunt coordinator (as Billy Burton) | |
| Steve Daddow | .... | stunts (as Stephen Daddow) | |
| Nicole Downs | .... | stunts (as Nicole Downes) | |
| Steve Harman | .... | stunts | |
| Bob Hicks | .... | stunt coordinator | |
| Brendan Jakins | .... | stunt rigger | |
| Rick MacLure | .... | stunts | |
| Jacob Moana | .... | stunts | |
| Angela Moore | .... | stunt double | |
| Victor Parascos | .... | stunts | |
| Darko Tuscan | .... | stunts (as Darko Tuskan) | |
| Annette Van Moorsel | .... | stunts | |
| Mick Van Moorsel | .... | stunts | |
| Ron Vreeken | .... | stunts | |
| Lana Williams | .... | safety officer | |
Casting Department | |||
| Judith Cruden | .... | extras casting | |
| Mia Levinson | .... | casting associate | |
| Tom McSweeney | .... | casting: Australia | |
| Trish Wallace | .... | extras casting | |
Costume and Wardrobe Department | |||
| Wendy Asher | .... | costume buyer | |
| Mary Lou Da Roza | .... | costume buyer | |
| Amanda Enders | .... | stand-by costumes | |
| Louise Hogg | .... | stand-by costume: second unit | |
| Elly Kamal | .... | costume supervisor | |
| Helen Maggs | .... | stand-by costumes | |
| Gabrielle Nagy | .... | costume coordinator | |
| Emma Shakes | .... | costume props | |
| Karen Thorn | .... | costume buyer | |
| Samantha Walker | .... | set costumer | |
| Samantha Walker | .... | stand-by costumes | |
Editorial Department | |||
| Michel Aller | .... | first assistant editor (as Michel Markus) | |
| Nicholas Hasson | .... | digital intermediate editor | |
| Mo Henry | .... | negative cutter | |
| Mandy Jacobs | .... | assistant editor | |
| Jackie Lee | .... | digital intermediate producer | |
| David Orr | .... | color timer | |
| Price Pethel | .... | digital intermediate colorist (as Michael Price Pethel) | |
| Clay Rawlins | .... | assistant editor | |
| Erik Rogers | .... | digital intermediate producer | |
| Keith Shaw | .... | colorist: mastering | |
| Mike Chiado | .... | digital intermediate effects (uncredited) | |
| Bill Daly | .... | post-production executive (uncredited) | |
Music Department | |||
| Rick Giovinazzo | .... | orchestrator | |
| Amanda Goodpaster | .... | music editor | |
| Bruce Harvey | .... | conductor | |
| Damon Intrabartolo | .... | conductor | |
| Jonathan Klein | .... | assistant music editor | |
| John Ottman | .... | orchestrator | |
| John Ottman | .... | score producer | |
| Robert Puff | .... | music preparation | |
| Casey Stone | .... | music scoring mixer | |
| Casey Stone | .... | score recording engineer | |
| Greg Hamilton | .... | additional music preparer (uncredited) | |
Transportation Department | |||
| Tapio Piitulainen | .... | picture car coordinator | |
Other crew | |||
| Kathleen Adam | .... | production aide | |
| Blake Archer | .... | location manager | |
| Aaron Auch | .... | assistant: Mr. Silver | |
| Angelique Badenoch | .... | production secretary | |
| Sim Bajaj | .... | assistant: Mr. Silver | |
| Jason Bellitto | .... | assistant: Mr. Murray | |
| Adam Bitterman | .... | adr voice | |
| Karen Bull | .... | accounting assistant | |
| Mark Cleary | .... | technician | |
| Kyle Cooper | .... | title sequence: executive producer | |
| Steve Courtney | .... | engineer | |
| David Cowan | .... | craft service: second unit | |
| Enfys Dickinson | .... | manager | |
| Traci Duxbury | .... | production aide | |
| Frank J. Ellison | .... | production accountant | |
| Ethan Erwin | .... | assistant: Ms. Levin | |
| Tanya Fraser | .... | assistant production office coordinator | |
| Ian Freeman | .... | assistant location manager | |
| Vickie Gest | .... | unit nurse: second unit | |
| Karen Grose | .... | prosthetic artist | |
| Judy Hallin | .... | second unit coordinator | |
| Katie Harris | .... | unit nurse | |
| Kelly Helstrom | .... | staff production coordinator: Warner Bros. | |
| Dean Hood | .... | insurance accountant | |
| Polly Johnsen | .... | studio executive (uncredited) | |
| Luke Kelly | .... | production runner | |
| Jennifer L'Huillier | .... | script supervisor: second unit | |
| Nicholle Leahy | .... | assistant accountant | |
| Sally Mann | .... | payroll supervisor | |
| Campbell Maynes | .... | production assistant | |
| Paul McCloskey | .... | assistant: Mr. Richards | |
| Sarah Meyer | .... | production aide | |
| Paul Norris | .... | craft service | |
| Toni Pearson | .... | first assistant accountant | |
| Monique Perez | .... | assistant: Mr. Zemeckis | |
| Kate Powell | .... | assistant: Mr. Gains | |
| Keith Rae | .... | wax figure technical advisor | |
| Sean Rigby | .... | safety supervisor | |
| Vanessa Rose | .... | production assistant | |
| Nicola Scarrott | .... | production aide | |
| Kara Scobey | .... | assistant: Mr. Collet-Serra | |
| Fiona Searson | .... | publicist | |
| Tamara Seeck | .... | assistant: Mr. Collet-Serra | |
| Bruce Shapiro | .... | dialogue coach | |
| Holly Smith | .... | assistant: Ms. Levin | |
| Deanne Stratford | .... | production coordinator | |
| Kayne Tumahai | .... | production aide: second unit | |
| Sarah Jane Walsh | .... | assistant: Ms. Cuthbert | |
| Jo Weeks | .... | script supervisor | |
| Prudence Williams | .... | assistant accountant | |
| Karyn Zlatkovic-Durbin | .... | office assistant | |
| Vanessa Rose | .... | intern (uncredited) | |
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| News articles | IMDb Horror section | IMDb Australia section |
I do not think I am alone when I say that 2005 has not been particularly kind to the horror genre. While "Cursed", "Hide and Seek", "The Ring Two", and "The Amityville Horror" all showed glimpses of interest and potential, there have been more misses than hits. For proof, see: "White Noise", "Boogeyman", "The Jacket", "Mindhunters", and "Alone in the Dark". Imagine my surprise when "House of Wax", tightly written by siblings Chad and Carey Hayes, turned out to be... well, a surprise.
Carly Jones (Elisha Cuthbert) is a young woman, traveling with her trouble-making brother, Nick (Chad Michael Murray), and boyfriend, Wade (Jared Padalecki). They are, along with Paige (Paris Hilton), Blake (Robert Ri'chard), and Dalton (Jon Abrahams), hoping to score tickets to the final football game of the season. Along the way, they run into some car trouble, and are forced to enter a desolate town where nothing is what it appears to be.
Upon hearing of this, a remake of the classic Vincent Price B-movie, I rolled my eyes. I did not even want to think about what disaster freshman director Jaume Serra had cooked up for his audience. In a time when most high-profile horror films are disappointments, latent with bad writing, static direction, and amateur acting, I consider myself lucky that Serra and the Hayes brothers took it upon themselves to make a good, old-fashioned, spook fest. Unlike the disappointments that I named before, this flick pulls no punches, and uses every cinematic trick in the book to give everyone exactly what they came for.
I am happy that the Hayes' actually took the time and effort to create likable and believable characters, thus making the events that much more urgent. It also gives the young actors portraying them something grip on. As she did in "The Girl Next Door", Elisha Cuthbert proves to audiences what a skilled actress she really is. In the 2003 remake of "The Texas Chainsaw Massacre", Jessica Biel silenced naysayers by delivering a raw and emotional performance, one that put the viewer right there with her. Here, Cuthbert does the same. Chad Michael Murray ("A Cinderella Story"), in one of his first more mature roles, is no slacker as Nick. Murray exudes charisma and a hard edge, as well as some impressive athleticism on top of it. Murray and Cuthbert gel perfectly, and have tangible, familial chemistry.
More so than anything else, the press and the American public have made a field day about Paris Hilton's major acting debut. As I expected, Hilton does not embarrass herself. In fact, she is just as good as anyone else in the movie (do with that what you will). Like Cuthbert and Murray, Hilton has screen presence. She is sexy and playful. I cannot think one of reason why she's gotten the worst of the film's harsh reception, other than they are simply picking on her. Jared Padalecki (TV's 'Gilmore Girls') memorably manages to overcome his underwritten role. Robert Ri'chard (TV's 'Cousin Skeeter') and Jon Abrahams ("Meet the Parents") do not have much to work with, but get the job done. With only one scene, Damon Herriman ("Soar") makes an unforgettable impression, and his presence hangs over the rest of the film. Finally, Brian Van Holt ("Basic") is superb and threatening in a dual role.
Once more, kudos must go to the screenwriters for avoiding clichés whenever possible. Despite popular opinion, "House of Wax" is quite unpredictable for a majority of its running time. Take this for example: It seems as if the killer is down for the count and Carly bends down to retrieve something from his pockets. What do you expect to happen? See the movie, and you will understand what I mean. It is also refreshing to see a horror film in which the characters show even a modicum of good sense.
Unlike most horror scores, John Ottman's exhilarating work never distracts. However, as with Dark Castle's other releases, the visual aspects of "Wax" are award-worthy, and lift the film above its genre trappings. The talents of cinematographer Stephen F. Windon, production designer Graham Walker, art director Nicholas McCallum, and editor Joel Negron highlight the ghoulish imagery. Speaking of imagery, I believe that the gore hounds will be thrilled with the many makeup effects and tricks in store here. Each death scene is more stomach churning than the last. Considering his past in music videos and commercials, it is obvious that Jaume Serra has a great eye for style. His "in-your-face" approach is a great asset to this film's success. Just when you think the camera will turn away, it does not. He is also particularly good a building thick layers of dread and atmosphere. One standout shot is our introduction to the killer, as he slowly emerges from a trap door.
In a case like this, I would usually admit when I am in the minority (Shut up, okay? I liked "House of 1000 Corpses"!). In this case, I firmly that the detractors have gotten it wrong. I am not sure why people are so hard on this film, considering it's much better than recent genre entries. Maybe they're afraid to admit that a horror flick starring Paris Hilton could possibly be worth watching... Who knows? This is a horror film, and a commendably stylish and effective one at that. As a lifelong horror fan, all I can say is that I thoroughly enjoyed "House of Wax", in all of its lurid and sadistic glory. I safely consider it a great accomplishment in modern horror, as well as (along with "Sin City") the first completely satisfying release of 2005.