| Photos (See all 30 | slideshow) | Videos (see all 3) |
| Monica Bellucci | ... | Alex (as Bellucci) | |
| Vincent Cassel | ... | Marcus (as Cassel) | |
| Albert Dupontel | ... | Pierre (as Dupontel) | |
| Jo Prestia | ... | Le Tenia (as Prestia) | |
| Philippe Nahon | ... | L'homme (as Nahon) | |
| Stéphane Drouot | ... | Stéphane (as Drouot) | |
| Jean-Louis Costes | ... | Fistman (as Costes) | |
| Michel Gondoin | ... | Mick (as Gondouin) | |
| Mourad Khima | ... | Mourad (as Khima) | |
| Hellal | ... | Layde | |
| Nato | ... | Commissaire | |
| Fesche | ... | Chauffeur Taxi | |
| Jara-Millo | ... | Concha (as Jaramillo) | |
| Le Quellec | ... | Inspecteur | |
| Giami | ... | Isabelle | |
| Fatima Adoum | ... | Fatima (as Adoum) | |
| Foulaux | ... | Janice | |
| rest of cast listed alphabetically: | |||
| Stéphane Derdérian | ... | Client du Rectum (uncredited) | |
| Christophe Lemaire | ... | Le danseur avec la chemise hawaïenne (uncredited) | |
| Eric Moreau | ... | Extra (uncredited) | |
| Gaspar Noé | ... | Client du Rectum (uncredited) | |
| Titof | ... | Le mec sur le lit à la fête (uncredited) | |
Directed by | |||
| Gaspar Noé | |||
Writing credits(in alphabetical order) | ||
| Gaspar Noé | ||
Produced by | |||
| Vincent Cassel | .... | co-producer | |
| Brahim Chioua | .... | co-producer | |
| Emmanuel Gateau | .... | consulting producer | |
| Richard Grandpierre | .... | co-producer | |
| Gaspar Noé | .... | co-producer | |
| Christophe Rossignon | .... | producer | |
Original Music by | |||
| Thomas Bangalter | |||
Cinematography by | |||
| Benoît Debie | |||
| Gaspar Noé | |||
Film Editing by | |||
| Gaspar Noé | |||
Casting by | |||
| Jacques Grant | |||
Production Design by | |||
| Alain Juteau | |||
Costume Design by | |||
| Laure Culkovic | |||
Makeup Department | |||
| Pierre Chavialle | .... | hair stylist | |
| Jean-Christophe Spadaccini | .... | special makeup effects artist | |
| Ghislaine Tortereau | .... | hair stylist | |
Production Management | |||
| Serge Catoire | .... | production manager | |
| Eric Chabot | .... | unit production manager | |
| Virginia Lombardo | .... | unit manager | |
| Ève Machuel | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Stéphane Derdérian | .... | first assistant director | |
| Olivier Théry-Lapiney | .... | first assistant director | |
Art Department | |||
| Sandra Castello | .... | assistant art director | |
| Pascal Gras | .... | carpenter | |
| Nicolas Javel | .... | assistant art director | |
Sound Department | |||
| Jean-Luc Audy | .... | sound | |
| Xavier Bonneyrat | .... | assistant sound editor | |
| Marc Boucrot | .... | sound | |
| Olivier Busson | .... | boom operator | |
| Vincent Cosson | .... | sound mix technician | |
| Valérie Deloof | .... | sound | |
| Cyril Holtz | .... | sound re-recording mixer | |
| François Lepeuple | .... | foley artist | |
Visual Effects by | |||
| Rodolphe Chabrier | .... | visual effects supervisor | |
| Xavier Fourmond | .... | digital compositor | |
| Stéphanie Machuret | .... | senior digital compositor: Mac Guff Ligne | |
| Christophe Richard | .... | digital artist | |
| Isabelle Roussel | .... | digital compositor | |
| Eric Vidal | .... | compositor | |
Camera and Electrical Department | |||
| Kamel Belaïd | .... | electrician | |
| David Campbell | .... | crane operator: Super Technocrane | |
| Eric Catelan | .... | Steadicam operator | |
| Benoît Debie | .... | lighting designer | |
| Denis Gaubert | .... | assistant camera: second unit | |
| Jérôme Mauduit | .... | assistant camera: second unit | |
| Antoine Rabaté | .... | assistant camera | |
| Sébastien Saadoun | .... | assistant camera | |
| Mathieu Szpiro | .... | gaffer | |
| Bretagne Benoit | .... | additional electrician (uncredited) | |
Casting Department | |||
| Omri Ben Canaan | .... | extras casting | |
Editorial Department | |||
| Richard Deusy | .... | colorist | |
Other crew | |||
| Peter Block | .... | acquisitions executive | |
| Marielle Duigou | .... | production assistant | |
| Virginia Lombardo | .... | assistant location manager | |
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| Salò, or the 120 Days of Sodom | Torso | Black Belly of the Tarantula | Bully | The Cat o' Nine Tails |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb France section |
Cinema is a multifaceted medium, with its limits extending in various dimensionsÂ…What I felt after watching Irreversible is, this movie is staged at the edge of one of the possible dimensions. I don't think another movie can be crueler. I was warned enough by the information I got from IMDb and I was determined to finish it what ever comes. The spinning camera work and the intentionally added noise made me literally sick, (may be because I am sensitive) but I persisted to continue. I read so many threads here in IMDb saying many people turned on watching the rape. To me, it seemed unattractively cruel, and I don't know whether it is close to reality as I have never witnessed or experienced a rape. But my conscience tells me, it is the worst thing a man can do. What more, I could not continue without a break. The entire story is told backwards, and if you see it from the end, in the reverse order, the murder at the Rectum is a real slap on the face, for who all turned on watching the rape. I haven't seen another movie by Gasper Noe, but this one was very powerful indeed. This will make you hate the heinous crime like a rape or a murder, even more intensely as you do now. I remember seeing a movie by Hitchcock, The torn Curtain, in which he shot a murder scene, to show how difficult it is and how cruel you need to be to murder another human being. Irreversible evokes a same feeling; it tells you how cruel you need to be, to be so. I appreciate the intention. But, I don't agree, presenting all the graphic details as the only way to evoke a similar emotion or feeling. I will mention another movie here, Bhoothakkannadi (eye lens), a movie made in Malayalam, my mother tongue. It was so powerful and it evoked a similar feeling in me, against humiliation and crimes like rape without delineating all those cruelty in detail. Irreversible, in a sense, diminish your soul rather than ameliorating it, what an art form is really meant to do. It even made me to hate the entire medium of cinema for a few days, and I recovered because I have an immutable faith in the potential of cinema. This is not a film to enjoy. You may not like this. I don't like this movie. But still I say it is powerful, as it says something very clearly.