| Photos (See all 11 | slideshow) | Videos (see all 5) |
| Robert McNamara | ... | Himself | |
| rest of cast listed alphabetically: | |||
| Fidel Castro | ... | Himself (archive footage) (uncredited) | |
| Barry Goldwater | ... | Himself (archive footage) (uncredited) | |
| Lyndon Johnson | ... | Himself (archive footage) (uncredited) | |
| John F. Kennedy | ... | Himself (archive footage) (uncredited) | |
| Nikita Khrushchev | ... | Himself (archive footage) (uncredited) | |
| Curtis LeMay | ... | Himself (archive footage) (uncredited) | |
| Errol Morris | ... | Interviewer (voice) (uncredited) | |
| Richard Nixon | ... | Himself (archive footage) (uncredited) | |
| Harry Reasoner | ... | Himself - TV interviewer (archive footage) (uncredited) | |
| Franklin D. Roosevelt | ... | Himself (voice) (archive footage) (uncredited) | |
| Woodrow Wilson | ... | Himself (archive footage) (uncredited) | |
Directed by | |||
| Errol Morris | |||
Produced by | |||
| Julie Ahlberg | .... | producer | |
| Robert Fernandez | .... | co-producer | |
| Jon Kamen | .... | executive producer | |
| Adam Kosberg | .... | associate producer | |
| Jack Lechner | .... | executive producer | |
| Robert May | .... | executive producer | |
| Errol Morris | .... | producer | |
| Ann Petrone | .... | associate producer | |
| Frank Scherma | .... | executive producer | |
| John Sloss | .... | executive producer | |
| Michael Williams | .... | producer | |
Original Music by | |||
| Philip Glass | |||
Cinematography by | |||
| Robert Chappell | (director of photography) (as Bob Chappell) | ||
| Peter Donahue | (director of photography) | ||
Film Editing by | |||
| Doug Abel | (edited by) | ||
| Chyld King | (edited by) | ||
| Karen Schmeer | (edited by) | ||
Production Design by | |||
| Ted Bafaloukos | |||
| Steve Hardie | |||
Set Decoration by | |||
| Liz Chiz | |||
Makeup Department | |||
| Donyale McRae | .... | make-up | |
| Maria Scali | .... | makeup: interviews | |
Production Management | |||
| Tonya Bertram | .... | production supervisor | |
| Brad Fuller | .... | post production supervisor | |
| Sarah Gold | .... | production supervisor: China | |
| Dia Sokol Savage | .... | production supervisor (as Dia Sokol) | |
| Ben Schneider | .... | production supervisor: Berlin shoot (uncredited) | |
| Ronald Vietz | .... | production manager: Germany (uncredited) | |
Second Unit Director or Assistant Director | |||
| Lennie Appelquist | .... | first assistant director (uncredited) | |
Art Department | |||
| Jennifer Ho | .... | art department coordinator | |
| Steve McNulty | .... | art director: interviews | |
| Gary Shartsis | .... | property master | |
| Chris Tragert | .... | prop assistant | |
| Daniel Turk | .... | construction coordinator (as Dan Turk) | |
| Jim Utter | .... | leadman | |
Sound Department | |||
| Coll Anderson | .... | supervising sound editor | |
| Dan Bora | .... | additional engineer | |
| Stephen Bores | .... | production sound mixer: interviews (as Steve Bores) | |
| Brian Bowles | .... | dialogue editor | |
| Hector Castillo | .... | recording engineer | |
| Lee Dichter | .... | re-recording mixer | |
| Sean Garnhart | .... | sound effects editor | |
| Harry Higgins | .... | recordist | |
| Terrance Laudermilch | .... | recordist (as Terry Laudermilch) | |
| Ichiho Nishiki | .... | technical assistant | |
| Tom Paul | .... | sound designer | |
| Christian Rutledge | .... | production assistant: sound department | |
| Marilyn Teorey | .... | assistant sound editor | |
| Sean Garnhart | .... | sound re-recording mixer (uncredited) | |
| Daniel Perlin | .... | sound effects editor (uncredited) | |
Visual Effects by | |||
| Robin Hobart | .... | visual effects supervisor | |
| Zachary Morong | .... | 3D animator | |
| Evan Olson | .... | animation | |
| Evan Olson | .... | visual effects | |
Costume and Wardrobe Department | |||
| Eddie Marquez | .... | wardrobe | |
| Critter Pierce | .... | wardrobe assistant | |
| Julie Vogel | .... | wardrobe | |
Editorial Department | |||
| Eric Alvarado | .... | digital intermediate systems colorist | |
| Steven Hathaway | .... | associate editor | |
| Peter Heady | .... | high definition on-line editor | |
| Fred Heid | .... | color timer | |
| Danny Hogan | .... | editorial assistant: io (as Dan Hogan) | |
| Tom Karras | .... | colorist assistant | |
| Dan Mooney | .... | associate editor (as Daniel Mooney) | |
| Benjamin Murray | .... | digital intermediate titling | |
| Charles Silver | .... | editorial consultant | |
| Joe Violante | .... | coordinator: Technicolor | |
| Tricia Wilk | .... | post-production assistant | |
Music Department | |||
| Cat Celebrezze | .... | associate music producer | |
| Don Christiansen | .... | producer: CD soundtrack | |
| Jim Keller | .... | executive music producer | |
| John Kusiak | .... | additional music | |
| Nico Muhly | .... | score preparation | |
| Kurt Munkacsi | .... | music producer | |
| Ichiho Nishiki | .... | music assistant | |
| Michael Riesman | .... | musical director | |
Other crew | |||
| Christian Akers | .... | production assistant | |
| Jamie Anschultz | .... | production assistant | |
| Heidi August | .... | production accountant | |
| Sarah Belanger | .... | intern | |
| Kara Bilof | .... | studio manager | |
| James Blight | .... | special advisor | |
| Paul Brennan | .... | production counsel: Sloss Law Office | |
| John Cefalu | .... | location manager | |
| Karen Corsica | .... | production coordinator: interviews | |
| Jeff Crocker | .... | research assistant (as Jeffery Crocker) | |
| Matthew Davey | .... | laser film recording: Arri | |
| Christopher Fadale | .... | technical supervisor: interviews (as Chris Fadale) | |
| Joe Harley | .... | intern | |
| Kevin Hayes | .... | production coordinator | |
| Peter Heady | .... | io data editorial | |
| Paul Hu | .... | photo: McNamara and Nguyen Co Thach | |
| Jeff Huston | .... | laser film recording: Arri | |
| Claire Jones | .... | research assistant | |
| Chris Kasick | .... | assistant to the director (as Chris 'Ox' Kasick) | |
| Dan Kemp | .... | location manager | |
| Katherine Kim | .... | intern | |
| Jason Kohn | .... | research assistant | |
| Alex Kreuter | .... | graphics supervisor | |
| Jeff Krulik | .... | research assistant | |
| Janet Lang | .... | special advisor | |
| John Latenser V | .... | location manager | |
| Paul Loram | .... | research assistant | |
| Justin Milner | .... | intern | |
| Nico Muhly | .... | assistant: to Philip Glass & Michael Riesman | |
| Ann Petrone | .... | archival research supervisor | |
| Dina Marie Piscatelli | .... | production coordinator | |
| Luke Poling | .... | production assistant | |
| Andy Rice | .... | research assistant | |
| Justin Rice | .... | assistant to the director | |
| Ben Schneider | .... | assistant to production | |
| Julia Sheehan | .... | special advisor | |
| John Sloss | .... | production counsel: Sloss Law Office | |
| Tim Spitzer | .... | executive producer: HD & data services | |
| Shawn Tabor | .... | military consultant | |
| Shawn Tabor | .... | research assistant | |
| Jared Washburn | .... | office production assistant | |
Thanks | |||
| James Blight | .... | acknowledgment: archival footage and photographs provided by | |
| Tim Bono | .... | special thanks | |
| John Canaday | .... | special thanks | |
| Jonny Cranson | .... | special thanks | |
| Frances Fitzgerald | .... | special thanks | |
| Ellen Fitzpatrick | .... | special thanks | |
| Chris Florio | .... | special thanks | |
| Deborah Fortson | .... | special thanks | |
| Jim Gardner | .... | special thanks | |
| Jane Gillooly | .... | special thanks | |
| Harvey Goldberg | .... | in memory of: University of Wisconsin history professor | |
| Alfred Guzzetti | .... | special thanks | |
| Peter Hall | .... | special thanks | |
| Alison Harris | .... | special thanks | |
| Steven Harris | .... | special thanks | |
| Paul Jankowski | .... | special thanks | |
| Caroline Kaplan | .... | very special thanks | |
| Alice Kelikian | .... | special thanks | |
| Craig McNamara | .... | acknowledgment: archival footage and photographs provided by | |
| Craig McNamara | .... | special thanks | |
| George L. Mosse | .... | in memory of: University of Wisconsin history professor | |
| Jamie Mylar | .... | special thanks | |
| Tom O'Malley | .... | special thanks | |
| Kenn Rabin | .... | special thanks | |
| Deborah Ricketts | .... | special thanks | |
| Ron Rosenbaum | .... | special thanks | |
| Jay Rubin | .... | special thanks | |
| Elizabeth Sadoff | .... | special thanks | |
| Jonathan Sehring | .... | very special thanks | |
| Gary Stern | .... | special thanks | |
| Rosemary Taylor | .... | special thanks | |
| Kathryn Tucker | .... | special thanks | |
| Patricia Vanderbeek | .... | special thanks | |
| Lawrence Waschler | .... | special thanks | |
| Lewis D. Wheeler | .... | special thanks (as Lewis Wheeler) | |
| Bonnie Willette | .... | special thanks | |
| Kyla Wilson | .... | special thanks | |
| Dino Zervos | .... | special thanks | |
|
|
|
|
|
| Thirteen Days | The U.S. vs. John Lennon | Path to War | Fail-Safe | On the Brink: Doomsday |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
Educated in the best Ivy League schools, successful leaders in the business world, they were the best and the brightest, the core of John F. Kennedy's administration. They came to office in 1961 with high hopes that the world would become a better place. When they left, these expectations lay shattered amidst the rice paddies and jungles of Vietnam. Considered the architect of what came to be known as "McNamara's War", Robert S. McNamara, Secretary of Defense under both Kennedy and Johnson, was one of the brightest but had the reputation of being aloof and arrogant. This public image, however, may not have been the whole story. In the fascinating Oscar-nominated documentary, The Fog of War: Eleven Lessons from the Life of Robert S. McNamara, Errol Morris (The Thin Blue Line, Dr. Death) interviews the now 86-year old Defense Secretary in an effort to come to terms with what led to the quagmire of Vietnam and reveals a more complex, even strangely sympathetic man.
Interspersed with archival footage, actual news broadcasts, and tape-recorded conversations from the period, the interview documents McNamara's personal account of his involvement with American policy from WW II to the 1960s. Culled from 20 hours of tape, the interview is separated into eleven segments corresponding to lessons learned during his life such as "Empathize with your enemy", and "Rationality will not save us". The Secretary does not apologize for the war, saying he was only trying to serve an elected President but is willing to admit his mistakes. He says that he now realizes the Vietnam conflict was considered by the North Vietnamese to be a civil war and that they were fighting for the independence of their country from colonialism, (something opponents of the war had been trying to tell him for over five years). Morris never undercuts McNamara's dignity or pushes him into a corner yet also does not slide troubling questions under the rug and there are some questions McNamara does not want to discuss.
Though his reputation is that of a hawk, previously unheard tape-recorded conversations between McNamara and both Presidents reveal that he urged caution and opposed the continued escalation of the Vietnam War. In 1964, we hear Johnson say. "I always thought it was foolish for you to make any statements about withdrawing, but you and the President thought otherwise, and I just sat silent." McNamara also discusses his role in World War II, the Cuban Missile Crisis, and his accomplishments as President of the Ford Motor Company. In talking about Cuba, he reveals how close the world came to nuclear annihilation, saved only by the offhand suggestion by an underling. McNamara repeats over and over again, demonstrating with his fingers, how close we all came to nuclear war. He talks openly about his involvement in World War II under General Curtis Le and how he helped plan the firebombing of 67 Japanese cities including Tokyo in which 100,000 Japanese civilians were killed. In a startling admission, he says that if the allies had not won the war, both he and Le May could have been tried as war criminals.
Mr. McNamara has spoken out a bit late to save the lives of 50,000 Americans and several million Vietnamese but at least he has spoken and we can learn from his reflections. Though the Secretary does not apologize for the war, saying he was only trying to serve an elected President, to his credit he has looked at the corrosiveness of war and what it does to the human soul and we are left with the sense of a man who has come a long way. While his lesson that "In order to do good, one may have to do evil" sounds suspiciously like "the end justifies the means", his sentiments are clear that the U.S. should never invade another country without the support of its friends and allies. He says, "We are the strongest nation in the world today", he says, "and I do not believe we should ever apply that economic, political or military power unilaterally. If we'd followed that rule in Vietnam, we wouldn't have been there. None of our allies supported us. If we can't persuade nations with comparable values of the merit of our cause, we'd better re-examine our reasoning." A valuable lesson indeed.