A once handsome playboy, César finds himself in a mental facility and he can't remember why. All he can remember is meeting the love of his life for one day, and then getting into a car accident which left his face horribly disfigured. But the pain of becoming physically undesirable may help him to find the truth. Written by
Tom Cruise said that he was on his mobile phone trying to buy the remake rights during the end credits the first time he saw the film. See more »
As César runs on an "empty" street at the beginning of the film, three people can be seen. One, a man in a blue shirt, standing in the bottom right corner of the frame, and two other people on a balcony above him. See more »
I went into this movie with no reservations and was pleasantly astonished by it. I advise anyone else to do the same; it is not like the Matrix, it is not like Hitchcock, it simply exists in its own right.
The film attempts to be at least two movies in one. Unlike numerous attempts in the industry, it succeeds elegantly. I was drawn into the first part, the character portrait of the wealthy, shallow young man who undergoes a startling change... and then found myself swept up in a keenly sympathetic, psychological suspense film. Part of the success of the story is that it is centered primarily around several young, uncomplicated characters. In Hollywood, such characters in suspense films are usually knifed up within the first few pages of script.
I don't look for anything positive in the upcoming American remake, incidentally. This is a film with depth and yet simplicity, truth and fantasy. It is a pure pleasure to watch, and it simply can not be improved upon without becoming gaudy and confusing.
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