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Sébastien Japrisot (novel)
Jean-Pierre Jeunet (story) ...
(more)
27 October 2004 (Belgium) more
Never let go
Tells the story of a young woman's relentless search for her fiancé, who has disappeared from the trenches of the Somme during World War One. full summary | full synopsis
Nominated for 2 Oscars. Another 16 wins & 21 nominations more
Ang Lee May Adapt Life of Pi
(From ReelzChannel. 3 November 2009, 2:48 AM, PST)
Seattle Lesbian & Gay Film Festival Awards 2009
(From Alternative Film Guide. 27 October 2009, 10:25 PM, PDT)
Simply great more (202 total)
| Audrey Tautou | ... | Mathilde | |
| Gaspard Ulliel | ... | Manech | |
| Dominique Pinon | ... | Sylvain | |
| Chantal Neuwirth | ... | Bénédicte | |
| André Dussollier | ... | Pierre-Marie Rouvières | |
| Ticky Holgado | ... | Germain Pire | |
| Marion Cotillard | ... | Tina Lombardi | |
| Dominique Bettenfeld | ... | Ange Bassignano | |
| Jodie Foster | ... | Elodie Gordes | |
| Jean-Pierre Darroussin | ... | Benjamin Gordes | |
| Clovis Cornillac | ... | Benoît Notre-Dame | |
| Jean-Pierre Becker | ... | Lieutenant Esperanza | |
| Denis Lavant | ... | Six-Soux | |
| Jérôme Kircher | ... | Bastoche | |
| Albert Dupontel | ... | Célestin Poux | |
| Jean-Paul Rouve | ... | The Postman | |
| Elina Löwensohn | ... | German woman | |
| Julie Depardieu | ... | Véronique Passavant | |
| Michel Vuillermoz | ... | L'il Louis | |
| Urbain Cancelier | ... | Priest | |
| Maud Rayer | ... | Mme Desrochelles | |
| Michel Robin | ... | Old Man Visiting Battlefield | |
| Tchéky Karyo | ... | Captain Favourier | |
| Jean-Claude Dreyfus | ... | Commandant Lavrouye | |
| Philippe Duquesne | ... | Favart | |
| Bouli Lanners | ... | Chardolot | |
| Stéphane Butet | ... | Philippot | |
| Christian Pereira | ... | Archives officer | |
| François Levantal | ... | Thouvenel | |
| Patrick Paroux | |||
| Solène Le Pechon | ... | Mathilde (10 Years Old) | |
| Virgil Leclaire | ... | Manech (13 Years Old) | |
| Florence Thomassin | ... | Narrator (voice) | |
| Thierry Gibault | ... | Lieutenant Estrangin | |
| Myriam Roustan | ... | The Cafe Prostitute | |
| Gilles Masson | ... | The Murdered Officer | |
| Sandrine Rigault | ... | Mariette Notre-Dame (as Sandrine Rigaud) | |
| Michel Chalmeau | ... | The Priest of Milly | |
| Marc Faure | ... | The Prison Director | |
| Rodolphe Pauly | ... | Jean Desrochelles | |
| Xavier Maly | ... | Chardolot's Friend | |
| Till Bahlmann | ... | The German Prisoner | |
| Tony Gaultier | ... | Gravedigger | |
| Louis-Marie Audubert | ... | Gravedigger | |
| Jean-Gilles Barbier | ... | The Sergeant | |
| Marc Robert | ... | Soldier | |
| Pierre Heitz | ... | Soldier | |
| Philippe Maymat | ... | Soldier | |
| Eric Debrosse | ... | Soldier | |
| Michel Gondoin | ... | Soldier (as Mike Gondouin) | |
| Pido | ... | Menacing Corsican (as Eric Fraticelli) | |
| Philippe Beautier | ... | Joker on the Train | |
| Gérald Weingand | ... | Conned Soldier | |
| Luc Sonzogni | ... | Conned Soldier | |
| Xavier Berlioz | ... | Orderly | |
| Frankie Pain | ... | Madam | |
| Marcel Philippot | ... | Bourgeois Man | |
| Pascale Lievyn | ... | Bourgeois Woman | |
| Jean-Claude Lecoq | ... | German Machine Gunner | |
| Rufus | ... | Breton | |
| Esther Sironneau | ... | Nurse | |
| Stéphanie Gesnel | ... | Prostitute | |
| Frédérique Bel | ... | Prostitute | |
| Alexandre Caumartin | ... | Stretcher Bearer | |
| Eric Defosse | ... | Stretcher Bearer | |
| Gaspar Claus | ... | Stabbed German | |
| Jean-Philippe Bèche | ... | Georges Cornu | |
| Anaïs Durand | ... | Hélène Pire | |
| rest of cast listed alphabetically: | |||
| Rachel Berger | ... | Petite prostitute (uncredited) | |
| Morgan Berthon | ... | Un soldat regardant Manech (uncredited) | |
| Xavier Bonastre | ... | Un bourgeois (1910) (uncredited) | |
| Vincent Bowen | ... | (uncredited) | |
| Marie-Thé Colmagne | ... | Une bourgeoise (1910) (uncredited) | |
| Aleksandra Kacprzak | ... | Passante sur la place de l'Opéra (uncredited) | |
| Arnaud Klein | ... | Soldier (uncredited) | |
| Julien Lecat | ... | Un soldat (uncredited) | |
| Arnaud Marciszewer | ... | Baptistin 8 ans (uncredited) | |
| Arnaud Mathey-Dreyfus | ... | Soldier Hooked in a Tree (uncredited) | |
| Christophe Perie | ... | Soldier (uncredited) | |
| Aleksandrs Petukhovs | ... | Soldier (uncredited) | |
Directed by | |||
| Jean-Pierre Jeunet | |||
Writing credits | ||
| Sébastien Japrisot | (novel) | |
| Jean-Pierre Jeunet | (story and adaptation) and | |
| Guillaume Laurant | (story and adaptation) | |
| Guillaume Laurant | (dialogue) | |
Produced by | |||
| Francis Boespflug | .... | associate producer | |
| Bill Gerber | .... | executive producer | |
| Jean-Louis Monthieux | .... | executive producer | |
| Fabienne Tsaï | .... | creative executive producer | |
Original Music by | |||
| Angelo Badalamenti | |||
Cinematography by | |||
| Bruno Delbonnel | |||
Film Editing by | |||
| Hervé Schneid | |||
Casting by | |||
| Pierre-Jacques Bénichou | |||
| Marie-Sylvie Caillierez | |||
| Valerie Espagne | |||
Production Design by | |||
| Aline Bonetto | |||
Set Decoration by | |||
| Véronique Melery | |||
Costume Design by | |||
| Madeline Fontaine | |||
Makeup Department | |||
| Jean-Charles Bachelier | .... | key hair stylist | |
| Christophe Chabenet | .... | special makeup effects artist | |
| Sylvie Ferry | .... | special makeup effects artist | |
| Dominique Galichet | .... | makeup artist | |
| Marie-Pierre Hattabi | .... | hair stylist | |
| Sébastien Imart | .... | special makeup effects artist | |
| Pierre-Paul Jayne | .... | special makeup effects artist | |
| Frédéric Lainé | .... | special makeup effects artist | |
| Géraldine Lemaire | .... | additional hair stylist | |
| Franck Mendoche | .... | hair stylist | |
| Pascal Molina | .... | special makeup effects artist | |
| Anne Moralis | .... | wig maker | |
| Annabelle Petit | .... | special makeup effects artist | |
| Stéphane Robert | .... | makeup artist (as Stéphane Lagadic) | |
| Jean-Christophe Roger | .... | makeup artist | |
| Nathalie Tissier | .... | key makeup artist | |
Production Management | |||
| Laurent Chiomento | .... | unit production manager | |
| Nicolas Davy | .... | assistant unit manager | |
| Jean-Marc Deschamps | .... | production manager | |
| Eric Duchêne | .... | unit production manager | |
| David Le Gall | .... | assistant unit manager | |
| Alain Mougenot | .... | unit production manager | |
Art Department | |||
| François Borgeaud | .... | props | |
| Luc Desportes | .... | storyboard artist | |
| Francesca Balestra Di Mottola | .... | art department trainee | |
| Franck Gies | .... | carpenter | |
| Mathieu Junot | .... | production design assistant | |
| Anne Le van ra | .... | art department coordinator | |
| Delphine Mabed | .... | production design assistant | |
| Hélène Rey | .... | assistant set decorator | |
| Hélène Rey | .... | assistant set dresser | |
| Patrick Schmitt | .... | assistant art director | |
| Nicolas Vrancken | .... | set dresser | |
Sound Department | |||
| Vincent Arnardi | .... | sound re-recording mixer | |
| Marilena Cavola | .... | sound editor | |
| Sophie Chiabaut | .... | sound | |
| Cedric Denooz | .... | sound effects editor | |
| Gérard Hardy | .... | sound editor | |
| Denis Jaillet-Marsigny | .... | sound recordist | |
| Laurent Kossayan | .... | sound effects editor | |
| Guillaume Leriche | .... | assistant sound re-recording mixer | |
| Alexis Place | .... | assistant dialogue editor | |
| Jocelyn Robert | .... | sound mixer trainee | |
| Igor Thomas-Gerard | .... | dialogue editor | |
| Jean Umansky | .... | sound | |
| Yannick Vergne | .... | assistant sound editor | |
| Alexandre Widmer | .... | sound effects editor | |
Special Effects by | |||
| Jean-Baptiste Bonetto | .... | special effects | |
| Noel Chainbaux | .... | special effects assistant | |
| Yves Domenjoud | .... | special effects supervisor | |
| Denis Gastou | .... | special effects makeup | |
| Olivier Gleyze | .... | special effects supervisor | |
| Olivier Marais | .... | special effects technician | |
| Romain Rosier | .... | special effects assistant | |
| Jean-Christophe Spadaccini | .... | special effects makeup | |
Visual Effects by | |||
| Christophe Belena | .... | scan and printing: Duboicolor | |
| Jerome Billet | .... | matte painter | |
| Axel Bonami | .... | digital compositor | |
| Cyrille Bonjean | .... | digital compositor | |
| Lucie Bories | .... | digital compositor | |
| Emmanuelle Carlier | .... | visual effects coordinator | |
| Alain Carsoux | .... | visual effects supervisor | |
| Nicolas Daniel | .... | HD coordinator | |
| Thierry Delobel | .... | digital artist | |
| Séverine De Wever | .... | production coordinator | |
| Stephane Dittoo | .... | digital compositor | |
| Xavier Fourmond | .... | digital compositor | |
| Rip Hampton O'Neil | .... | technical director | |
| Arcier Hugo | .... | 3D digital artist | |
| Élodie Ichter | .... | scanner operator | |
| Abdel Ali Kassou | .... | processing: DuboiColor | |
| David Klett | .... | 3D digital artist | |
| Aurelie Lajoux | .... | digital compositor | |
| Emmanuel Le Courbe | .... | digital compositor | |
| Bruno Le Provost | .... | 3D supervisor | |
| Jeremie Leroux | .... | compositing supervisor | |
| Olivier Marci | .... | digital artist | |
| Benjamin Massoubre | .... | 2k operator | |
| Cecile Peltier | .... | digital compositor | |
| Benoit Philippon | .... | visual effects | |
| Cyril Pichard | .... | research and development | |
| Sebastien Rame | .... | compositor | |
| Aurore Rousset | .... | 3D animator | |
| Bruno Sommier | .... | 3D shooting supervisor | |
| George Tornero | .... | digital compositor | |
| Georges Tornero | .... | digital compositor | |
| Daniel Trujillo | .... | sequence supervisor | |
| Edouard Valton | .... | visual effects producer | |
| Jean-Marie Vives | .... | digital matte painter | |
Stunts | |||
| Rémi Canaple | .... | assistant stunt coordinator | |
| Rémi Canaple | .... | stunts | |
| Alexandre Cauderlier | .... | stunts | |
| Patrick Cauderlier | .... | stunt coordinator | |
| Yan Dron | .... | stunt rigger | |
| Sebastien Soudais | .... | stunts | |
Camera and Electrical Department | |||
| Michel Amathieu | .... | director of photography: second unit | |
| Julien Bullat | .... | video assistant | |
| Bruno Calvo | .... | still photographer | |
| Juliette Castanier | .... | second assistant camera | |
| Arthur Cloquet | .... | camera operator: second unit | |
| Benoit Dentan | .... | aerial camera operator | |
| Robert Dona | .... | grip | |
| Bruno Dubet | .... | key grip | |
| Michaël Gojon dit Martin | .... | electrician | |
| Sophie Lelou Mollard | .... | electrician (as Sophie Mollard) | |
| Beatrice Mizrahi | .... | director of photography: second unit | |
| Valentin Monge | .... | Steadicam operator | |
| Steeven Petitteville | .... | assistant camera | |
| Yvan Quehec | .... | electrician | |
| Ferencz Radnai | .... | rigging gaffer | |
| Michel Sabourdy | .... | chief electrician | |
| Ludovic Simeon | .... | video assistant | |
| Christophe Sournac | .... | electrician | |
| James Swanson | .... | aerial director of photography | |
| Alexandre Szabo-Fresnais | .... | assistant camera: Technospeed | |
| Eric Vallée | .... | first assistant camera | |
| Natacha Vautrin | .... | camera loader | |
| Richard Weber | .... | set lighting technician | |
Animation Department | |||
| Aurore Rousset | .... | animator | |
Casting Department | |||
| Camille Brunat | .... | casting assistant | |
| Yann Le Boucher | .... | extras casting assistant | |
| Marc Robert | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Loïc Barnier | .... | costumer | |
| Catherine Boisgontier | .... | costume supervisor | |
| Marie Bramsen | .... | costume design assistant | |
| Céline Collobert | .... | costume trainee | |
| Chloé Lesueur | .... | dresser | |
Editorial Department | |||
| Nicolas Criqui | .... | digital conformation | |
| Céline De Seyne | .... | director of post-production | |
| Mickael Dumontier | .... | digital conformation | |
| Céline Kélépikis | .... | assistant editor | |
| Lionel Kopp | .... | post-production advisor | |
| Yvan Lucas | .... | colorist: Eclair | |
| Philippe Reinaudo | .... | digital intermediate technical director | |
Music Department | |||
| Angelo Badalamenti | .... | orchestrator | |
| Bryan Clements | .... | scoring crew | |
| Edouard Dubois | .... | music consultant | |
| Mark Eshelman | .... | scoring crew | |
| Simon James | .... | music contractor | |
| Greg Loskorn | .... | scoring technician | |
| Phil Marshall | .... | conductor | |
| Phil Marshall | .... | orchestrator | |
| Adam Michalak | .... | score recordist | |
| Bill Pearson | .... | music recordist | |
| Dennis S. Sands | .... | music scoring mixer | |
Other crew | |||
| Laure Auger-Robert | .... | personal assistant to director | |
| Laure Auger-Robert | .... | production secretary | |
| Christine Bodelot | .... | production controller | |
| Élizabeth Boorn | .... | production coordinator | |
| Jean Brun | .... | administrator | |
| Maya Carillon | .... | production assistant | |
| Marie Ducret | .... | scripte assistante | |
| Jennifer Gay | .... | translator | |
| Michaël Gojon dit Martin | .... | armorer | |
| Sophie Hennard | .... | production assistant | |
| Aude Lemercier | .... | location scout | |
| Christophe Maratier | .... | weapons | |
| Arnaud Mathey-Dreyfus | .... | location scout | |
| Frédéric North | .... | helicopter pilot | |
| Peggy Pere | .... | aerial coordinator | |
| Christophe Perie | .... | stand-in: Gaspard Ulliel | |
| Julien Perrin | .... | video conforming | |
| Luc Poullain | .... | aerial coordinator | |
| Anne Wermelinger | .... | script supervisor | |
Thanks | |||
| Jacques Perrin | .... | thanks: "Le Peuple migrateur" footage | |
A Very Long Engagement (International: English title) (UK) (USA)
more
Rated R for violence and sexuality.
133 min
2.35 : 1 more
DTS | Dolby Digital | SDDS
Taiwan:R-12 | Spain:13 | Canada:18A (Ontario) | Malaysia:U | Iceland:16 | Switzerland:16 (canton of Zurich) | Portugal:M/16 | Germany:12 (f) | Sweden:15 | Argentina:16 | Australia:MA | Brazil:16 | Chile:14 | Czech Republic:12 | Finland:K-15 | France:U | Hong Kong:IIB | Japan:R-15 | Netherlands:16 | New Zealand:R16 | Peru:14 | Philippines:R-13 | Singapore:M18 | South Korea:15 | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | UK:15 | USA:R
Director Trademark: [Jean-Pierre Jeunet] [orphans]Mathilde, Manech, Célestin Poux more
Anachronisms: During the attack on the story of Manech's self inflicted wound, a tank can be seen. While tanks were ready for use before 1917, they were not used, by the French, until April 1917 on the Aisne offensive. more
References The Godfather: Part II (1974) more
Peer Gynt: Suite Number 1, Opus 46 more
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| All Quiet on the Western Front | Capitaine Conan | Der Fangschuß | Sunshine | Joyeux Noël |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
| Add this title to MyMovies |
Well, I've never written an IMDb review before (though I read them all the time), but I feel compelled to write one now.. And don't worry, I won't give any spoilers or mention anything which will ruin the movie in any way. I hate when people do that.
This movie is PURE POETRY. I'm not going to claim I'm some great movie buff although I've seen a fair amount of movies, mostly independent and foreign, but "A Very Long Engagement" is one of the best I've ever seen. The whole film has a very dreamlike aura to it and the colors are great. The only other Jeunet film I've seen was Amelie, and while that movie is one of my favorites, this one is right up there with it.
The subject matter here isn't my forte by any means. Honestly, when I read the comparisons to "Saving Private Ryan", I winced a bit. SPR is a great movie, no doubt, but it's just not my cup of tea. What makes this such a strange paradox is that the war scenes in "A Very Long Engagement" are possibly even more graphic and outrageous than those of SPR, but it works just because Jeunet adds his surreal touch to everything. Of course, I would certainly call this a romance themed movie much more than a war themed movie, but it blends everything very smoothly and naturally. It is a film both men and women will enjoy equally. You really have to see this movie. I mean, I was simply floored. The two and a half hour playtime flew by, not a single dull moment in the entire film.
A few things: Someone mentioned earlier that this movie starts off by throwing out a lot of names and it can be very confusing if you, like me, aren't the best at remembering all these names (especially French names), but it seems the director figured that this confusion might occur so as the movie progresses it's almost impossible to not eventually remember who is who because we are reminded so often (especially with flashbacks) of who is who. It's really not a big problem at all, just try your best to remember the names and which faces they belong to.
Another thing, I found it sort of hard to really care much about the relationship between the two main characters at first simply because Audrey Tautou's character is all alone wondering about her fiancé, but as the movie goes to periodic flashbacks of the two in youth, then in their teenage years, I saw so much beauty in it all. And the way these scenes unfold are incredibly spellbinding... Easily putting anything from Amelie to shame. That's another point I wanted to make. Jeunet's style seems so much more natural and mature here as compared to the somewhat forced 'weirdness' (or quirkiness) of Amelie. This is such a masterful film. If I hadn't seen the last showing of the night I would have seen it again tonight.
The ending was mesmerizing, paralyzing, and when the credits came on not a single person even got up for a few minutes. I left the theater and walked around downtown just thinking about it all. I can't say enough great things about this film. I cannot wait for this to come out on DVD.
And in the event Mr. Jeunet sees this, thank you! Truly a film I'll think about for a long time to come, and one I'll be recommending to everyone.
If you're looking for a full length, meaty film to sink your teeth, heart and brain into for a night and walk out of the theater feeling completely full and satisfied, this is the film. I've read IMDb for years, but this movie was enough to make me register and post my first review. Think about it.