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Renata de Lélis,
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The lively João Grilo and the sly Chicó are poor guys living in the hinterland who cheat a bunch of people in a small Northeast Brazil town. But when they die, they have to be judged by ... See full summary »
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Cássia Kis Magro
Dora, a dour old woman, works at a Rio de Janeiro central station, writing letters for customers and mailing them. She hates customers and calls them 'trash'. Josue is a 9-year-old boy who never met his father. His mother is sending letters to his father through Dora. When she dies in a car accident, Dora takes Josue and takes a trip with him to find his father. Written by
Dora's new television, bought with the money she earned selling Josué, presents a popular Brazilian TV program called "Topa Tudo Por Dinheiro," which means "Do Anything For Money." See more »
[dictating a letter]
My darling, My heart belongs to you. No matter what you've done, I still love you. I love you. While you're locked in there all those years, I'll be locked up out here, waiting for you.
See more »
This film explains how Hollywood has lost touch with reality
It took me 10 years to learn of this film's existence. I'm very sorry I wasn't paying more attention. It came out at a time when I had pretty much given up on films in general and Hollywood films in particular.
How was I to know that somewhere in the world a courageous director chose to film a story that didn't involve sex, comic-book sadistic or crime-glorifying violence, fake superheroics or CGI-augmented horror? How was I to know that not all Latin directors were involved in a world of idiotic and heartless self-centered proto-fascistic make-believe like, say, Guillermo Del Toro? How was I to know that Brazilian actress Fernanda Montenegro who got robbed of an Oscar by Gwyneth Paltrow in the almost preternaturally ridiculous and superficial "Shakespeare In Love" gave a performance that is rarely imaginable at the movies? Or that Brazil could produce a film that can rival Murnau's "Sunrise" or the neo-realist masterpieces of Vittorio De Sica for the title of "best film ever made"?
I watched this multi-leveled, multi-faceted reflexion piece dubbed in French late one recent Sunday night on Radio-Canada while recovering from the flu. The tears I cried were very good for my sinus condition. But they were also cried for the fact that I was such an idiot for having let this film slip by.
If you haven't seen it yet, there is still time. Watch it and ask yourself: What happened to America that it can't tell simple, moving and true stories like this one anymore? You won't have to cry but you will anyway.
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