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Renata de Lélis,
Brazilian MD Drauzio Varella starts AIDS prevention in Brazil's largest prison, Carandiru, in São Paulo, where the population is nearly double its 4,000 maximum. Doc learns from experience ... See full summary »
Fernando, a journalist, and his friend César join terrorist group MR8 in order to fight Brazilian dictatorial regime during the late sixties. Cesare, however, is wounded and captured during... See full summary »
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Cássia Kis Magro
Dora, a dour old woman, works at a Rio de Janeiro central station, writing letters for customers and mailing them. She hates customers and calls them 'trash'. Josue is a 9-year-old boy who never met his father. His mother is sending letters to his father through Dora. When she dies in a car accident, Dora takes Josue and takes a trip with him to find his father. Written by
Finnish censorship visa~# 101214 delivered on 30-3-1999. See more »
[dictating a letter]
My darling, My heart belongs to you. No matter what you've done, I still love you. I love you. While you're locked in there all those years, I'll be locked up out here, waiting for you.
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This film explains how Hollywood has lost touch with reality
It took me 10 years to learn of this film's existence. I'm very sorry I wasn't paying more attention. It came out at a time when I had pretty much given up on films in general and Hollywood films in particular.
How was I to know that somewhere in the world a courageous director chose to film a story that didn't involve sex, comic-book sadistic or crime-glorifying violence, fake superheroics or CGI-augmented horror? How was I to know that not all Latin directors were involved in a world of idiotic and heartless self-centered proto-fascistic make-believe like, say, Guillermo Del Toro? How was I to know that Brazilian actress Fernanda Montenegro who got robbed of an Oscar by Gwyneth Paltrow in the almost preternaturally ridiculous and superficial "Shakespeare In Love" gave a performance that is rarely imaginable at the movies? Or that Brazil could produce a film that can rival Murnau's "Sunrise" or the neo-realist masterpieces of Vittorio De Sica for the title of "best film ever made"?
I watched this multi-leveled, multi-faceted reflexion piece dubbed in French late one recent Sunday night on Radio-Canada while recovering from the flu. The tears I cried were very good for my sinus condition. But they were also cried for the fact that I was such an idiot for having let this film slip by.
If you haven't seen it yet, there is still time. Watch it and ask yourself: What happened to America that it can't tell simple, moving and true stories like this one anymore? You won't have to cry but you will anyway.
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