7.3/10
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Last Night (1998)

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A group of very different individuals with different ideas of how to face the end come together as the world is expected to end in six hours at the turn of the century.

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12 wins & 21 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Sandra
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Mrs. Wheeler
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Jennifer 'Jenny' Wheeler
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Alex
Charmion King ...
Grandmother
Jessica Booker ...
Rose
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Duncan
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Donna
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Craig Zwiller
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Lily
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Streetcar Mother
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Streetcar Daughter (as Chandra Muszka)
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Mrs. Carlton
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Storyline

It's 18:00 in a somewhat deserted Toronto on the last day before the scheduled end of the world at midnight, the end which has been known now for months. Most people are treating midnight as a matter-of-fact event with little sense of panic. In fact, many are celebrating this last day. Most have very specific wants for this last day and will do whatever they need to to make those wants happen. And some, such as Duncan and Donna with the gas company, are working, ensuring that the masses are served and comfortable during the final hours. The Wheeler family are marking the last day by having a Christmas party, although sullen adult son Patrick, his thoughts in part stemming from being recently widowed, has made it clear he wants to be alone in his own home at the end. Patrick's wants may be in jeopardy when a woman named Sandra - Duncan's wife - lands on his doorstep. Sandra is stranded, trying to make it across town to her own home so that she and Duncan can carry out their own last ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

Party like there is no tomorrow...because there isn't! See more »

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for sexuality, language and brief violence | See all certifications »

Parents Guide:

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Details

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Release Date:

23 October 1998 (Canada)  »

Also Known As:

A Última Noite  »

Filming Locations:


Box Office

Budget:

$2,000,000 (estimated)

Opening Weekend:

£32,384 (UK) (2 July 1999)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

This film was a result of director Don McKellar's invitation to participate in a challenge to make a movie about the imminent Millennium. Instead of making a movie that he felt might date itself too quickly, he opted to make it about the end of the world rather than just the end of the Millennium. See more »

Goofs

When Craig agrees to lend his car to Sandra and explains what kind of car it is, he tells her it's a 1970 Lime Green Super Bee with dual overhead cams. The Super Bee was never available with an engine using dual overhead camshafts. In 1970 the Plymouth Super Bee was available with three choices of engines. Base engine was the 383 Magnum, then as options there was the 440 "Six Pack" and the famed 426 "Hemi". All of these used the Overhead Valve design or "OHV" design. See more »

Quotes

Rose: I don't give a damn. People are always saying 'The children. Pity the children'. I'm tired of the children. They haven't lived, given birth, watch their friends die. I have invested 80 years in this life. The children don't know what they're missing.
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Crazy Credits

special thanks to all the McKellars, Pinky & Tracy (with love) See more »

Connections

Referenced in Magnolia (1999) See more »

Soundtracks

(Last Night) I Didn't Get to Sleep at All
Written by Tony Macaulay
Performed by The The 5th Dimension (as 5th Dimension)
Courtesy of Polygram Music Publishing Ltd.
Reproduced courtesy of Arista Records Inc. and BMG Music Canada Inc.
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Frequently Asked Questions

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User Reviews

 
Quietly thrilling, darkly humorous, poignant and haunting.
20 January 1999 | by (London) – See all my reviews

I saw LAST NIGHT last night at a special London preview where we all had to fill in a questionnaire. I don't know if this was just to formulate a marketing campaign or (more worrying) to consider making changes to the film. So just in case, let me say to the powers-that-be, DON'T CHANGE A THING! LAST NIGHT is wonderfully refreshing and intelligent. No cheap thrills or laughs. Nothing derivative or patronising to the audience. It has an integrity increasingly rare in modern cinema. Don't just 'forget Armageddon', it's misleading to even compare them. A sense of impeding doom is treated here like a collective state-of-mind rather than an externalised visual spectacle. It's elegantly spare in both look, writing and performances. Quietly thrilling, darkly humorous, poignant and haunting. Faultless on every level. Congratulations to McKellar, and the team for making the film you wanted to make, without the destructive influence of corporate interference!


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