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Directed by | |||
| Mark Waters | |||
Writing credits(WGA) | ||
| Rosalind Wiseman | (book "Queen Bees and Wannabes") | |
| Tina Fey | (screenplay) | |
Produced by | |||
| Jennifer Guinier | .... | associate producer | |
| Jill Sobel Messick | .... | executive producer (as Jill Messick) | |
| Lorne Michaels | .... | producer | |
| Louise Rosner | .... | co-producer | |
| Tony Shimkin | .... | producer | |
Original Music by | |||
| Rolfe Kent | |||
Cinematography by | |||
| Daryn Okada | |||
Film Editing by | |||
| Wendy Greene Bricmont | |||
Casting by | |||
| Marci Liroff | |||
Production Design by | |||
| Cary White | |||
Art Direction by | |||
| Brandt Gordon | |||
Set Decoration by | |||
| Patricia Cuccia | |||
Costume Design by | |||
| Mary Jane Fort | |||
Makeup Department | |||
| Mario Cacioppo | .... | makeup artist | |
| Carol Hartwick | .... | hair stylist | |
| Patricia Keighran | .... | makeup artist | |
| Diana Ladyshewsky | .... | hair stylist | |
| Jo-Ann MacNeil | .... | makeup artist | |
| Beatrice Salazar | .... | assistant hair stylist (as Beatriz Salazar) | |
| Linda Steeves | .... | assistant makeup artist | |
Production Management | |||
| Jim Powers | .... | production manager (as James Powers) | |
| Louise Rosner | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Sarah Campbell | .... | second assistant director | |
| Joel Hay | .... | third assistant director | |
| Jordana Lieberman | .... | trainee assistant director | |
| Stephanie Moore | .... | second assistant director: Chicago | |
| Andrew Shea | .... | first assistant director | |
| José Clemente Hernandez | .... | second assistant director: second unit (uncredited) | |
Art Department | |||
| Collingwood Brown | .... | art department coordinator | |
| Britt Doughty | .... | trainee assistant art director | |
| Danielle Fleury | .... | set dresser | |
| Marc Kuitenbrouwer | .... | construction manager | |
| Glenn Locke | .... | scenic artist | |
| Vic Rigler | .... | property master | |
| Odetta Stoddard | .... | set decoration buyer | |
| Colin Woods | .... | first assistant art director | |
Sound Department | |||
| Bruce Carwardine | .... | sound mixer | |
| Pat Cassin | .... | second boom operator | |
| Vincent Cirilli | .... | ProTools engineer | |
| Anne Couk | .... | first assistant sound editor | |
| Patrick Cyccone Jr. | .... | re-recording mixer (as Patrick Cyccone) | |
| Marc Fishman | .... | re-recording mixer | |
| Galen Goodpaster | .... | assistant sound editor | |
| Robin Harlan | .... | foley artist | |
| Susan Kurtz | .... | dialog editor | |
| Susan Kurtz | .... | sound editor | |
| Chuck Michael | .... | supervising sound editor | |
| Sarah Monat | .... | foley artist | |
| Willard Overstreet | .... | foley editor | |
| Vic Radulich | .... | adr editor | |
| Christopher Sidor | .... | sound recordist | |
| Randy Singer | .... | foley mixer | |
| Frank Smathers | .... | sound editor | |
| Beth Sterner | .... | supervising sound editor | |
| Mike Szakmeister | .... | supervising dialogue editor | |
| Robert Ulrich | .... | supervising adr editor | |
| Markus Wade | .... | boom operator | |
| David Yonson | .... | adr recordist: Toronto | |
Special Effects by | |||
| Rob Sanderson | .... | special effects director | |
Visual Effects by | |||
| Akemi Abe | .... | main titles | |
| Chris Anderson | .... | roto/paint artist: CIS Hollywood | |
| Kim Boyle | .... | visual effects producer: CIS Hollywood | |
| Jeremy Burns | .... | digital compositing supervisor: CIS Hollywood | |
| Steven Fagerquist | .... | visual effects compositing artist | |
| Larry Gaynor | .... | senior paint artist: CIS Hollywood | |
| Bryan Hirota | .... | visual effects supervisor: CIS Hollywood | |
| Patrick Kavanaugh | .... | compositor: CIS Hollywood | |
| Peter Koczera | .... | senior digital artist | |
| Heather MacPhee | .... | paint and rotoscope artist: CIS Hollywood | |
| Marc Nanjo | .... | compositor: CIS Hollywood | |
| Gregory Oehler | .... | senior Inferno artist: CIS Hollywood | |
| Johnny Wilson | .... | visual effects artist | |
| Chris Allen | .... | research & development supervisor: CIS Hollywood (uncredited) | |
| Matt Ashton | .... | systems: CIS Hollywood (uncredited) | |
| Jayni Borgaro | .... | paint and roto artist: CIS Hollywood (uncredited) | |
| Donald Fly | .... | general manager: CIS Hollywood (uncredited) | |
| Maryjane Layani | .... | production accountant: CIS Hollywood (uncredited) | |
| Julia Neighly | .... | visual effects coordinator: CIS Hollywood (uncredited) | |
| Kyle Yamamoto | .... | research and development programmer: CIS Hollywood (uncredited) | |
Stunts | |||
| Nada Abdel-Shahid | .... | stunt performer | |
| Taryn Ash | .... | stunts | |
| Laurene Boutet | .... | stunts (as Lauren Boutette) | |
| Randi Lee Butcher | .... | stunts | |
| Erin Carter | .... | stunts | |
| Natalie Cultraro | .... | stunts | |
| Sandra Feldman | .... | stunts | |
| Kym Kristalie | .... | stunts | |
| Angelique Lewis | .... | stunts (as Angel Lewis) | |
| Danny Lima | .... | stunts | |
| Billy Oliver | .... | stunts | |
| Chauntelle Page | .... | stunts | |
| Colleen Park | .... | stunts | |
| Vlasta Racki | .... | stunts | |
| Alison Reid | .... | stunts | |
| Kevin Rushton | .... | assistant stunt coordinator | |
| Shayna Segal | .... | stunt double | |
| John Stoneham Jr. | .... | stunt coordinator | |
| Rebecca Stoneham | .... | stunts (as Rebcca Moore) | |
| Bryan Thomas | .... | stunts | |
| Christine Thomas | .... | stunts | |
Camera and Electrical Department | |||
| Sean Bourdeau | .... | assistant key grip | |
| Michael Carella | .... | camera operator | |
| Angelo Colavecchia | .... | camera operator | |
| Mark Cyre | .... | first assistant camera | |
| Tim Davis | .... | video assist operator | |
| Cylvan Desrouleaux | .... | assistant camera | |
| Richard Emerson | .... | key grip | |
| Michael Galbraith | .... | gaffer | |
| Mark W. Hindle | .... | video playback operator | |
| Jim MacCammon | .... | electrician | |
| David Morenz | .... | first assistant camera: Chicago | |
| Michael Plant | .... | generator operator | |
| Keith Pokorski | .... | second assistant camera: Chicago | |
| Herb Reischl Jr. | .... | rigging electrician | |
| Ron Renzetti | .... | dolly grip: "b" camera | |
| Tom Starnes | .... | rigging gaffer | |
| Neil Trafford | .... | second assistant camera: "a" camera | |
Casting Department | |||
| Ruthie Brownfield | .... | casting assistant | |
| Dane Clark | .... | casting assistant: Canada | |
| Robin D. Cook | .... | casting: Canada | |
| Donna Dupere | .... | extras casting | |
| Brad Gerstl | .... | extras casting representative | |
| Danis Goulet | .... | casting associate: Canada | |
| Sharon D. King | .... | extras casting: local | |
| Erica Palgon | .... | casting associate: New York | |
| Jamie Sparer Roberts | .... | casting associate (as Jamie Sparer) | |
| Susan Shopmaker | .... | casting: New York | |
| Aaron Unrau | .... | extras casting assistant | |
Costume and Wardrobe Department | |||
| Ciara Brennan | .... | assistant costume set supervisor | |
| Christina Cattle | .... | set costume supervisor | |
| Jordanna Fineberg | .... | assistant costume designer | |
| Gayle Franklin | .... | costumer: extras | |
| Dana Kay Hart | .... | costume supervisor | |
| Mary Iannelli | .... | costumer (as Mary White) | |
| Lindsay Jacobs | .... | costume supervisor | |
| Luis Sequeira | .... | assistant costume designer | |
Editorial Department | |||
| Gena Bleier | .... | assistant editor | |
| Kris Cole | .... | first assistant editor: avid | |
| Brian Day | .... | assistant editor | |
| Robert Doyle | .... | assistant editor | |
| Dana E. Glauberman | .... | additional editor | |
| Chas Hollis | .... | assistant editor | |
| Russell Langille | .... | second assistant editor | |
| Dave Muscat | .... | telecine suite operator | |
| Saul Saladow | .... | first assistant film editor | |
| David Tarnawsky | .... | assistant film editor: Canada | |
Music Department | |||
| Tony Blondal | .... | orchestrator | |
| Stephen Coleman | .... | music arranger: vocals | |
| Stephen Coleman | .... | music programmer | |
| Buck Damon | .... | music supervisor | |
| George Doering | .... | musician | |
| Jim Harrison | .... | music editor | |
| Steve Kempster | .... | score mixer | |
| Stephanie Murray | .... | score stage administrator | |
| Ralph Sall | .... | executive soundtrack album producer | |
| Amanda Scheer-Demme | .... | music supervisor | |
| Nick South | .... | music editor | |
| Patrick Spain | .... | score assistant engineer | |
Transportation Department | |||
| Ron Annabelle | .... | picture car captain | |
| Dave Staples | .... | transportation coordinator | |
| Ian C. Harris | .... | daily driver (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Lindsay Lohan plays a teen girl trying to get along at a new high school. This time, she plays a girl home schooled in Africa, whose first experience at a public school is marred by a clique of nasty girls called the Plastics, who use gossip and other torture techniques to try to ruin her social life.
The story makes it sound like another generic teen film but this one is actually quite funny and realistic. The most cynical person will point out that this is a cheap rip off of Heathers and they are similar. While Heathers is a good movie, mean Girls is an even better movie. I think Mean Girls is very good for a number of reasons. First, the script is actually creative and smart. Tina Fey seems to understand that teens want comedies they can relate to and she did that with Mean Girls. Of course, there were a few lame scenes but nothing that kills the film. Tina Fey should leave SNL and focus on her career in movies.
Second, the acting is very good and convincing. Rachel McAdams offers the best and funniest performance as Regina. Her character is very mean (hence the title) yet I found it so hard to actually hate her. She has this charm that sucks the audience in on her and its so hard to hate her. Lindsay Lohan also gives a good performance as Cady. Her best scenes are with Rachel. They have very good chemistry together. The other plastics are played by Lacey Chabert and Amanda Seyfried. They also give good performances and the scenes that have all the plastics together are very entertaining. The rest of the supporting cast are pretty good and Tina Fey also has a small role as Cady's math teacher.
Another reason why Mean Girls is so good is because it's actually funny for people over the age of 21. It's not just for teens but also for adults. Mark Waters is proving to be very good at directing harmless comedies like Freaky Friday and this one. He keeps the film short yet enormously entertaining. I really don't understand how someone could actually give this movie a one. I understand some people finding it over the top or stupid but it doesn't deserve a one. In the end, this smart and funny teen movie deserves to be seen. Rating 8/10