In an overpopulated futuristic Earth, a New York police detective finds himself marked for murder by government agents when he gets too close to a bizarre state secret involving the origins of a revolutionary and needed new foodstuff.
The handsome and wealthy César is very successful with women and is having difficulties getting rid of Nuria, his last affair. His best friend, Pelayo, is unlucky with women and jealous of César. At his birthday party, César meets the gorgeous and sexy Sofia, currently dating Pelayo, but they are immediately attracted to each other and spend the night together in her apartment. The next morning, César finds Nuria outside of Sofia's building, and he accepts her offer of a ride home. However, she commits suicide, crashing her car against a wall, but César survives the crash with his face completely disfigured. The doctors do not have the technology to restore his face and César is absolutely depressed and missing Sofia. One night, César meets Sofia and Pelayo in a bar but he drinks too much and passes out on the street. However, the next morning, Sofia finds César on the street and kisses him, telling that she loves him. Then the doctors tell him that they are able to fix his face. Out ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
As César runs on an "empty" street at the beginning of the film, three people can be seen. One, a man in a blue shirt, standing in the bottom right corner of the frame, and two other people on a balcony above him. See more »
Attention: do NOT watch Vanilla Sky before watching this first!
Sadly due to the lack of availability of 'Open Your Eyes' in Australia (until now) I saw Cameron Crowe's 'Vanilla Sky' first. Too bad. 'Open Your Eyes' is the original and best version, and would have impressed me even more if the surprises in the plot hadn't been ruined for me by the remake. So I strongly urge you to watch this movie first for maximum impact. It's a real killer, and especially recommended if you are a fan of mind-blowing movies such as Frankenheimer's underrated 'Seconds', Cronenberg's brilliant 'Videodrome' and 'eXistenZ'), or have read a Philip K.Dick novel or two.
Eduardo Noriega (star of Amenabar's previous movie, the taut, suspenseful 'Tesis', also worth a look) is much more believable than Tom Cruise as the increasingly baffled protagonist caught in a never-ending nightmare, and Penelope Cruz's performance here is subtler and more appealing than her reprise of Sofia in Crowe's overblown and self-indulgent remake. Alejandro Amenabar has made three excellent imaginative thrillers in a row, and looks like being one of the most potentially exciting directors currently working. 'Open Your Eyes' comes with my highest recommendation. This one is essential viewing.
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