| Photos (See all 18 | slideshow) | Videos (see all 4) |
| Eduardo Noriega | ... | César | |
| Penélope Cruz | ... | Sofía | |
| Chete Lera | ... | Antonio | |
| Fele Martínez | ... | Pelayo | |
| Najwa Nimri | ... | Nuria | |
| Gérard Barray | ... | Duvernois | |
| Jorge de Juan | ... | Encargado L.E. | |
| Miguel Palenzuela | ... | Commisario | |
| Pedro Miguel Martínez | ... | Médico Jefe | |
| Ion Gabella | ... | Recluso paranoico | |
| Joserra Cadiñanos | ... | Guardia | |
| Tristán Ulloa | ... | Camarero | |
| Pepe Navarro | ... | Presentador T.V. | |
| Jaro | ... | Médico 1 | |
| Walter Prieto | ... | Médico 2 | |
| Carola Angulo | ... | Médico 3 | |
| Fanny Gautier | ... | Secretaria (as Fanny Solorzano) | |
| Luis García | ... | Guardia jurado 1 | |
| Javier Martín | ... | Guardia jurado 2 | |
| José Ángel Egido | ... | Policía | |
| Richard Cruz | ... | Conductor | |
| Raúl Otegui | ... | Chico servicios | |
| Pepe | ... | Gato | |
| rest of cast listed alphabetically: | |||
| Alejandro Amenábar | ... | Laughing Guy in Disco Bathroom (uncredited) | |
| Isabel Serrano | ... | Voz celestial (voice) (uncredited) | |
Directed by | |||
| Alejandro Amenábar | |||
Writing credits(in alphabetical order) | ||
| Alejandro Amenábar | ||
| Mateo Gil | ||
Produced by | |||
| Ana Amigo | .... | associate producer | |
| Fernando Bovaira | .... | producer | |
| José Luis Cuerda | .... | producer | |
| Andrea Occhipinti | .... | associate producer | |
| Alain Sarde | .... | associate producer | |
Original Music by | |||
| Alejandro Amenábar | |||
| Mariano Marín | |||
Cinematography by | |||
| Hans Burman | |||
Film Editing by | |||
| María Elena Sáinz de Rozas | |||
Art Direction by | |||
| Wolfgang Burmann | |||
Set Decoration by | |||
| Carola Angulo | |||
| Ramón Moya | (setting) | ||
Costume Design by | |||
| Concha Solera | |||
Makeup Department | |||
| Elisabeth Adánez | .... | assistant makeup artist | |
| Paca Almenara | .... | makeup designer | |
| Susana Cortés | .... | makeup artist trainee | |
| Sylvie Imbert | .... | hair stylist | |
| Sylvie Imbert | .... | makeup artist | |
Production Management | |||
| Jesús Alonso | .... | assistant production manager | |
| José Antonio García Tapia | .... | assistant production manager | |
| Emiliano Otegui | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Mateo Gil | .... | assistant director | |
| Mateo Gil | .... | second unit director | |
| Salud Gismera | .... | trainee assistant director | |
| Ignacio Gutiérrez-Solana | .... | assistant director | |
| Raúl Otegui | .... | assistant director | |
Art Department | |||
| Emilio Ardura | .... | upholstery | |
| Pablo Arroyo | .... | props | |
| Ignacio Borja | .... | graphic designer (as Nacho Borja) | |
| Pedro Jesús De la Fuente | .... | construction coordinator | |
| José G. Donado | .... | painter (as José Garcia Donado) | |
| Antonio Gómez | .... | carpenter | |
| Luis Gómez | .... | carpenter | |
| Vázquez Hermanos | .... | property master | |
| De La Oliva | .... | property master | |
| José Luque | .... | carpenter | |
| Ricardo Mengíbar | .... | property master | |
| Natalia Montes | .... | props | |
| Natalia Montes | .... | storyboard artist | |
| Iñigo Navarro | .... | sketcher | |
| Óscar Romero | .... | props | |
| Sergio Rozas | .... | assistant set decorator | |
| Sergio Rozas | .... | storyboard artist | |
| Rafael Serras | .... | set decorator trainee | |
| Roberto Torralba | .... | carpenter | |
| Félix Álvarez | .... | painter | |
Sound Department | |||
| Sergio Bürmann | .... | boom operator | |
| Juan Carlos Cid | .... | boom operator | |
| Juan Dibarboure | .... | sound editor trainee | |
| Jaime Fernández | .... | sound re-recording mixer | |
| Patrick Ghislain | .... | sound mixer | |
| Daniel Goldstein | .... | sound designer (as Goldstein & Steinberg) | |
| Pelayo Gutiérrez | .... | sound editor | |
| Julien Naudin | .... | sound effects editor | |
| Jaime Puig | .... | sound stereo consultant: Dolby | |
| Alfonso Raposo | .... | sound re-recording mixer | |
| Nacho Royo | .... | sound editor | |
| Ricardo Steinberg | .... | sound designer (as Goldstein & Steinberg) | |
| José Vinader | .... | sound | |
Special Effects by | |||
| Reyes Abades | .... | special effects | |
| Colin Arthur | .... | special effects | |
Visual Effects by | |||
| Belén Arsuaga | .... | visual effects | |
| Félix Bergés | .... | visual effects | |
| Pedro Blanco | .... | visual effects | |
| Alberto Esteban | .... | visual effects coordinator | |
| Luis Guerra | .... | visual effects | |
| Ricardo Gómez | .... | visual effects | |
| Rafael Menéndez de Luarca | .... | visual effects | |
| Óscar Miranda | .... | visual effects | |
| Inés Montero | .... | visual effects | |
| Abraham Portolés | .... | visual effects | |
| Juan Antonio Ruiz | .... | visual effects | |
| Carlos J. Santos | .... | opticals | |
| Jacinto Soria | .... | modeler | |
| Aurelio Sánchez Herrera | .... | visual effects | |
| Adolfo Villalón | .... | modeler | |
Camera and Electrical Department | |||
| Miguel Ángel Bardavio | .... | second assistant camera: second unit | |
| Hans Burman | .... | camera operator | |
| Wolfgang Burmann | .... | director of photography: second unit | |
| Pablo Bürmann | .... | first assistant camera | |
| Pablo Carrión Bautista | .... | electrician | |
| Juan Carrión | .... | gaffer | |
| Pablo Carrión | .... | electrician | |
| Roberto de Miguel | .... | second assistant camera (as Roberto Miguel) | |
| Domenech | .... | camera rental | |
| Pablo Hernández Smith | .... | director of photography: second unit (as Pablo Hernandez) | |
| Pedro López | .... | electrician | |
| Carlos Montero | .... | camera trainee | |
| Francisco Ramos | .... | key grip | |
| Ramiro Sabell hijo | .... | first assistant camera: second unit | |
| José Sacristán | .... | electrician | |
| Luis Sáenz | .... | second assistant camera: second unit | |
| Gregorio Sánchez | .... | first assistant camera: second unit | |
Costume and Wardrobe Department | |||
| Humberto Cornejo | .... | wardrobe | |
| Ana Cuerda | .... | assistant costume designer | |
| Bubi Escobar | .... | costumer (as María Isabel Escobar) | |
| Concha Solera | .... | costumes | |
Editorial Department | |||
| Natalia Sáinz de Rozas | .... | assistant editor | |
Music Department | |||
| Enrique Camarasa | .... | music recordist | |
| Juan Carlos Cuello | .... | music producer | |
| Bartolomé Espadale | .... | music production manager | |
| Mario Klemens | .... | conductor | |
| Eduardo Ruiz-Joya | .... | music mixer (as Eduardo Ruiz Joya) | |
| José Vinader | .... | music mixer | |
Transportation Department | |||
| Félix Fontal | .... | transportation coordinator | |
Other crew | |||
| Emilio Ardura | .... | tapestry | |
| Javier Bellot | .... | press attache | |
| Amanda Castro | .... | assistant to director | |
| Mar de Frutos | .... | location manager | |
| Alberto García | .... | production assistant | |
| Mateo Gil | .... | assistant to director | |
| Juan Giraldez | .... | location manager | |
| Montserrat González | .... | legal advisor | |
| Rafael Hostelería | .... | caterer | |
| Alfonso Jadraque | .... | location manager | |
| José Miguel Mendiola | .... | financial controller | |
| Sofía Merlin | .... | location manager | |
| Eva Muslera | .... | production accountant | |
| José M. Méndez | .... | legal advisor | |
| Víctor Mínguez | .... | production assistant | |
| María Teresa Payero | .... | production secretary | |
| Juan Luis Pedrero | .... | production accountant | |
| Lola Pérez | .... | legal advisor | |
| Carlos J. Santos | .... | title designer | |
| Carmen Soriano | .... | script supervisor | |
| José Luis Sánchez | .... | location manager | |
| César Urrutia | .... | press promotion | |
Thanks | |||
| Javier Aramburu | .... | thanks | |
| Olga de Bartolomé | .... | thanks | |
| Armand Basi | .... | thanks | |
| Fabrice Benoît | .... | thanks | |
| Fernando Cañas | .... | thanks | |
| Luis Dorado | .... | thanks | |
| Concha Doñaque | .... | thanks | |
| Andy Ferguson | .... | thanks | |
| Luis Fernández Inglada | .... | thanks | |
| Nieves Herranz | .... | thanks | |
| Luis A. López Calvo | .... | thanks (as Luis Antonio López Calvo) | |
| José Mercado | .... | thanks | |
| Ian Padrón | .... | thanks | |
| Nano de la Peña | .... | thanks (as Fernando de la Peña) | |
| Antonio Ramos | .... | thanks | |
| Ana Steinberg | .... | thanks | |
| Nacho Sáenz de Tejada | .... | thanks | |
| Tomás Zapata | .... | thanks | |
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| The Science of Sleep | Kings & Queen | Persepolis | Head-On | The Best of Youth |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Spain section |
"Vanilla Sky" turned out to be a moderate success and scored great reviews by most critics, and I liked it myself. But if you compare it to this film, there's almost nothing different! But of course, it's all Cameron Crowe's fault and not the fault of the director of this movie. Luckily, I haven't seen "VS" in a while, so certain surprises in the plot still intrigued me. And I was intrigued throughout the film, I think even moreso than with "VS."
Tom Cruise is a fine actor, and I have nothing against him. But I always appreciate seeing unknown actors (at least they're unknown to me; I don't live in Spain, so they might be superstars there) give fine performances. The actor who plays the main character in this film as just as effective as Cruise. He is an extremely attractive man and knows how to express a plethora of emotions. I've never been a big fan of Penelope Cruz's work in the states, because her English still isn't great and that clearly shows in the mangled expression of her dialogue. But in her native language she shows great talent. And since I find her much more attractive than I used to, I'm more appealed by her in the looks department. Plus, as a man I must reveal she has a great nude scene in the film.
One element of the plot that I don't think Crowe's "VS" expressed as well was the jealousy between the handsome main character and his best friend. I was able to connect with that portion of the story, since I have a best friend like the main character who's charming girls left and right, while I (the average guy) have virtually no appeal to the ladies. I know what it's like to possess that sort of envy, and so do the average guys all around who see handsome guys doing the same things we do, but get more favorable results just on account of their good looks. The film also expresses the theme that no matter how many times most attractive men claim their looks are of no importance to them, if their looks were one day to be stolen from them, they'd lose the will to live.
I'm sure if I saw "Vanilla Sky" after this movie, I'd enjoy it a lot less. This is sheer proof that the general American public is too lazy to read subtitles. Because if you were watching the DVD of "VS" and switched the language channels from English to Spanish, it's the same damn movie! And now I feel sorry for the director of this movie, since he's the genius behind this genuinely original story, but Cameron Crowe comes along and takes all the credit. I am not one of those grouches who hates remakes, but if you're going to remake a film, put your own spin on it! Don't take all the original ideas and conduct it with different actors! And wait a couple decades for God's sake! "Open Your Eyes" was released in 1997 and "VS" only four years later. So unless you're illiterate, please see "Open Your Eyes" before you even consider "Vanilla Sky"!
My score: 8 (out of 10)