| Photos (See all 18 | slideshow) | Videos (see all 2) |
| Don McKellar | ... | Patrick Wheeler | |
| Sandra Oh | ... | Sandra | |
| Roberta Maxwell | ... | Mrs. Wheeler | |
| Robin Gammell | ... | Mr. Wheeler | |
| Sarah Polley | ... | Jennifer 'Jenny' Wheeler | |
| Trent McMullen | ... | Alex | |
| Charmion King | ... | Grandmother | |
| Jessica Booker | ... | Rose | |
| David Cronenberg | ... | Duncan | |
| Tracy Wright | ... | Donna | |
| Callum Keith Rennie | ... | Craig Zwiller | |
| Karen Glave | ... | Lily | |
| Arsinée Khanjian | ... | Streetcar Mother | |
| Chandra Michaels | ... | Streetcar Daughter (as Chandra Muszka) | |
| Geneviève Bujold | ... | Mrs. Carlton | |
| Bryan Renfro | ... | Angry Driver (as Brian Renfro) | |
| François Girard | ... | Wild Guy #1 | |
| Daniel Iron | ... | Wild Guy #2 | |
| Bruce McDonald | ... | Wild Guy #3 | |
| Michael McMurtry | ... | Menzies | |
| Pierre Elrick | ... | Cousin Ernie | |
| Kirsten Johnson | ... | Reveller #1 | |
| Regan Moore | ... | Reveller #2 | |
| Darren O'Donnell | ... | Reveller #3 | |
| Bob Martin | ... | T.V. Newscaster | |
| Michael Barry | ... | Marty | |
| Nathalie Shats | ... | Marty's Girlfriend | |
| Tom McCamus | ... | Radio D.J. (voice) | |
| Jackie Burroughs | ... | The Runner |
Directed by | |||
| Don McKellar | |||
Writing credits | ||
| Don McKellar | (written by) | |
Original Music by | |||
| Alexina Louie | |||
| Alex Pauk | |||
Cinematography by | |||
| Douglas Koch | |||
Film Editing by | |||
| Reginald Harkema | |||
Casting by | |||
| Diane Kerbel | |||
Production Design by | |||
| John Dondertman | |||
Art Direction by | |||
| Kei Ng | |||
Set Decoration by | |||
| Patricia Cuccia | |||
Costume Design by | |||
| Lea Carlson | |||
Makeup Department | |||
| Zak Baird | .... | assistant hair stylist | |
| Clara Dinunzio | .... | hair stylist (as Clara DiNunzio) | |
| Sarah Fairbairn | .... | makeup artist | |
| Josie Licata | .... | assistant makeup artist | |
| Catherine Viot | .... | assistant makeup artist (as Catherin Voit) | |
Production Management | |||
| Joseph Boccia | .... | unit production manager | |
| Gina Fowler | .... | assistant production manager | |
| Jody Shapiro | .... | post-production supervisor | |
Art Department | |||
| Paul D'Angillo | .... | props intern | |
| Michael Followes | .... | property master | |
| Sandy Glud | .... | lead buyer | |
| Ian Hay | .... | set dresser | |
| John MacNeil | .... | first assistant art director (as John MacNeil) | |
| Friday Myers | .... | assistant props | |
Sound Department | |||
| Colin Baxter | .... | sound assistant | |
| Ray Campbell | .... | adr recordist | |
| Ray Campbell | .... | sound assistant | |
| Rick Canelli | .... | adr recordist | |
| Kristine Child | .... | foley assistant | |
| Kelly Cole | .... | sound technical assistant | |
| Dean Giammarco | .... | sound re-recording mixer | |
| Brad Hillman | .... | sound technical assistant | |
| Goro Koyama | .... | foley artist | |
| Andy Malcolm | .... | foley artist | |
| Aaron Marshall | .... | sound assistant | |
| Steve Munro | .... | sound designer | |
| Steve Munro | .... | sound | |
| Miguel Nunes | .... | sound re-recording mixer | |
| Thomas J. O'Connell | .... | adr recordist (as Tom O'Connell) | |
| Iain Pattison | .... | sound technical assistant (as Ian Pattison) | |
| Tim Roberts | .... | adr editor | |
| David Rose | .... | adr recordist (as Dave Rose) | |
| Paul A. Sharpe | .... | sound re-recording mixer (as Paul Sharpe) | |
| Paul A. Sharpe | .... | sound (as Paul Sharpe) | |
| Tony V. Stevens | .... | stereo sound consultant: Dolby | |
| David Drainie Taylor | .... | dialogue editor | |
| John J. Thomson | .... | production sound mixer | |
| John J. Thomson | .... | sound | |
| Tony Van den Akker | .... | foley mixer (as Tony van den Akker) | |
| Alan Zielonko | .... | boom operator | |
| Tim Roberts | .... | post-synchronization editor (uncredited) | |
Special Effects by | |||
| Adrian Harper | .... | special effects assistant | |
| Alli Kuttas | .... | special effects assistant | |
| John LaForet | .... | special effects coordinator (as John Laforet) | |
Visual Effects by | |||
| Jean Raymond Bourque | .... | executive producer: Buzz Image Group | |
| Frank D'Iorio | .... | compositing artist: Buzz Image Group | |
| Dominic Daigle | .... | CGI animator: Buzz Image Group | |
| Mathieu Dupuis | .... | compositing artist: Buzz Image Group | |
| Davis Goodman | .... | systems manager: Buzz Image Group | |
| Myléne Guérin | .... | production coordinator: Buzz Image Group | |
| Stéphane Landry | .... | director: Buzz Image Group | |
| Serge Langlois | .... | digital film printing: Buzz Image Group | |
| Serge Langlois | .... | digital film scanning: Buzz Image Group | |
| Yves Laniel | .... | producer: Buzz Image Group | |
| François Lord | .... | CGI animator: Buzz Image Group | |
| Andre U. Montambeault | .... | digital compositor | |
| Jamie Hallett | .... | optical cameraman (uncredited) | |
| Robin Tremblay | .... | matte painter (uncredited) | |
Stunts | |||
| Phil Chiu | .... | stunts (as Phil Chui) | |
| Mary Fallick | .... | stunts | |
| C.J. Fidler | .... | stunts (as C.J. Fiddler) | |
| Erin Jarvis | .... | stunts | |
| Patrick Mark | .... | stunts | |
| Billy Oliver | .... | stunts | |
| Edward A. Queffelec | .... | stunts (as Edward Queffeler) | |
| Peter Szkoda | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Diana Alvarez | .... | second assistant camera | |
| Richard Ball | .... | best boy grip (as Richard Baal) | |
| Kevin Bishop | .... | video playback operator | |
| Robert Cochrane | .... | dolly grip (as Rob Cochrane) | |
| Byrd Dickens | .... | best boy electric (as Byrd 'Dog' Dickens) | |
| Doug Dixon | .... | generator operator | |
| Richard Emerson | .... | key grip (as Richard 'Rico' Emerson) | |
| Lisa Logan | .... | grip | |
| Patrick McGowan | .... | first assistant camera | |
| Edward Mikolic | .... | gaffer (as 'Fast' Eddy Mikolic) | |
| Tammy Rogers | .... | camera trainee | |
| Peter Sarmento | .... | electrician | |
| Chris Stoyan | .... | electrician | |
| Cylla Von Tiedemann | .... | still photographer | |
| Rocky Brown | .... | crane grip (uncredited) | |
| Richard Gaal | .... | pre-rigging grip (uncredited) | |
Casting Department | |||
| Jane Rogers | .... | extras casting | |
Costume and Wardrobe Department | |||
| Kelly Hood | .... | assistant costume designer | |
| Starr Jacobs | .... | key wardrobe | |
| Gillian Steinhardt | .... | assistant wardrobe | |
Editorial Department | |||
| Christopher Donaldson | .... | assistant editor | |
| Chris Hinton | .... | color timer | |
Transportation Department | |||
| Jim Butt | .... | driver | |
| Sandra Flagler | .... | transportation captain | |
| Tom Latto | .... | driver | |
| Al MacNeil | .... | transportation coordinator | |
| John Panchyshyn | .... | driver | |
| Charlene Roycht | .... | driver | |
| Susan Shaw | .... | head driver | |
| Jim Troy | .... | driver: honeywagon | |
| Matt West | .... | driver | |
Other crew | |||
| George Anthony | .... | executive: Canadian Broadcasting Corporation | |
| Simon Arnal | .... | executive: Haut et Court (as Simon Arnal-Szlovak) | |
| Sarah Baird | .... | production assistant: Rhombus Media | |
| Rémi Burah | .... | executive: Haut et Court | |
| William Cameron | .... | title designer: main titles | |
| Odile Carrière | .... | executive: La Sept/arte | |
| Pierre Chevalier | .... | executive: La Sept/arte | |
| Jamie Cohen | .... | clearance | |
| Linda Darras | .... | assistant accountant | |
| Christopher Dobbs | .... | location production assistant (as Chris Dobbs) | |
| Jennifer Dodge | .... | craft service | |
| Mark Doty | .... | location production assistant | |
| Mina Filardo | .... | office manager: Rhombus Media | |
| Caroline Ghienne | .... | executive: Haut et Court | |
| Matt Hornburg | .... | production assistant: Rhombus Media | |
| Stephanie Keating | .... | unit publicist | |
| Philippa King | .... | business affairs: Rhombus Media | |
| Lisa Lavorato | .... | production accountant | |
| Barbara Letellier | .... | executive: Haut et Court | |
| Lorna MacDougall | .... | assistant accountant | |
| Lilit 'Hank' Malins | .... | location manager | |
| Oliver Olsen | .... | script supervisor | |
| Paul Onteniente | .... | production accountant | |
| Olivier Pasquier | .... | executive: Haut et Court | |
| Michael Pesce | .... | office production assistant | |
| Laurence Petit | .... | executive: Haut et Court | |
| Linda Pope | .... | production accountant: Rhombus Media | |
| Robin M. Reelis | .... | production coordinator | |
| Nicolas Saada | .... | executive: La Sept/arte | |
| François Sauvagnargues | .... | executive: La Sept/arte | |
| John Sauvé | .... | set production assistant (as John Sauve) | |
| Julie Soebekti | .... | production assistant: Rhombus Media | |
| Trevor A. Weber | .... | assistant location manager (as Trevor Weber) | |
| Johanna Weinstein | .... | food stylist | |
| Brooke Weslak | .... | assistant production coordinator | |
| Bret Culpepper | .... | armorer (uncredited) | |
| Randy Kennedy | .... | location scout (uncredited) | |
Thanks | |||
| John Fulton | .... | special thanks | |
| Peter Gelb | .... | special thanks | |
| Bryan Gliserman | .... | special thanks | |
| Bill House | .... | special thanks | |
| Phyllis Platt | .... | special thanks | |
| Daphne Spencer | .... | special thanks | |
| Peter Spencer | .... | special thanks | |
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| I'm Not There. | I Am Love | A Single Man | Kings & Queen | Together |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Canada section |
I have seen this film twice, and believe that it is certainly one of the best films of 1998. One person brought that people wouldn't be violent on the day when the world ends, but come together in a type of philosophical togetherness. I was stunned by that idea, assuming that the cynicism that permeates today's culture would have enforced that idea, that violence will be around. The end of the world is a violent thought, as exemplified in films such as Armageddon and Deep Impact (true, they were stupid films). But that aside, Last Night is a powerful and very introspective look at the lives of several people who's lives happen to be interwoven on the last day of the world. It begs the question "what would you do with the final six hours". Many have remarked on the tone, and I have to heap more praise on the subtle irony that is found throughout the film. Why is the world ending? The audience doesn't find out. Whether one's appreciation of the film diminishes or grows for this ambitious step is purely personal. For a ninety minute film, it's ambition in depicting six lives is interesting, and it's only mistake. For the movie to do justice to all the characters, it needed to be at least half an hour longer. But that singular flaw does not negate the film's final achievement.
The entire cast is sensational, even if they're on for short periods of time. Rennie and Oh took home well deserved Genie awards for their brilliant performances, but I felt McKellar's performance was the most intriguing. He has a talent for not poignant drama, but scenes of almost deadpan-type comedy (where Sandra asks him the favour).
Don McKellar has got to be among the most versatile writers around. After writing Thirty-Two Short Films About Glenn Gould, the fragmented biopic about the famous pianist, and The Red Violin, another slightly fragmented story told through and about a violin, he wrote, directed, and starred in Last Night, and apocalyptic dramedy (or an ironic tragicomedy), and he does it with supreme style. Last Night is a film not to be missed, but to be pondered over and savoured.