| Photos (See all 46 | slideshow) | Videos (see all 6) |
| Jet Li | ... | Nameless | |
| Tony Leung Chiu Wai | ... | Broken Sword (as Tony Leung Chiu-Wai) | |
| Maggie Cheung | ... | Flying Snow (as Maggie Cheung Man-Yuk) | |
| Ziyi Zhang | ... | Moon (as Zhang Ziyi) | |
| Daoming Chen | ... | King of Qin | |
| Donnie Yen | ... | Sky | |
| Zhongyuan Liu | ... | Old scholar | |
| Tianyong Zheng | ... | Old Servant | |
| Yan Qin | ... | Prime Minister | |
| Chang Xiao Yang | ... | General | |
| Yakun Zhang | ... | Commander | |
| Ma Wen Hua | ... | Head Eunuch | |
| Jin Ming | ... | Eunuch | |
| Xu Kuang Hua | ... | Pianist | |
| Wang Shou Xin | ... | Musician | |
| Zi Hei | ... | Qin Guard #1 | |
| Cao Hua | ... | Qin Guard #2 | |
| Li Lei | ... | Qin Guard #3 | |
| Xia Bin | ... | Qin Guard #4 | |
| Peng Qiang | ... | Qin Guard #5 | |
| Liu Jie | ... | Qin Guard #6 | |
| Zhang Yi | ... | Qin Guard #7 | |
| rest of cast listed alphabetically: | |||
| James Hong | ... | King of Qin (English dubbed version) (voice) | |
| Emil Lin | ... | Nameless (English dubbed version) (voice) | |
| Bruce Locke | ... | Sky (voice) | |
| Angela Oh | ... | Moon (English dubbed version) (voice) | |
| Elizabeth Sung | ... | Flying Snow (English dubbed version) (voice) | |
Directed by | |||
| Yimou Zhang | |||
Writing credits(in alphabetical order) | ||
| Feng Li | ||
| Bin Wang | ||
| Yimou Zhang | ||
Produced by | |||
| Shoufang Dou | .... | executive producer | |
| William Kong | .... | producer (as Bill Kong) | |
| Philip Lee | .... | line producer | |
| Weiping Zhang | .... | executive producer | |
| Yimou Zhang | .... | producer | |
| Zhenyan Zhang | .... | associate producer | |
Original Music by | |||
| Tan Dun | |||
Cinematography by | |||
| Christopher Doyle | |||
Film Editing by | |||
| Angie Lam | |||
| Vincent Lee | (documentary segment) | ||
| Ru Zhai | |||
Production Design by | |||
| Tingxiao Huo | |||
| Zhenzhou Yi | |||
Art Direction by | |||
| Qin Hong Bo | (supervising art director) | ||
| Zhong Han | (supervising art director) | ||
| Tingxiao Huo | |||
| Liu Yong Qi | (supervising art director) | ||
| Bin Zhao | |||
Costume Design by | |||
| Emi Wada | |||
Makeup Department | |||
| Siu-Mui Chau | .... | chief hair stylist (as Chau Siu Mui) | |
| Lee-na Kwan | .... | chief makeup artist (as Lee Na Kwan) | |
| Tam Ying Kwan | .... | hair stylist | |
| Shul Niu | .... | assistant hair stylist | |
Production Management | |||
| Tianhui Ge | .... | unit manager | |
| Jane Maguire | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Shi Bin | .... | assistant director | |
| Xiaoyang Chang | .... | assistant director | |
| Liu Guonan | .... | assistant director (as Liu Guo Nan) | |
| Huan Qi | .... | assistant director | |
| Du Ming Xiang | .... | assistant director | |
| Jinzhan Zhang | .... | director: battle sequences (as Zhang Jin Zhan) | |
| Wei Zhou | .... | assistant director | |
Art Department | |||
| Zhao Xiao Dan | .... | property master | |
| Gao De Zhong | .... | set dresser | |
| Liu Jin Guo | .... | set dresser | |
| Zhongquan Hu | .... | assistant set dresser (as Hu Zhong Quan) | |
| Yi Hua | .... | sketch artist | |
| Wang Xue Jun | .... | draftsman | |
| Li Yan Lai | .... | sketch artist | |
| Ming-Shan Li | .... | property master (as Ming Shan Li) | |
| Xiao Jun Min | .... | assistant to sketch artist | |
| Wang Jia Ren | .... | assistant set dresser | |
| Ming Wu | .... | storyboard artist | |
| Liu Yi | .... | assistant set dresser | |
| Yang Zhan Yi | .... | assistant set dresser | |
Sound Department | |||
| Lai Jia Bin | .... | sound technician | |
| Steve Burgess | .... | sound editor | |
| Li Pei Gen | .... | sound assistant | |
| Wei He | .... | sound technician | |
| Yu Hou | .... | sound assistant | |
| Peng Jiang | .... | second sound assistant | |
| Tao Jun Jie | .... | sound technician | |
| Si Guo Li | .... | sound assistant | |
| Francis Ward Lindsay | .... | sound editor | |
| Robert Mackenzie | .... | sound effects editor | |
| Andrew Neil | .... | sound effects editor | |
| Glenn Newnham | .... | sound editor | |
| Paul Pirola | .... | sound effects editor | |
| Roger Savage | .... | sound re-recording mixer | |
| Roger Savage | .... | supervising sound editor | |
| Blair Slater | .... | foley mixer & editor | |
| Blair Slater | .... | foley recordist | |
| Jing Tao | .... | sound | |
| Jing Tao | .... | supervising sound editor | |
| Li Wen | .... | sound assistant | |
| Andy Wright | .... | assistant re-recording mixer | |
| Wang Yu | .... | sound assistant | |
| Zhigang Zhang | .... | first sound assistant | |
| Chris Goodes | .... | sound editor (uncredited) | |
Visual Effects by | |||
| Jance Allen | .... | compositor | |
| Charlie Armstrong | .... | senior compositor | |
| Kevin Baillie | .... | digital artist | |
| Aaron Barclay | .... | lead compositor | |
| Ryan Beadle | .... | digital I/O | |
| Chris Bone | .... | R&D programmer | |
| Dan Breckwoldt | .... | digital compositor | |
| Andy Brown | .... | visual effects supervisor: Animal Logic | |
| Ian Brown | .... | lighting sequence lead | |
| Alex Brownell | .... | visual effects coordinator: Tweak Films | |
| Sonia Calvert | .... | digital compositor | |
| Cedrick Chan | .... | digital artist | |
| YouJin Choung | .... | visual effects | |
| Sarah Cloutier | .... | digital liaison | |
| Fiona Crawford | .... | visual effects producer | |
| Francisco DeLaTorre | .... | visual effects artist: Tweak Films | |
| Jonathan Dixon | .... | digital liaison | |
| Dennis Dorney | .... | digital lineup | |
| David Dulac | .... | visual effects supervisor | |
| Wayde Duncan-Smith | .... | 3D animator | |
| Rebecca Dunn | .... | digital compositor | |
| Stephen Evans | .... | digital compositor | |
| Arin Finger | .... | visual effects coordinator: The Orphanage | |
| Lindsay Fleay | .... | 3D lead | |
| Howard Fuller | .... | 3D animator | |
| Michele Gray | .... | visual effects producer: Tweak Films | |
| Matthew Hendershot | .... | digital artist: The Orphanage | |
| Jesse Ho | .... | animator | |
| Christopher Horvath | .... | visual effects supervisor: Tweak Films | |
| Jim Hourihan | .... | visual effects research and development: Tweak Films | |
| Sarahjane Javelo | .... | digital paint/rotoscope artist | |
| Krista Jordan | .... | senior compositor | |
| Keith Leung | .... | wires artist | |
| Justen Marshall | .... | production programmer | |
| Ian McCamey | .... | visual effects editor: The Orphanage | |
| Yvette Memory | .... | visual effects coordinator: The Orphanage | |
| Lori C. Miller | .... | digital compositor | |
| Saki Mitchell | .... | digital compositor | |
| Cliff Mueller | .... | lead animator: Tweak Films | |
| Luke O'Byrne | .... | visual effects producer: The Orphanage | |
| Scott Palleiko | .... | technical director: Tweak Films | |
| Guoyu Pan | .... | visual effects supervisor | |
| JaeWook Park | .... | technical director/compositor | |
| Ellen Poon | .... | visual effects supervisor | |
| Murray Pope | .... | visual effects executive producer | |
| Alex Prichard | .... | digital artist: The Orphanage | |
| Wang Shu Qing | .... | model maker | |
| Dane Rapaport | .... | systems administrator | |
| Jeff Renton | .... | 3D animator | |
| Aaron Rhodes | .... | digital compositor: The Orphanage | |
| Michael Root | .... | visual effects sequence supervisor: Tweak Films | |
| Jonathan Rothbart | .... | visual effects supervisor: The Orphanage | |
| Danielle Rubin | .... | visual effects coordinator | |
| Marc Sadeghi | .... | executive visual effects producer | |
| Richard Schlein | .... | visual effects executive producer: Tweak Films | |
| Pheng Sisopha | .... | compositor | |
| Christa Starr | .... | technical director: Tweak Films | |
| Robert Sullivan | .... | video operations supervisor: Animal Logic | |
| Chris Swinbanks | .... | film I/O supervisor | |
| Ryan Tudhope | .... | digital artist | |
| David Valentin | .... | visual effects associate producer | |
| Ray Van Steenwyk | .... | animator | |
| Sandeep Vengsarkar | .... | digital compositor | |
| Carl Walters | .... | digital artist | |
| Frederick Wolff | .... | scanning and recording operator | |
| George Zwier | .... | digital compositor | |
| S. Kai Bovaird | .... | digital effects artist (uncredited) | |
| Ben De Luca | .... | systems administrator (uncredited) | |
| Chris Godfrey | .... | on-set visual effects supervisor (uncredited) | |
| Laurence Lok | .... | roto artist (uncredited) | |
| Kristi Valk | .... | digital artist: The Orphanage (uncredited) | |
Stunts | |||
| Hu Wen Biao | .... | stunts | |
| Xia Bin | .... | stunts | |
| Shi Feng | .... | stunts | |
| Cao Hua | .... | stunts | |
| Wang Wen Hua | .... | stunts | |
| Wang Zhao Hui | .... | stunts | |
| Zhao Hui | .... | stunts | |
| Feng Iang | .... | stunts | |
| Li Fang Jin | .... | stunts | |
| Li Lei | .... | stunts | |
| Li Ou | .... | stunts | |
| Huang Tao | .... | stunts | |
| Li Wei | .... | stunts | |
| Zheng Xin Xin | .... | stunts | |
| Din Yong | .... | stunts | |
| Sun Yong | .... | stunts | |
| Bai Lin Yuh | .... | stunts | |
Camera and Electrical Department | |||
| Jasmine Yuen Carrucan | .... | assistant camera (as Jasmine Yuen-Carrucan) | |
| Wang Ji Chao | .... | additional assistant camera: battle sequences | |
| Song De Hua | .... | assistant camera | |
| Wei Guo Dong | .... | generator operator | |
| Yu Jian Dong | .... | electrician | |
| Guo Xing Hai | .... | assistant camera | |
| Yong Hou | .... | additional camera operator | |
| Dongsheng Jiang | .... | electrician (as Jian Dong Sheng) | |
| Zhang Hua Jie | .... | additional assistant camera: battle sequences | |
| Cao Jin | .... | additional assistant camera: battle sequences | |
| Li Wu Jun | .... | generator operator | |
| Zhu Al Jun | .... | assistant camera | |
| Baoquan Li | .... | Steadicam operator (as Bao Quan Li) | |
| Zhang Li | .... | additional assistant camera: battle sequences | |
| Brett Matthews | .... | first assistant camera: "a" camera | |
| Kong Yu Ping | .... | camera grip | |
| Cao Yong Qiang | .... | electrician | |
| Li Zu Rong | .... | still photographer | |
| Yoshio Sato | .... | still photographer | |
| Lihong Wang | .... | best boy electric | |
| Tian Lin Wang | .... | additional assistant camera: battle sequences | |
| Chao Wei | .... | camera grip | |
| Chen Zhu Xiang | .... | assistant camera | |
| Fusen Xu | .... | camera grip (as Fu Sen Xu) | |
| Jeng Zi Ying | .... | electrician | |
| Chuncheng Zhao | .... | assistant camera (as Zhao Chun Cheng) | |
| Xiaoding Zhao | .... | camera operator | |
Costume and Wardrobe Department | |||
| Zeng Qing Chun | .... | costumer | |
| Jin-Hua Gu | .... | costumer (as Gu Jin Hua) | |
| Bao-Rong Huang | .... | wardrobe supervisor | |
| Zhu Ming | .... | costumer | |
| Zhu Run Sen | .... | costumer | |
Editorial Department | |||
| Olivier Fontenay | .... | color grader | |
| Matt Garner | .... | post-production executive: Miramax | |
| Al Hansen | .... | digital colorist | |
| Antonio Mestres | .... | assistant editor | |
Music Department | |||
| Tan Dun | .... | conductor | |
| Richard King | .... | music scoring engineer | |
| Simon Leadley | .... | music editor | |
| Itzhak Perlman | .... | musician: violin solos and fiddling | |
| Tim Ryan | .... | music editor | |
| Katrina Schiller | .... | assistant music editor | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Hong Kong section |
It sounded like a HK Cinema fan's ultimate wet dream... Zhang Yimou to direct a martial arts epic with Jet Li, Maggie Cheung, Leung Chiu Wai, Zhang Ziyi and Donnie Yen in the cast, Ching Siu-Tung doing the action, Christopher Doyle the cinematography and Emil Wada the costumes. What more could you ask for? (Well, Brigitte Lin coming out of retirement and Yuen Wo Ping and Sammo Hung sharing the action director credits, perhaps).
I guess we have CROUCHING TIGER HIDDEN DRAGON to thank for making the wu xia world bankable again, and generating the interest and investment required to bring a project of this stature together. There's no doubt that the US Market was a major target, and US$ went into the funding. Given this it's a tragedy that Yimou let Miramax get their paws on it and effectively ruin any chances it had of major US success
Apart from Zhang Ziyi and the Tan Dun soundtrack (a terrible choice no doubt enforced by US investors), CROUCHING TIGER HIDDEN DRAGON is not a good reference point by which to evaluate HERO. Much more appropriate is Wong Kar Wai's ASHES OF TIME, with which it shares two lead actors and a cinematographer. HERO is definitely more commercially oriented, but shares a beauty and philosophical richness with AOT, and a certain melancholy mood.
The story of HERO starts off quite simply, as Jet Li begins to recount his martial triumphs to the Emperor of Qin. The tale is told in flashbacks which revisit and re-evaluate the same events, elaborating on and changing the story as we learn more. It's reminiscent of Akira Kurosawa's RASHOMON, and is a great way of developing a mystery thriller. Zhang Yimou handles the building of the tale expertly, as one would expect from such a master film maker.
Zhang Yimou himself is such an accomplished cinematographer he hardly needed to hire somebody else for the job - but if there's anybody better than Yimou it's Christopher Doyle. I wonder how much conflict there was on set though, as I am sure each had very strong visions of how they wanted scenes to look. The result doesn't show any signs of it if such a conflict occured though, as the visual style seems exceptionally strong and focussed throughout. A large part of this is Yimou's use of bold colours to delineate the different sections of the story (The green, the red, the yellow, the blue, the white). With Emil Wada's stunning costumes and the great choice of locations, HERO is almost as rich in stunning imagery as ASHES OF TIME. It's a true work of art, harking back to Yimou's older films like SHANGHAI TRIAD and RAISE THE RED LANTERN - I'm really pleased to see him making such visual films again. The visuals are sometimes let down by some unconvincing CGI effects, unfortunately.
Zhang Yimou has never directed an action movie before, so people were clearly worried he wouldn't know what to do with the fight scenes that a wu xia movie needs more than anything else. It's been quite a few years since Ching Siu Tung has produced any really impressive work too, so I was rather worried - especially when I heard (from good authority) that Yimou had Ching had clashed on set. Apparently Zhang wanted more grounded, realistic kung fu, which really isn't Ching Siu Tung's thing (should have got Sammo or Yuen Wo Ping!). I guess Ching got the upper hand in the end, as the fight scenes are certainly not grounded or realistic - they're very much about the twirling and whirling and the graceful flying that Ching Siu Tung virtually defined. They're not as manic as he usually makes the action when he directs himself, though - a fact that sometimes makes the wirework look a bit awkward.
A real surprise is that the weakest fight scene of the film is that one that pits the two best martial artists together. Jet Li vs. Donnie Yen opens the film with some sword vs. spear action. There's some beautiful moments, but I felt the scene lacked impact and featured some awkward moves too. Oddly enough, the fight I enjoyed the most featured no real martial artistry at all - Maggie Cheung vs (well, you'll see) in a beautiful autumnal scene of falling leaves. I guess that's because Ching Siu Tung is really not working to his strengths when he tries to do "real" martial arts.
I had held off watching HERO for months, because as soon as I got the first released DVD (the DVD-5 from Guang Dong Face Ah) it was announced that the extended version of the film would be released in a few weeks. It's generally well known now that Zhang Yimou was persuaded to cut about 20 minutes from the film by the hatchet men at MiramAXE, who really must die first when the revolution comes. I figured the first time I see it I should see the best possible version, for maximum impact, so I was willing to wait. Well it's been 2 months now and the extended version is now indefinitely delayed due to legal issues, so I finally gave in and watched the DVD I'd had lying around for so long. Now that I've seen it I have to say I don't really see what another 20 minutes would add to the film - it seems quite complete and well paced at about 95 minutes. A little more development of Donnie Yen's character would be nice, but other than that it's hard to imagine what is missing. Longer action scenes maybe? Or perhaps just 20 minutes of Christopher Doyle's beautifully composed landscape shots, or close ups of Maggie Cheung dying.
I'm glad I waited to see the film anyway though, as it allowed all the hype and anticipation to die down. Unfortunately, when a film is as highly anticipated as this it's inevitable that there will be "backlash syndrome" as people feel let down that it wasn't the ultimate movie of all time they heard/hoped it would be (it was amusing to watch the reviews on CROUCHING TIGER swing between "incredible" and "awful" as hype waves ruined the experience for many, and I'm sure the same will happen with HERO).
Zhang Yimou is an extremely talented director in many respects, but perhaps the greatest is his ability to get incredible performances out of his cast. With such an illustrious cast on board he perhaps felt he didn't need to try as much though (or they weren't willing to listen), as the acting isn't as powerful as I had expected. It's still of a very high quality, but doesn't evoke the same strong emotions as some of the performances in ASHES OF TIME. Leung Chiu-Wai gets the top award for acting though, which will surprise few people. Zhang Ziyi only has a small part, but shows a lot of talent too - nice to see such skill in somebody that still has most of her career ahead of her. Of course, it was Zhang Yimou that discovered and nurtured her talent in THE ROAD HOME.
There are only two disappointments in HERO, for me. One is the special effects, which aren't up to the very latest standards. A little less use of CGI would have made it go a lot further (like in CTHD). The other is the soundtrack, which is really just much too similar to the Crouching Tiger soundtrack. It doesn't fit HERO as well, but it is still pretty evocative and effective - just too similar to CTHD.
I still intend to pick up the extended version of HERO when it's released, to see what Zhang Yimou's ideal vision for the film was. Even running shorter than he really wanted it's a mighty fine film though, and one I have no hesitation in recommending if anybody hasn't seen it yet. If MiramAXE ever do get round to releasing it in the US, I hope it does well.