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Irreversible (2002)
"Irréversible" (original title)

Not Rated  |   |  Crime, Drama, Mystery  |  22 May 2002 (France)
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Ratings: 7.4/10 from 79,664 users   Metascore: 51/100
Reviews: 657 user | 190 critic | 38 from

Events over the course of one traumatic night in Paris unfold in reverse-chronological order as the beautiful Alex is brutally raped and beaten by a stranger in the underpass.



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Cast overview, first billed only:
Alex (as Bellucci)
Marcus (as Cassel)
Pierre (as Dupontel)
Jo Prestia ...
Le Tenia (as Prestia)
L'homme (as Nahon)
Stéphane Drouot ...
Stéphane (as Drouot)
Jean-Louis Costes ...
Fistman (as Costes)
Mick (as Gondouin)
Mourad Khima ...
Mourad (as Khima)
Hellal ...
Nato ...
Fesche ...
Chauffeur Taxi
Jara-Millo ...
Concha (as Jaramillo)
Le Quellec ...
Isabelle Giami ...
Copine d'Alex enceinte (as Giami)


Events over the course of one traumatic night in Paris unfold in reverse-chronological order as the beautiful Alex is brutally raped and beaten by a stranger in the underpass. Her boyfriend and ex-lover take matters into their own hands by hiring two criminals to help them find the rapist so that they can exact revenge. A simultaneously beautiful and terrible examination of the destructive nature of cause and effect, and how time destroys everything. Written by Denny Gibbons

Plot Summary | Plot Synopsis


Le temps détruit tout - Time destroys everything See more »


Not Rated | See all certifications »

Parents Guide:





| | |

Release Date:

22 May 2002 (France)  »

Also Known As:

Irreversible  »

Box Office

Opening Weekend:

$305,702 (Italy) (24 May 2002)


$4,626 (Hong Kong) (19 December 2003)

Company Credits

Production Co:

, ,  »
Show detailed on  »

Technical Specs



Sound Mix:



Aspect Ratio:

2.35 : 1
See  »

Did You Know?


The French DVD release proudly proclaims in the blurb on the back that of 2,400 people at the film's Cannes premiere, 200 walked out. See more »


As the subway arrives, Pierre describes it as blue. Actually it is green and white. See more »


Mourad: Have you broken your arm, my friend?
See more »

Crazy Credits

The capital letter "E" is written backwards in the credits. See more »


References The Killing (1956) See more »


Symphony No. 9 in D Major - Adagio
Written by Gustav Mahler (as Mahler)
Koka Media
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

more than the sum of its shocks
10 July 2005 | by (Hellfudge, Pennsylvania) – See all my reviews

I'm a sucker for film-world hype--always have been, and probably always will be. When I stumble across a film that is so controversial it inspires both gasps of horror and cheers of praise, I flock to it. There is something intriguing about film's capacity to house unpleasantness, and just how far a director will go in conveying his message (it's always interesting to see whether or not they have a justified reason for the excess). "Irreversible," the backward-structured film from French shock auteur Gaspar Noe ("I Stand Alone") spins you out of control with as much regularity as his camera and characters will allow. It's a curious piece of work designed to provoke the audience--at the beginning, you're disoriented and confused (and, if you're like me, getting carsick from the deliberately erratic camera movements), and even repulsed by the actions of the unfamiliar characters hassling the patrons of a seedy homosexual club, a sequence that ends with a ghastly murder. Okay, then, so what? Clearly the rest of the movie is going to give us an explanation...but would the film have had a similar effect if it were told in a straightforward manner? Is the backward motion of "Irreversible" just a gimmick used by Noe (who is not immune from snobbery and pretension) to draw attention to his film? It's hard to say. Personally, I reject the notion of the reverse storyline being used as a gimmick, simply because of how deliberately the previous pieces fit (certain passages of dialog, particularly a discussion of orgasms that serves as a prelude to one of the most horrifying rape scenes in film history); Noe certainly wasn't asleep in his construction of the film. "Irreversible" displays the type of oppressive misanthropy (the dialog is loaded with racial and homophobic slurs) evidenced in Noe's "I Stand Alone" (the tale of an out-of-work butcher driven to madness by everyone around him), but then pulls back from the hard-edged violence to show a tender humanity that might be even more startling, since the film could have easily played itself for nothing but shock value the entire time. "Irreversible" is an unsettling conundrum that guides us through the highs and lows of the human condition--it pushes buttons of morality, shows in graphic detail what others would only suggest, and brings us out the end of the tunnel exhausted, invigorated, and breathless. A stunning film, somewhat hampered by its excessive dialog.

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Rapist got away with it. drowassassin1986
the 2 men in prison at the beginning? KawaiiKiwi
High art or just junk? dophin26
The final point of the movie hmvatnan
DO NOT WATCH THIS MOVIE princessreject
So What Becomes of Alex? BenMello18
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