Abre los ojos (1997)

User Rating:

7.8/10   

Director:

Alejandro Amenábar

Writers:

Alejandro Amenábar (writer)
Mateo Gil (writer)

Release Date:

19 December 1997 (Spain)

Genre:

Drama | Mystery | Romance | Sci-Fi | Thriller

Plot:

A very handsome man finds the love of his life, but he suffers an accident and needs to have his face rebuilt by surgery after it is severely disfigured.

Plot Keywords:

Love | Beautiful Woman | Psychiatrist | Nightmare | Suicide

Awards:

5 wins & 11 nominations

Cast

Eduardo Noriega	...	César
Penélope Cruz	...	Sofía
Chete Lera	...	Antonio
Fele Martínez	...	Pelayo
Najwa Nimri	...	Nuria
Gérard Barray	...	Duvernois
Jorge de Juan	...	Encargado L.E.
Miguel Palenzuela	...	Commisario
Pedro Miguel Martínez	...	Médico Jefe
Ion Gabella	...	Recluso paranoico
Joserra Cadiñanos	...	Guardia
Tristán Ulloa	...	Camarero
Pepe Navarro	...	Presentador T.V.
Jaro	...	Médico 1
Walter Prieto	...	Médico 2

Also Known As:

Open Your Eyes (UK) (USA)
Apri gli occhi (Italy)
El contrato (Spain) (working title)
Ouvre les yeux (France)
Permanent Midnight (USA)

MPAA:

Rated R for some strong sexuality, language and some violence.

Runtime:

117 min

Country:

Spain | France | Italy

Language:

Spanish

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

Iceland:16 | Argentina:16 | Australia:M | Canada:13+ (Quebec) | Canada:18 (Nova Scotia) | Canada:AA (Ontario) | Canada:PG (Manitoba) | Chile:18 | France:U | Germany:16 (video premiere) | Hong Kong:IIB | Peru:14 | Portugal:M/16 (video premiere) | Singapore:M18 | South Korea:18 | Spain:13 | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | UK:15 | USA:R | Finland:K-15

Filming Locations:

Madrid, Spain

Company:

Canal+ España

Trivia:

When César (Eduardo Noriega) goes to Sofia (Penélope Cruz)'s apartment and starts to rip down her photos on the wall, there is a picture of "The Sandman," a popular comic book that deals with the world of dreams, created by Neil Gaiman.

Goofs:

Crew or equipment visible: A crew member is reflected in the car window when César picks up Pelayo for tennis.

Quotes:

Pelayo: Did you screw her?
César: Screw who?

Movie Connections:

Spoofed in Spanish Movie (2009)

Soundtrack:

Flying Away

Abre Los Ojos is much better than Vanilla Sky

I recently watched Abre Los Ojos. That prompted me to then rent Vanilla Sky. I relate that only because the order in which you see these movies is important. Specifically, by the time I saw VS, I knew everything about the story, and there was no longer any sense of unraveling a mystery that is an important part of these movies. But that is not all. On almost every score, Abre Los Ojos is the better movie. First the acting. In ALO, Penelope Cruz is sweet, loving and heartbreakingly beautiful. Reprising the same role in VS, she struggles with her Spanish accent, and there is absolutely no chemistry between her and Tom Cruise. Also, her character in VS repeatedly engages in a strange kind of smart-alecky banter that is not funny and is just plain misplaced in this movie. And yes, I hate to say it, but Ms. Cruz is nowhere near as attractive in VS as she was in ALO. Watch the movies back-to-back and the difference is startling. As for the other characters, I thought the spurned female role was better done in ALO. The actress who played Nuria in ALO conveyed a palpable sense of desperation and sadness, but also vulnerability. When she kills herself, and tries to take Cesar with her, it's believable. Not so with Cameron Diaz's portrayal of that same character in VS, who comes off as a spoiled tramp whose decision to kill herself seems like a hissy fit. That may not be all her fault. For instance, during the critical scene where she kills herself and tries to kill Cruise, Diaz is forced to utter dialog that is dopey and distractingly vulgar. Nuria has more grace, and more depth. Tom Cruise is not a terrible male lead, but the Spanish actor who played Cesar in ALO is much better suited for the role. He is younger, and portrays youthful arrogance and insouciance perfectly. There is also an innocence about him that Cruise can no longer do. Especially physically. At times in VS, I was thinking more about Tom Cruise's weightlifting regimen more than the mental anguish of his character. Unlike the crippling sadness of Cesar, Cruise's character is a turbo-charged superstar. In fact, it's not until the final scene, when the truth unravels itself, that Cruise finally brings his performance down to a human level. Last, the music. ALO has an unobtrusive, Hitchcockian score (see Vertigo to get my drift) that is haunting, and is very effective in creating a brooding, dreamlike atmosphere. Cameron Crowe's blaring soundtrack in VS, conversely, is a slick pop cliché that detracts, instead of enhances, the experience. The musical differences really do speak volumes here. ALO is dark, ethereal, and moving. VS is loud, brash, and coarse.