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Irreversible (2002) Poster

(2002)

Trivia

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The first 30 minutes of the film has a background noise with a frequency of 28Hz (low frequency, almost inaudible), similar to the noise produced by an earthquake. In humans, it causes nausea, sickness and vertigo. It was the main cause of people walking out of the theaters during the first part of the film in places like Cannes and San Sebastian. In fact, it was added with the purpose of getting this reaction.
During the party scene shortly after (or before) the rape, when Vincent Cassel is asked his name he replies "Vincent" instead of his character's name, Marcus. He quickly covers this up by saying "just kidding" so that they would not have to reset the long and complicated shot.
The "Rectum" was in fact a genuine gay S&M club in Paris. The crew changed the name, redressed the set and added red lighting. The club was spread across the basements of three separate buildings and was so cavernous and confusing that many of the crewmembers became claustrophobic in it.
Newsweek stated that this was the most walked out of movie of the year.
Director Gaspar Noé only had a three-page draft before the movie was shot, so all of the dialogue was improvised.
Monica Bellucci and Jo Prestia completed six takes of the rape scene over two nights. Bellucci claimed the first take was actually the easiest to do, since on subsequent takes she had a heightened awareness of what was going to happen and had to prevent this from interfering with her characterization.
This began life as a study of a committed relationship for director Gaspar Noé. He wanted to make the film with a real-life couple and husband and wife Vincent Cassel and Monica Bellucci ideally fit the bill. However, as the trio started workshopping ideas for the film, it started to take on a much darker hue.
Three people fainted during the showing of the film at the 2002 Cannes Film Festival.
The blood on Alex' face, and the visible genitals of the rapist, both towards the end of the rape scene, were added digitally afterwards, as were the smashed-face effects in the club fight scene.
The French DVD release proudly proclaims in the blurb on the back that of 2,400 people at the film's Cannes premiere, 200 walked out.
The underpass in the rape scene was painted red and given a concrete-colored foam-rubber floor.
The man bludgeoned to death was a mix of an actor in the first few stages which was then substituted with a latex head. Digital effects were added to make the transition more convincing.
The tagline ("Le temps détruit tout" meaning "Time destroys everything") is the first phrase spoken and the last phrase written.
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The rape scene was shot a number of times and the only constraint on the actors, apart from the beginning and end, was that it didn't run over twenty minutes.
Anywhere from five to fifteen takes of each ten to twenty minute sequence were made, some as short as three minutes and some as long as fifteen. Some takes were assembled using invisible edits disguised with digital post-processing.
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The entire film was shot on Super 16, telecined to high-def video for color tweaking and editing, and then exported to Super 35. For many of the handheld shots, the director used the smallest existing 16mm camera, the Minima.
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In "An Experiment with Time", which Alex is reading during the last (i.e. chronologically first) sequence in the film, J.W. Dunne postulates the existence of a "time-travelling observer", which in dreams can move backwards or forwards in time to actually observe events which may not have yet happened. These are the 'premonitory dreams' which Alex mentions to Marcus and Pierre. Alex earlier describes such a dream to Marcus, where she is in a 'red tunnel' which breaks in two.
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The book Alex is reading (as shown in the last scene) while she is lying on the grass, is "An Experiment With Time" by J.W. Dunne.
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The entire story is told backwards which means that each sequence starts at that moment where the next sequence in the film ends.
On Marcus' bathroom door is a poster featuring the cover art for the Marvel Comics Captain Marvel #1, with the tagline "Out of the Holocaust, a Hero".
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Among the albums visible in Alex's record collection is Brainticket's "Cottonwoodhill".
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Director Cameo 

Gaspar Noé:  Fearing that he will be labeled homophobic, Noé went back to the Rectum set after the main production was completed and shot a short cameo as the masturbating man.

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