| Photos (See all 26 | slideshow) | Videos (see all 2) |
| Fernanda Montenegro | ... | Isadora | |
| Marília Pêra | ... | Irene | |
| Vinícius de Oliveira | ... | Josué | |
| Soia Lira | ... | Ana | |
| Othon Bastos | ... | Cezar | |
| Otávio Augusto | ... | Pedrão | |
| Stela Freitas | ... | Yolanda | |
| Matheus Nachtergaele | ... | Isaías | |
| Caio Junqueira | ... | Moisés | |
| Socorro Nobre | ... | Dora's Client | |
| Manoel Gomes | ... | Dora's Client | |
| Roberto Andrade | ... | Dora's Client | |
| Sheyla Kenia | ... | Dora's Client | |
| Malcon Soares | ... | Dora's Client | |
| Maria Fernandes | ... | Dora's Client | |
| Maria Marlene | ... | Dora's Client | |
| Christano Camargo | ... | Dora's Client | |
| Jorseba-Sebastiano Oliveira | ... | Dora's Client | |
| rest of cast listed alphabetically: | |||
| Andréa Albuquerque | ... | Dora's Client | |
| Sidney Antunes | ... | Crente | |
| Rita Assemany | ... | Jessé's Wife | |
| João Braz | ... | Photo stall owner | |
| Patrícia Brás | ... | Dora's Client | |
| Marcelo Carneiro | ... | The thief | |
| Telma Cunha | ... | Lipstick woman | |
| José Pedro da Costa Filho | ... | Cameló | |
| Estelina Moreira da Silva | ... | Woman in the bus 2 | |
| José Pereira da Silva | ... | Dora's Client | |
| Felícia de Castro | ... | Cashier | |
| Marcos de Lima | ... | Bené's Son | |
| Preto de Linha | ... | Shoeshine Man | |
| Harildo Deda | ... | Bené | |
| Antônio dos Santos | ... | Dora's Client | |
| Berto Filho | ... | Romeiro 1 | |
| Fernando Fulco | ... | F-street man | |
| Gildasio Leite | ... | Man in the bus | |
| Sônia Leite | ... | Woman in the bus 1 | |
| Edivaldo Lima | ... | Jessé's Son | |
| Nanego Lira | ... | Nordeste preacher | |
| Diego Lopes Filho | ... | Cachier | |
| Dona Luzia | ... | Pilgrim singingin truck | |
| Antônio Marcos | ... | Singer | |
| Mário Mendes | ... | João - Yolanda's husband | |
| Maria Menezes | ... | Waitress | |
| Esperança Motta | ... | Prostituta | |
| Manuel José Neves | ... | Walkman owner | |
| Antonieta Noronha | ... | Violeta | |
| Zezão Pereira | ... | Bus driver | |
| Everaldo Pontes | ... | Dora's Client | |
| José Ramos | ... | Pilgrims' driver | |
| Iami Rebouças | ... | Woman of the photo | |
| João Rodrigues | ... | Praying pilgrim 2 | |
| Gideon Rosa | ... | Jessé | |
| Inaldo Santana | ... | Dora's Client in Nordeste | |
| Cícero Santos | ... | Dora's Client | |
| Dona Severina | ... | Praying pilgrim 1 | |
| Eliane Silva | ... | Dora's Client | |
| Ingrid Trigueiro | ... | Dora's Client | |
Directed by | |||
| Walter Salles | |||
Writing credits(in alphabetical order) | ||
| Marcos Bernstein | writer | |
| João Emanuel Carneiro | writer | |
| Walter Salles | story | |
Original Music by | |||
| Jaques Morelenbaum | |||
| Antonio Pinto | |||
Cinematography by | |||
| Walter Carvalho | |||
Film Editing by | |||
| Felipe Lacerda | |||
| Isabelle Rathery | |||
Casting by | |||
| Sérgio Machado | |||
Production Design by | |||
| Cassio Amarante | |||
| Carla Caffé | |||
Costume Design by | |||
| Cristina Camargo | |||
Makeup Department | |||
| Antoine Garabedian | .... | head makeup artist | |
Second Unit Director or Assistant Director | |||
| João Emanuel Carneiro | .... | second assistant director | |
| Vinicius Coimbra | .... | assistant director: Rio de Jameiro | |
| Kátia Lund | .... | first assistant director | |
| Sérgio Machado | .... | second assistant director | |
| Cláudia Tavores | .... | trainee assistant director | |
Art Department | |||
| Moisés Alexandre | .... | set painter: Pernambuco | |
| Isac Caffé | .... | set painter | |
| Mônica Costa | .... | set designer | |
| Joana Côrtes | .... | art department trainee | |
| Almir de Azevédo | .... | art researcher: Pernambuco | |
| Cristiana Duarte | .... | art department trainee | |
| Paulo Dubois | .... | set constructor | |
| Cristiana Javier | .... | art department trainee | |
| Marcelo Larrea | .... | assistant art director | |
| Marcelo Larrea | .... | set designer | |
| Leão | .... | set constructor: Pernambuco | |
| Zé Luca | .... | set designer | |
| Joana Mureb | .... | art department trainee | |
| Joana Penna | .... | art department trainee | |
| Roberta Pupo | .... | art department trainee | |
| Marcos Sachs | .... | set painter | |
| Edmilson Santana | .... | set constructor: Pernambuco | |
| Marcelo Silva de Lima | .... | property assistant | |
Special Effects by | |||
| Sergio Farjalla Jr. | .... | special effects coordinator | |
Camera and Electrical Department | |||
| Alberto Bellezia | .... | second assistant camera | |
| Marcelo Brasil | .... | first assistant camera | |
| Walter Carvalho | .... | still photographer | |
| Valdemir Cezar | .... | key grip: Rio de Janeiro | |
| Claudio Gustavo da Silva | .... | camera trainee | |
| Hallfman de Amar | .... | grip | |
| Marcos de Noronha | .... | best boy | |
| Geraldo Ferreira | .... | electrician | |
| Natanael Golçalves Souza | .... | grip | |
| José Gomes | .... | grip | |
| Júlio Guimarães | .... | grip | |
| Ulisses Malta Jr. | .... | electrician | |
| Paulo Oliveira | .... | electrician | |
| Valdeci Pires | .... | grip | |
| Paula Prandini | .... | still photographer | |
| Ricardo Sa | .... | still photographer | |
| Manoel Severino | .... | grip | |
Casting Department | |||
| Daniela Braga | .... | casting assistant | |
| Denise del Cueto | .... | children casting: Rio de Janeiro | |
| Nilse Oliveira | .... | casting assistant | |
| Gisele Tolomelli | .... | casting trainee | |
Costume and Wardrobe Department | |||
| Cacelda Fernandes Da Silva | .... | costume support | |
| Maria Helena Ferreira | .... | costume support | |
| Marta Macedo | .... | wardrobe | |
Editorial Department | |||
| João Cutileiro Nunes | .... | assistant editor | |
| Yvan Lucas | .... | color timer | |
| Joao Nunes | .... | first assistant editor | |
| Patrick Thauvin | .... | negative cutter | |
Music Department | |||
| Bernardo Bessler | .... | musician: violin | |
| Marie Christine S. Bessler | .... | musician: viola | |
| Michel Bessler | .... | musician: violin | |
| Luiz Brasil | .... | musician: guitar, viola, and mandolin | |
| Chico César | .... | composer: song: "Mama África" | |
| José Alves da Silva | .... | musician: violin | |
| João Daltro de Almeida | .... | musician: violin | |
| Denner de Castro Campolina | .... | musician: double bass | |
| Ricardo Amado de Silva | .... | musician: violin | |
| Walter Hack | .... | musician: violin | |
| Márcio Malard | .... | musician: cello (as Márcio Eymard Malard) | |
| Edu Morelembaum | .... | musician: piano | |
| Jaques Morelenbaum | .... | musician: cello | |
| Giancarlo Pareschi | .... | musician: violin | |
| Jesuína N. Passaroto | .... | musician: viola | |
| Paschoal Perrotta Cordas | .... | music arranger: strings | |
| Paschoal Perrotta Cordas | .... | musician: violin | |
| Antonio Pinto | .... | musician: piano | |
| Jorge Kundert Ranevsky | .... | musician: cello | |
| Siba | .... | musician: rebec | |
| Marcos Suzano | .... | musician: percussion | |
Transportation Department | |||
| Sueli Mattos | .... | transportation manager | |
Other crew | |||
| Claude Abeille | .... | lawyer | |
| Nadia Aleotti | .... | italian assistant dubbing director | |
| Pauline Alphen | .... | french adaptation: original version with subtitles | |
| Gilmard Amaro | .... | trainee production assistant | |
| Daniela Arantes | .... | production assistant | |
| Ilsa Baptista | .... | executive assistant | |
| Claudia Bejarano | .... | production secretary | |
| Rodolfo Bianchi | .... | italian dubbing director | |
| Vera Bonilha | .... | assistant acting coach | |
| Eduardo Colombiano | .... | trainee production assistant | |
| José Antonio Da Silva | .... | personnel department | |
| José Carlos Da Silva | .... | personnel department | |
| Isabelle Davis | .... | production assistant | |
| Edouard de Chabaneix | .... | production assistant | |
| Jacques Dubecq | .... | production administrator | |
| Thomas Garvin | .... | lawyer | |
| Zenilda Grimm | .... | personnel department | |
| C. Lebrun | .... | french adaptation: original version with subtitles | |
| Alice Lefrançois | .... | production assistant | |
| Mónica Lima | .... | production assistant | |
| Anna Luiza Müller | .... | publicist | |
| Wellington Pingo | .... | set manager | |
| Adelina Pontual | .... | continuity | |
| Claudia Reis | .... | trainee production assistant | |
| André-Paul Ricci | .... | press attache: France | |
| André-Paul Ricci | .... | press attaché: France | |
| Eudes Santos | .... | production assistant | |
| Selma Santos | .... | location manager | |
| Wellington Silva | .... | production assistant | |
| Maria Fatima Toledo | .... | coach | |
| Maria Fatima Toledo | .... | training of actors: Josué | |
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| Day of the Wacko | Landscape in the Mist | My Own Private Idaho | Carol's Journey | Lolita |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Brazil section |
In reality, there are a finite amount of interesting story lines to tell. What makes one movie telling the same storyline more worthwhile to see is a combination of creative expression, in depth character development, superb acting, exquisite photography, and believability, or the ability to persuade the moviegoer to suspend disbelief.
How many times have we been exposed to a retelling of Shirley Temple's Heidi, where a young non-related child falls into the life of an old curmudgeon, and teaches that curmudgeon to enjoy life and/or develop morals and values? Too many times for me, so I was reluctant to see this film. It would have been a shame had I not.
There are many creative twists and turns along the way to keep the suspense level up in this film. The photography in Rio is OK, but once out in the Brazilian countryside, it is fantastic. At the end of the film, there is little doubt but that the way this story turns out is how it would have had to turn out. The character development of Josue is a little weak, but that of Dora is superb. And you will see a lot of films before you will see an acting performance like Fernanda Montenegro's as Dora again.
This movie thankfully is not overly sentimental, that would get in the way of the story, it is just a great film to watch and enjoy. 9 of 10.