12 items from 2014
Directed by Jean-Pierre Jeunet.
Upon receiving the news that he has won an award from the Smithsonian Institute, the ten-year-old Ts Spivet leaves his family home on an adventure to collect his prize.
Whenever I watch a Jean-Pierre Jeunet picture, the feelings that it invokes are always the same. There is fascination and wonder, not disimilar to the feelings of open-mouthed awe at everything from the eyes of a blind man seeing for the first time. It might not actually be that revolutionary, but dressed up just right, it is still a previously unwitnessed treat. Like the eponymous Ts Spivet, you could also liken it to the inquisitve nature of a curious and innocently optimistic child, not knowing what’s coming but anticipating the nervous excitement of its arrival, »
- Steve Leadbetter
Director: Jean-Pierre Jeunet
Running Time: 105 minutes
Synopsis: A ten-year-old cartographer secretly leaves his family’s ranch in Montana where he lives with his cowboy father and scientist mother and travels across the country aboard a freight train to receive an award at the Smithsonian Institute.
Director Jean-Pierre Jenuet paints a distinctive pallet of work from Delicatessen (1991) to A Very Long Engagement (2004), but you’d probably be most familiar with the wonderful Amelie starring Audrey Tautou. Never a stranger to taking an alternative look at a story, his beautiful visuals continue in The Young And Prodigious T.S. Spivet alongside a strong blood-beating heart to take hold of.
T.S. Spivet tells the story of its namesake, a ten-year boy who’s a genius and impeccably portrayed by Kyle Catlett in his feature film debut. »
- Dan Bullock
Jeunet is best known for feature debut “Delicatessen” and “Amelie,” which grossed $170 million worldwide. His other pics include “The City of Lost Children,” “Alien: Resurrection” and “A Very Long Engagement.”
The festival is to present the first complete retrospective of Hill’s work worldwide.
“For almost four decades Walter Hill has been one of America’s most innovative directors,” said festival director Diana Iljine. “Time and time again his films seem to achieve the impossible by spanning the gap between entertainment and art. Having Walter Hill here will be one of the highlights of the festival.”
Hill will be at almost all »
- Leo Barraclough
June is Lgbt Pride Month. What better way to commemorate the occasion than by streaming these 10 great Lgbt documentaries on Netflix (okay, we can think of some other ways)? From the love stories of photographer Robert Mapplethorpe and curator-collector Sam Wagstaff in "Black White + Gray" and the four decades long romance of Thea Spyer and Edie Windsor (which eventually led to their groundbreaking marriage ceremony once Doma was overturned) in "Edie & Thea: A Very Long Engagement," these documentaries portray Lgbt life and love -- as well as the challenges and tragedies faced by AIDS ("How to Survive a Plague," "Wish We Were Here"), discrimination ("Brother Outsider") and anti-gay laws in places like Uganda ("Call Me Kuchu") as well as in the U.S. ("Bridegroom"). Read More: Here are New Titles on Netflix This June After delving into the deeply serious, thoughtful and provocative "Red Without Blue," which explores the struggles »
- Paula Bernstein
It is the voice — lilting, lightly French-accented — that one notices first, even before fully registering the famous face. You notice it because, in the movies, Marion Cotillard so rarely sounds like herself, whether affecting Edith Piaf’s nasal warble in her Oscar-winning performance in “La Vie en Rose,” the Polish dialect of the 1920s Ellis Island emigre in director James Gray’s “The Immigrant,” or her Belgian regional accent as a downsized factory worker in Luc and Jean-Pierre Dardenne’s “Two Days, One Night,” which premieres this week in competition at the
67th Cannes Film Festival.
If voice is one of an actor’s most valuable instruments, Cotillard plays hers like a first-chair virtuoso. Early in the shooting of “The Immigrant” (which debuts in the U.S. May 16), Gray asked Polish actress Maja Wampuszyc, who plays Cotillard’s aunt in the film, to evaluate the French actress’s command of Wampuszyc’s native language. »
- Scott Foundas
Welcome back to Cannes Check, In Contention's annual preview of the films in Competition at next month's Cannes Film Festival, which kicks off on May 14. Taking on different selections every day, we'll be examining what they're about, who's involved and what their chances are of snagging an award from Jane Campion's jury. Next up: the second of four French entries: Bertrand Bonello's "Saint Laurent." The director: Bertrand Bonello (French, 45 years old). Born in Nice and now based in Paris and Montreal, Bonello began his career as a classical musician -- a background that makes sense, given the stately refinement and sensory elevation of his filmmaking. (He still serves as his own composer.) Which is not to say his work is soft, testing as it does formal and erotic boundaries: scholars of contemporary French cinema tend to group him with the likes of Gaspar Noé in the bracket of New French Extremism. »
- Guy Lodge
If Oscars were given out for consistent box office performance (there's already a prize for that and it's called "money") Julia Roberts would have won her Oscar in the 1990s when everything she churned out was a $100 million slam dunk and Leonardo DiCaprio would have followed suit right about now for a long run of the same incredible trick. Most of Julia's big triumphs were in the popular thriller or romantic comedy genres but Leo seems to be a special case making practically anything (save the dimly lit dim of wit J. Edgar) into a $100 million grosser whether it's a foul-mouthed 3 hour comedy, a mixed review prestigious literary adaptation, or any other genre really. He might be the only mega star who is worth his full asking price given that his marketability doesn't seem to be tied to anything but his beloved creased-brow face.
Julia and Leo both, who received »
- NATHANIEL R
On Jan. 16, cinematographer Bruno Delbonnel picked up his fourth Best Cinematography Oscar nomination to date, for the Coen brothers' "Inside Llewyn Davis." He has previously been nominated for "Amelie" in 2001, "A Very Long Engagement" in 2004 (for which he won the American Society of Cinematographers Award) and "Harry Potter and the Half-Blood Prince" in 2009. A few days before nominations were announced, I finally got around to talking with Delbonnel about his work on the film, which is really one of the shining examples of the medium this year. We discussed, among other things, his philosophy of carrying a »
- Kristopher Tapley
The American Society of Cinematographers (Asc) has revealed the nominees in the theatrical motion picture category of the 28th Annual Asc Awards for Outstanding Achievement.
.Our members believe these cinematographers have set the contemporary standard for artful, theatrical motion picture cinematography,. says Asc President Richard Crudo. .They have mastered a complex craft which contributes vitally to the storytelling process, and augments the intentions of everyone involved with the production..
In other words, the cinematographers pick who they think created the most beautifully and thematically constructed movies of 2013!
And in a year full of great movies, even the Asc was having a tough time narrowing their choices. Normally, they select five nominees, but there was a three-way tie this year that resulted to seven contenders.
The winner will be revealed on February 1! Here's the complete list of Asc nominees:
Sean Bobbitt, Bsc for 12 Years a Slave
In a break from tradition, a three-way tie has forced the American Society Of Cinematographers to select seven rather than the usual five nominees.
The nominees are: Sean Bobbitt for 12 Years A Slave; Barry Ackroyd for Captain Phillips; Philippe Le Sourd for The Grandmaster; Emmanuel Lubezki for Gravity; Bruno Delbonnel for Inside Llewyn Davis; Phedon Papamichael for Nebraska (pictured); and Roger Deakins for Prisoners.
This is Deakins’ 12th nod and he won last year for Skyfall and previously for The Shawshank Redemption in 1995 and The Man Who Wasn’t There in 2002. He received the Lifetime Achievement Award in 2011.
Delbonnel has been nominated twice before and won for A Very Long Engagement in 2005.
Ackroyd has been nominted once before. This is Papamichael’s first feature nod and this is the first Asc nod for both »
- firstname.lastname@example.org (Jeremy Kay)
The American Society of Cinematographers (Asc) has announced nominations in the theatrical motion picture category of the 28th Annual Asc Awards for Outstanding Achievement.
The nominees for Outstanding Achievement in Feature-Film Cinematography:
Barry Ackroyd (Capt. Phillips)
Sean Bobbitt (12 Yrs a Slave)
The winner will be revealed at the awards ceremony on February 1, at the Hollywood & Highland Ray Dolby Ballroom.
“Our members believe these cinematographers have set the contemporary standard for artful, theatrical motion picture cinematography,” says Asc President Richard Crudo. “They have mastered a complex craft which contributes vitally to the storytelling process, and augments the intentions of everyone involved with the production.”
Traditionally, the organization selects five nominees, but a three-way tie this year boosts that number to seven.
This year’s nomination brings Deakins’ total to 12. He won last year for Skyfall, »
- Michelle McCue
The American Society of Cinematographers has loaded the deck with an unprecedented seven feature film nominees for its 28th annual awards ceremony, a result of a three-way tie that increased the field from the usual five. The visual achievements range from the Antebellum South of “12 Years a Slave,” shot by Sean Bobbitt, to “Gravity’s” deep reaches of outer space, realized in 3D by d.p. Emmanuel Lubezki.
The five others vying for the exclusive, invite-only organization’s top competitive prize are Barry Ackroyd (“Captain Phillips”), Roger Deakins (“Prisoners”), Bruno Delbonnel (“Inside Llewyn Davis”), Phillippe Le Sourd (“The Grandmaster”) and Phedon Papamichael (“Nebraska”).
“Our members believe these cinematographers have set the standard for artful, theatrical motion picture cinematography,” said Asc president Richard Crudo in a statement. “They have mastered a complex craft which contributes vitally to the storytelling process.”
Lubezki, a two-time Asc winner for “Children of Men” (2007) and “Tree »
- Steve Chagollan
12 items from 2014
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