A young woman who is in love with a married doctor becomes dangerous when her attempts to persuade him to leave his wife are unsuccessful. However, when things are seen from his point of view, the real situation becomes clear.
Samuel Le Bihan,
Michèle, 20 years old, feels terrible after having broken up with her boy-friend. She meets Francois, who's a veterinarian and jewish. Michèle decides to convert into Judaism because she ... See full summary »
Five desperate French soldiers during The Battle of the Somme shoot themselves, either by accident or with purpose, in order to be invalided back home. Having been "caught" a court-martial convenes and determines punishment to be banishment to No Man's Land with the objective of having the Germans finish them off. In the process of telling this tale each man's life is briefly explored along with their next of kin as Methilde, fiancée to one of the men, tries to determine the circumstances of her lover's death. This task is not made any easier for her due to a bout with polio as a child. Along the way she discovers the heights and depths of the human soul. Written by
Disqualified to compete in the prestigious Cannes Film Festival because it was shown outside its country of origin, regardless of the fact that a Paris court ruled that the movie was too American. See more »
In a dream sequence, the main character is seen dangling from the top deck of the lighthouse which in encircled by a steel railing. In a scene moments later, the two main characters are seen running around the top deck of the lighthouse which now has a solid white wall around the deck. However, Mathilde must have never been at the lighthouse before, that's why in her dream it looks differently from the actual one. Moreover, even familiar things and places often look strange and different in our dreams. See more »
It is almost insulting to compare this film to Amelie Poulain. Yes it's the same crew, yes it's the same director and yes, Audrey Tautou almost plays the same character. But give JP Jeunet a break, it's part of HIS style. Would you blame Beethoven because his symphonies kinda sounded the same?
It is at times gritty, with its very tough depictions of the Great War, and at times light and naive. It all follows a very complicated storyline which is, I would have to admit, the only weakness in this otherwise perfect movie. With so many characters and so many plot elements, some people may feel a bit lost, specially toward the end. But this is of lesser concern as the audience will still follow the main idea : a quest to find a loved one. So even through all the intricacies of the subplots, the arc story (and its finale) always remain on the horizon.
To put it short, the movie is a masterpiece. The acting is strong, the scenes are breathtaking and overall, so much attention has been put to details that it feels like a labor of love more than a big production movie. I truly think that if French cinema was not so locked into producing crappy talkative movies about losers and failures, it could come up with a lot more movies as poignant as Engagement is.
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