Un long dimanche de fiançailles (2004)

Director:

Jean-Pierre Jeunet

Writers:

Sébastien Japrisot (novel)
Jean-Pierre Jeunet (story) ...

Release Date:

27 October 2004 (Belgium)

Genre:

Drama | Mystery | Romance | War

Tagline:

Never let go

Plot:

Tells the story of a young woman's relentless search for her fiancé, who has disappeared from the trenches of the Somme during World War One.

Plot Keywords:

Soldier | Court Martial | WWI | France | Polio

Awards:

Nominated for 2 Oscars. Another 16 wins & 21 nominations

Cast

Audrey Tautou	...	Mathilde
Gaspard Ulliel	...	Manech
Dominique Pinon	...	Sylvain
Chantal Neuwirth	...	Bénédicte
André Dussollier	...	Pierre-Marie Rouvières
Ticky Holgado	...	Germain Pire
Marion Cotillard	...	Tina Lombardi
Dominique Bettenfeld	...	Ange Bassignano
Jodie Foster	...	Elodie Gordes
Jean-Pierre Darroussin	...	Benjamin Gordes
Clovis Cornillac	...	Benoît Notre-Dame
Jean-Pierre Becker	...	Lieutenant Esperanza
Denis Lavant	...	Six-Soux
Jérôme Kircher	...	Bastoche
Albert Dupontel	...	Célestin Poux

Also Known As:

A Very Long Engagement (International: English title) (UK) (USA)

MPAA:

Rated R for violence and sexuality.

Runtime:

133 min

Country:

France | USA

Language:

French | German | Corsican

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

Taiwan:R-12 | Spain:13 | Canada:18A (Ontario) | Malaysia:U | Iceland:16 | Switzerland:16 (canton of Zurich) | Portugal:M/16 | Germany:12 (f) | Sweden:15 | Argentina:16 | Australia:MA | Brazil:16 | Chile:14 | Czech Republic:12 | Finland:K-15 | France:U | Hong Kong:IIB | Japan:R-15 | Netherlands:16 | New Zealand:R16 | Peru:14 | Philippines:R-13 | Singapore:M18 | South Korea:15 | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | UK:15 | USA:R

Filming Locations:

Austerlitz Railway Station, Paris 13, Paris, France

Company:

2003 Productions

Trivia:

Tina Lombardi's execution scene is directly inspired by the real film of the last public execution in France, Eugen Weidmann's in 1939.

Goofs:

Factual errors: Although Mathilde herself in narration, and her aunt in the story, say the musical instrument Mathilde plays is the tuba (in French), yet any euphonium player can easily recognize the musical instrument shown as a euphonium by seeing its clear images and listening to its sound, which is a little different yet crucial from those of tuba. This mistake might be deliberately made, for a real tuba might be so big for Mathilde that the view could not be taken appropriately.

Quotes:

Ange Bassignano: [writes] "Revenge is pointless. Try to be happy and don't ruin your life for me."

Movie Connections:

References MASH (1970)

Soundtrack:

Peer Gynt: Suite Number 1, Opus 46

Brilliant

This movie is better than "Amelie" (which I loved). The story is intricately plotted so people with a "Seed of Chucky" attention span will be overwhelmed. It must be the only movie to combine amazing combat scenes with romance, comedy and a complex mystery puzzle. Audrey Tatou is a goddess. Jeunet (the director) is like a combination of Chaplin (the romance and comedy); Hitchcock (the incredible camera work and storytelling); and Spielberg (the battle scenes and emotion).

As to some of the comments I have seen on this site:

There were French people complaining that people were speaking too fast. Gee, I don't speak French, but I can read subtitles just fine, so it was not a problem.

Some people complained that it was too long. Then there were people that complained it was too short. Like Goldilocks, I thought it was just right.

There were those that said that Tatou can't act. Audrey's performance was nuanced people, she's no Jim Carrey. Some said she was just playing Amelie again. Wrong. Amelie was a good-hearted but wishy-washy spirit who was afraid to take any action in her own life. Mathilde is just the opposite, somebody who believes so strongly in her convictions that she is able to follow what her heart tells her in spite of all available evidence and every single person she meets. In fact, every actor, no matter how small the role, turns in a great performance (I'm especially partial to the great Dominique Pinon, who plays Audrey's uncle).

There were complaints about the sex. There are a couple of brief shots of people having sex in the introduction, very similar to Amelie. Plus you get to see Jodie Foster doing the nasty from several directions. If that bothers you, go see Polar Express instead. Personally (especially in light of the rumors of Jodie being a lesbian) I am in favor of the sex scenes. There is also a shot of Audrey's fabulous naked booty, which justifies the price of admission all by itself.

Someone else complained that it was too jarring switching between the horrific WWI trench warfare scenes and the idyllic 1920s Paris. Argghhhh, that's the point!

Then there was the complaint about seeing a scene or shot from a different perspective later in the movie. Have you heard of a story called "Rashomon"? The idea is that you are experiencing the events from the viewpoint of different characters. This is cleverly done and never superfluous. At least one time you are quite startled by new information revealed by that shift in perspective.

All in all, this is a movie that really does have everything. If it were an American movie it would win best picture, best actress, best supporting actress (Jodie still might get nominated), best cinematography, best script from a novel, and best director. As it is scheduled for a Christmas national release, hopefully a lot of people will see it.