| Photos (See all 68 | slideshow) | Videos (see all 7) |
| Ryan Phillippe | ... | Mr. Parker | |
| Benicio Del Toro | ... | Mr. Longbaugh | |
| Juliette Lewis | ... | Robin | |
| Taye Diggs | ... | Jeffers | |
| Nicky Katt | ... | Obecks | |
| Geoffrey Lewis | ... | Abner Mercer | |
| Dylan Kussman | ... | Dr. Allen Painter | |
| Scott Wilson | ... | Hale Chidduck | |
| Kristin Lehman | ... | Francesca Chidduck | |
| James Caan | ... | Joe Sarno | |
| Henry Griffin | ... | P. Whipped | |
| Armando Guerrero | ... | Federale #1 (as Mando Guerrero) | |
| Andres Orozco | ... | Federale #2 | |
| Jan Hanks | ... | Receptionist (as Jan Jensen) | |
| José Pérez | ... | ? (as Jose Perez) | |
| Neil Pollock | ... | Interviewer | |
| Irene Santiago | ... | Sloppy Prostitute | |
| Sarah Silverman | ... | Raving Bitch | |
| rest of cast listed alphabetically: | |||
| James Coffey | ... | Waiter (uncredited) | |
| Mark Ebner | ... | Sperm Donor (uncredited) | |
| Paul Angel Flores | ... | Bar Patron (uncredited) | |
| Heidi Van Lier | ... | Shop Clerk (uncredited) | |
Directed by | |||
| Christopher McQuarrie | |||
Writing credits(WGA) | ||
| Christopher McQuarrie | (written by) | |
Produced by | |||
| Kenneth Kokin | .... | producer | |
| Russell D. Markowitz | .... | executive producer (as Russ Markowitz) | |
Original Music by | |||
| Joe Kraemer | |||
Cinematography by | |||
| Dick Pope | |||
Film Editing by | |||
| Stephen Semel | |||
Casting by | |||
| Lynn Kressel | |||
Production Design by | |||
| Maia Javan | |||
Art Direction by | |||
| Tom Meyer | (as Thomas Meyer) | ||
Set Decoration by | |||
| Les Boothe | |||
Costume Design by | |||
| Heather McQuarrie | (as Heather Neely McQuarrie) | ||
| Genevieve Tyrrell | |||
Makeup Department | |||
| Gina Homan | .... | key makeup artist | |
| Erin Lyons | .... | key hair stylist | |
| Stephanie Scott | .... | hair stylist | |
| Stephanie Scott | .... | makeup artist | |
Production Management | |||
| Bill Block | .... | executive in charge of production | |
| Russell D. Markowitz | .... | production manager (as Russ Markowitz) | |
| Felicity Nove | .... | post-production supervisor | |
| Christine White | .... | production supervisor | |
Special Effects by | |||
| Tamara Carlson | .... | suit fabricator: K.N.B Effects Group | |
| Diane Carlucci | .... | special effects administrator | |
| John C. Carlucci | .... | special effects (as John Carlucci) | |
| Lou Carlucci | .... | special effects supervisor | |
| Jason Collins | .... | lab and set technician: KNB Effects Group | |
| Barry McQueary | .... | special effects (as Barry Mcqueary) | |
| Ric San Nicholas | .... | special effects (as Rick San Nicholas) | |
| Steve Sosner | .... | special effects | |
| Ken Tarallo | .... | special effects | |
| Rick Thompson | .... | special effects | |
| Tony Vandenecker | .... | special effects (as Tony Vandernecker) | |
Visual Effects by | |||
| Johnathan R. Banta | .... | digital artist: Ranchworks Unlimited (as Jonathan Barta) | |
| Casey Cannon | .... | visual effects producer | |
| Homer Z. Dodd | .... | digital compositor | |
| Lauryl Duplechan | .... | visual effects editor | |
| Van Ling | .... | visual effects supervisor | |
| David Fred Masselink | .... | optical effects line-up | |
| Martha Soehendra | .... | digital artist | |
| Christopher Dusendschon | .... | in-show optical process and effects compositor: THDX (uncredited) | |
| Christopher Dusendschon | .... | optical element Hazeltine colorist: THDX (uncredited) | |
Stunts | |||
| Keith Adams | .... | stunts (as Keith W. Adams) | |
| Joshua S. Ashdown | .... | stunt driver | |
| Jane Austin | .... | stunts | |
| Frank L. Bare II | .... | stunts (as Frank Bare) | |
| Skip Carlsen | .... | stunts | |
| Bret Davidson | .... | stunts (as Brett Davidson) | |
| Bill Hart | .... | stunts | |
| Chuck Hicks | .... | stunts | |
| Terry James | .... | stunts | |
| Brad Jessey | .... | stunts | |
| Terri Sue Judkins | .... | stunts (as Terri Judkins) | |
| Anthony Kramme | .... | stunts | |
| Irving E. Lewis | .... | stunts (as Irving Lewis) | |
| Kurt D. Lott | .... | stunts (as Kurt Lott) | |
| Russell D. Markowitz | .... | stunts (as Russ Markowitz) | |
| Eddie Matthews | .... | stunts (as Eddie Mathews) | |
| Bill McIntosh | .... | stunts (as Bill Mcintosh) | |
| Doug McQuarrie | .... | stunts (as Doug Mcquarrie) | |
| Millie Novak | .... | stunts | |
| Gary Paul | .... | stunt coordinator | |
| Neil Summers | .... | stunts | |
| Jim Wilkey | .... | stunts | |
Camera and Electrical Department | |||
| Sean Anastasion | .... | electrician (as P. Sean Anastasion) | |
| Dean Aoki | .... | first assistant camera: "b" camera | |
| John Baer | .... | still photographer (as J.B. Baer) | |
| Wayne Baxter | .... | electrician | |
| Kurtis Burr | .... | second assistant camera: "b" camera | |
| Walter Byrnes | .... | grip | |
| John Farr | .... | chief lighting technician | |
| Julie Fife | .... | best boy grip | |
| Ian Fox | .... | camera operator | |
| Jason Jensen | .... | camera loader | |
| J.J. Johnson | .... | dolly grip | |
| Dennis Jorgenson | .... | generator operator | |
| Tracy Keele | .... | grip | |
| Mike Lookinland | .... | first assistant camera | |
| Sean Martin | .... | grip | |
| John Raymer | .... | best boy electric | |
| Jesse Rushton | .... | electrician | |
| Jason Salonen | .... | electrician | |
| Geno Salvatori | .... | director of photography: second unit | |
| Gary W. Shaw | .... | best boy grip (as Gary Shaw) | |
| Laina Thomas | .... | grip | |
| Arly H. Thomsen | .... | key grip (as Arly Thomsen) | |
| Jon Tilton | .... | electrician | |
| Joey Watts | .... | second assistant camera | |
Casting Department | |||
| Terri Douglas | .... | adr voice casting | |
| Judi McKee | .... | casting assistant | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting (as Caitlin Mckenna) | |
| Cate Praggastis | .... | casting: Utah | |
| Carla Woodmansee | .... | extras casting coordinator | |
| Brennan Dufresne | .... | casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Amy Fegely | .... | key on-set costumer | |
| Allison Graham | .... | on-set costumer | |
| Carmen Nydegger | .... | costume assistant | |
| Elizabeth 'Lanny' Sikes | .... | costume supervisor (as Lanny Sikes) | |
Editorial Department | |||
| Tim Baldwin | .... | post-production assistant | |
| Robert Berman | .... | first assistant editor | |
| Gary Burritt | .... | negative cutter | |
| Matthew Glaser | .... | post-production assistant | |
| Shaan Kokin | .... | post-production assistant | |
| Rob Matheson | .... | post-production assistant | |
| Mike Milliken | .... | color timer | |
| Suzanne Murarik | .... | epk editor | |
| Melissa Remenarich | .... | assistant film editor (as Melissa A. Remenarich) | |
| Jacquey Rosati | .... | post-production coordinator | |
| John Sellars | .... | colorist | |
| Jason Solberg | .... | assistant editor | |
Music Department | |||
| Steven Ariscot | .... | orchestrator | |
| John Burton | .... | music recordist | |
| Mona Butler | .... | music librarian | |
| Guillermo Hernández | .... | latin music specialist | |
| Leonid Keylin | .... | concert master | |
| Joe Kraemer | .... | conductor | |
| Robert Puff | .... | music preparation | |
| Lise Richardson | .... | music editor (as Lisé Richardson) | |
| David Sabee | .... | orchestra contractor | |
Transportation Department | |||
| Paul Michael Akers | .... | driver | |
| Robert C. Alcott | .... | driver | |
| T.W. Boroski | .... | driver | |
| Greg Fosse | .... | driver | |
| Rhonda Hansen | .... | driver | |
| Billy R. Hass | .... | driver | |
| Emmanuel Haynes | .... | driver | |
| Mark A. James | .... | transportation coordinator | |
| Darla Jorgenson | .... | driver | |
| Denise Lee | .... | driver | |
| David Perelle | .... | driver | |
| Art Price | .... | driver (as Art Price Jr.) | |
| Lamond Reynolds | .... | driver | |
| Mark Russell | .... | driver (as Mark A. Russell) | |
| Michael B. Russell | .... | transportation captain (as Michael Russell) | |
| Edward 'Smitty' L. Smith | .... | driver (as Edward 'Smitty' Smith) | |
Other crew | |||
| Nathan Alexander | .... | assistant: Messrs. McQuarrie and Kokin | |
| Suzanne Bingham | .... | script supervisor | |
| Dennis Burrell | .... | production assistant | |
| Patrick Carnahan | .... | fire protection & safety | |
| Cameron Carpenter | .... | assistant location manager | |
| Brenton Chu | .... | production assistant | |
| Ryan Cooke | .... | production coordinator | |
| Michelle A. De Mayo | .... | post-production accountant | |
| Michael Dungan | .... | location manager | |
| Philip Eichner | .... | production assistant | |
| Jason Gardian | .... | production assistant | |
| Nicholas Guest | .... | adr loop group | |
| Ann Hanlon | .... | assistant: Mr. Caan (as Annie Hanlon) | |
| Annie Hanlon | .... | assistant: Mr. Caan | |
| Margo Hara | .... | adr loop group | |
| Melinda Haynes | .... | craft service (as Melinda Clarkson Haynes) | |
| Lydia Hazan | .... | medical consultant (as Dr. Lydia Hazan) | |
| Travis Hodges | .... | production assistant | |
| Coti Hudgens | .... | assistant: Mr. Phillippe | |
| Jen Johnson | .... | production assistant | |
| Astrid Kemnitz | .... | payroll clerk | |
| Luisa Leschin | .... | adr loop group | |
| Mary Litkovich | .... | unit publicist | |
| Sal Lopez | .... | adr loop group | |
| Jennifer Lyons | .... | assistant: Mr. Markowitz | |
| Maeve Mannion | .... | production accountant | |
| Dylan McKenna | .... | assistant accountant (as Dylan Mckenna) | |
| Doug McQuarrie | .... | technical/weapons advisor (as Doug Mcquarrie) | |
| Kevin McQuarrie | .... | set massage therapist (as Kevin Mcquarrie) | |
| David Michaels | .... | trainer: Mr. Del Toro | |
| Corey D. Miller | .... | executive producer assistant | |
| Mike Miner | .... | production assistant (as Mike 'Slappy' Miner) | |
| Jonathan Nichols | .... | adr loop group | |
| Justin Ogden | .... | production assistant | |
| Dyana Ortelli | .... | adr loop group | |
| Bonnie Reed | .... | studio coordinator | |
| Kent B. Richards | .... | production assistant (as Kent Richards) | |
| Audra Rodgers | .... | assistant production coordinator (as Audra Cervantes) | |
| Tony Ross | .... | trainer: Mr. Phillippe | |
| Alan Shaterian | .... | assistant: Mr. Del Toro | |
| Alan Shaterian | .... | consultant: Mr. Del Toro | |
| Marc Siegel | .... | production assistant | |
| Mike Staheli | .... | first aid | |
| Steve Staley | .... | adr loop group | |
| Dana Suman | .... | assistant: Ms. Juliette Lewis | |
| Marcelo Tubert | .... | adr loop group | |
| Benjamin A. van der Veen | .... | consultant: Mr. Del Toro (as Benjamin Van Der Veen) | |
| Rorie D. van Klaveren | .... | production assistant | |
| Ronald Walkshorse | .... | fire protection and safety | |
| Ronald Walkshorse | .... | set security | |
| Dennis Williams | .... | location consultant | |
| Andrew Golov | .... | studio executive (uncredited) | |
| Timothy Scott Ralston | .... | studio projectionist (uncredited) | |
| Cathy Ziehl | .... | studio coordinator (uncredited) | |
Thanks | |||
| Arly H. Thomsen | .... | dedicatee | |
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| Public Enemies | Kick-Ass | The Departed | The Dark Knight | The Professional: Golgo 13 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
Does one usually go into an action film starring Ryan Phillipe expecting to think, expecting to be challenged. I did not, in this case. And so, as I found myself confronted by this extraordinarily cool contemporary crime/western, I was shocked. This has all the makings of a generic film. The philosophical/amoral central team... could've been Pulp Fiction redux. The wise older criminal sharing his wisdom with those below him... If I really went into all the elements of this movie that could've been handled as shameless rip offs of other films, that list alone would take me over 1,000 words.
The brilliance of this film is that MacQuarrie, impressively directing for the first time from his own script, takes familiar elements, tired cliches, and breaths new, inventive life into them. This is a neat hat trick, and not an easy one. Godard did it with HIS first film, Breathless. Tarantino did it with Pulp Fiction. And MacQuarrie does it here. Note that the aforementioned instance is the only place where you will hear a mention of Tarantino similarities in this review. Those who would criticize Way of the Gun as being derivative of Taranton's film are missing the point and not really watching the film.
This film reflects an utter familiarity with the conventions of CINEMA. Of the things that go into a great film. Knowing those thigns so well, as Godard did, allows MacQuarrie to become freed enough to work with them, change them, and make them become something knew. It is quite an achievement, and this is quite an awesome film.