What do an elderly topiary gardener, a retired lion tamer, a man fascinated by mole rats, and a cutting-edge robotics designer have in common? Both nothing and everything in this ... See full summary »
Early Errol Morris documentary intersplices random chatter he captured on film of the genuinely eccentric residents of Vernon, Florida. A few examples? The preacher giving a sermon on the ... See full summary »
Amazing series primarily using Errol Morris' invention the Interrotron for unusual people to tell their outré stories directly into the camera to the viewer. Almost every half-hour ... See full summary »
John Millhouse has just returned home after four years of service in The United States Army. He wants nothing more than to return to a 'normal' life, but the horrors of war and his never ... See full summary »
Benhur Sito Barrero,
In Errol Morris's fourth of six shorts for ESPN Films, we learn, through a former Mr. Met, what it's like to be a mascot - to be beloved, but voiceless - and what happens to one's identity when the time comes to take the suit off.
For Steve Coburn, California Chrome was a literal dream come true. In Errol Morris's fifth of six shorts for ESPN Films, we meet the passionate owner of the horse who nearly became the first Triple Crown winner in 36 years.
Documentary about Robert McNamara, Secretary of Defense in the Kennedy and Johnson Administrations, who subsequently became president of the World Bank. The documentary combines an interview with Mr. McNamara discussing some of the tragedies and glories of the 20th Century, archival footage, documents, and an original score by Philip Glass. Written by
Errol Morris invented a device called the Interrotron not for this film. He did indeed use the Interrortron, but he invented it several years earlier, and has used it on several of his other films. See more »
[Per contact at the Errol Morris Foundation, the date is 8/5/1964, and the clip is from Press Conference on The Gulf of Tonkin Incident, National Archives #111-LC-48220]
[archival footage from the press conference on the Gulf of Tonkin Incident, 5 August 1964]
Is this chart at a reasonable height for you? Or do you want it lowered? All right. Earlier tonight - first let me ask the TV, are you ready? All set?
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Director of Officeland Security: Jackpot Junior See more »
If you possess an especially smug view of history's finality, this film may not do a great deal to impress you. For the rest of us, however, Errol Morris presents a truly complex picture of a clearly complex man.
Many of the reviews I read of the film complain that there doesn't seem to be a main point that emerges from the film or its eleven "lessons," which are admittedly too cute by half in many cases. The point, though, is the complexity itself. The point is that history is bigger than its main players, and inscrutably difficult to judge in a definitive moral sense. I don't think I will ever forget McNamara's probing, clearly emotional questioning of the rules of war or the lack thereof, when he discusses how one evening he and general Curtis LeMay decided to burn to death 100,000 people in the Tokyo firebombing. The portrait of McNamara, as well as the two presidents he served, is one of human beings through and through, with all the fallibility and conflictedness that entails. The central quandary of war emerges for the viewer to see: it is the business of killing people, and that means that mistakes cause people to die needlessly.
As I said, this film, taken in the right spirit, is deeply challenging. I would recommend it to anyone who has grappled with the enormity and awfulness of the history of the twentieth century.
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