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Directed by | |||
| Dario Argento | |||
Writing credits | ||
| Gaston Leroux | (novel) | |
| Gérard Brach | (writer) and | |
| Dario Argento | (writer) | |
| Giorgina Caspari | (English adaptation) | |
| Philippe Gille | libretto "Lakmé" (uncredited) | |
| Edmond Gondinet | libretto "Lakmé" (uncredited) | |
Produced by | |||
| Claudio Argento | .... | executive producer | |
| Giuseppe Colombo | .... | producer | |
| Aron Sipos | .... | producer | |
Original Music by | |||
| Ennio Morricone | |||
Cinematography by | |||
| Ronnie Taylor | |||
Film Editing by | |||
| Anna Rosa Napoli | (as Anna Napoli) | ||
Casting by | |||
| Mirta Guarnaschelli | |||
| Emma Style | |||
Production Design by | |||
| Massimo Antonello Geleng | (as Antonello Geleng) | ||
| Csaba Stork | |||
Costume Design by | |||
| Ágnes Gyarmathy | |||
Makeup Department | |||
| Alessandro Bertolazzi | .... | key makeup artist | |
| Massimo Gattabrusi | .... | key hair stylist | |
| Paola Gattabrusi | .... | makeup artist | |
| Katalin Jakots | .... | makeup supervisor | |
| Balázs Novák | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Alessandro Ingargiola | .... | first assistant director | |
| Péter Rácz | .... | assistant director | |
| Enrico Tubertini | .... | second assistant director | |
Art Department | |||
| Giuseppe Cancellara | .... | construction coordinator | |
| Fabrizio Carletti | .... | carpenter | |
| Salvatore Manca | .... | props | |
| Santo Spalla | .... | set painter | |
Sound Department | |||
| Roberto Alberghini | .... | sound mixer | |
| Csaba Erös | .... | boom operator | |
| József Kardos | .... | sound recordist | |
| Gilberto Martinelli | .... | production sound mixer | |
| Umberto Montesanti | .... | production sound mixer | |
| Alfredo Petti | .... | boom operator | |
| Andrea Lancia | .... | sound supervisor (uncredited) | |
| Paolo Pucci | .... | sound effects editor (uncredited) | |
Special Effects by | |||
| Danilo Bollettini | .... | action special effects (as Danilo Boletini) | |
| David Bracci | .... | special effects assistant | |
| Gastone Callori | .... | action special effects | |
| Massimo Cristofanelli | .... | action special effects | |
| Ercole Quagleti | .... | action special effects | |
| Sergio Stivaletti | .... | special effects | |
| Péter Szilágyi | .... | special effects | |
Stunts | |||
| Omero Capanna | .... | stunts | |
| Domenico Cianfriglia | .... | stunts | |
| Giovanni Cianfriglia | .... | stunts | |
| Riccardo Mioni | .... | stunt coordinator | |
| Alessandro Novelli | .... | stunts | |
| Mario Novelli | .... | stunts | |
| Gábor Piroch | .... | stunts: Phantom | |
| Rocco Russo | .... | stunts | |
| Massimo Vanni | .... | stunts | |
| Attila Nemes | .... | utility stunts (uncredited) | |
Camera and Electrical Department | |||
| Fabrizio Amendola | .... | electrician | |
| Danielle Armeni | .... | assistant camera (as Daniele Armeni) | |
| Monica Bonomi | .... | video assistant | |
| Daniele Cafolla | .... | electrician | |
| Antonio D'Arienzo | .... | electrician | |
| Claudio Diamanti | .... | key grip | |
| Roberto Gentili | .... | assistant camera | |
| Sascia Ippoliti | .... | assistant camera (as Sacha Ippoliti) | |
| Vincenzo Mancini | .... | grip | |
| Stefano Marino | .... | gaffer | |
| Luigi Orso | .... | grip | |
| Giuliano Paravano | .... | grip | |
| Benvenuto Pedron | .... | generator operator | |
| Marco Pieroni | .... | Steadicam operator | |
| Marco Pieroni | .... | camera operator | |
| Alberto Rogante | .... | electrician | |
| Salvatore Ruberto | .... | electrician | |
| Maurizio Salvatori | .... | grip | |
| Giuseppe Tinelli | .... | second camera operator | |
| Gianluca Venturi | .... | grip | |
| Franco Vitale | .... | still photographer | |
| Claudio Zamarion | .... | first assistant camera | |
Casting Department | |||
| Tamás Kertész | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| György Homonnay | .... | wardrobe supervisor | |
| Bertilla Silvestrin | .... | seamstress | |
Editorial Department | |||
| Emanuela Di Giunta | .... | assistant editor | |
| Maria Cristina Marra | .... | assistant editor | |
Music Department | |||
| Georges Bizet | .... | composer: song "L'amour est un oiseau rebelle" from opera "Carmen" | |
| Cinzia Cavalieri | .... | music consultant | |
| Angelo Giovagnoli | .... | orchestra coordinator | |
| Maurizio Guarini | .... | composer: additional music | |
| Claudio Messina | .... | score music producer | |
| Ennio Morricone | .... | conductor | |
| Ennio Morricone | .... | orchestrator | |
| Fabio Venturi | .... | music scoring engineer | |
Transportation Department | |||
| Marcello Colacietto | .... | production driver | |
| Luigi D'Ettorre | .... | production driver | |
| Domenico Di Pietro | .... | production driver | |
| Paolo Racalbuto | .... | production driver | |
| Andrea Regoti | .... | production driver | |
| Luciano Scrocca | .... | production driver | |
Other crew | |||
| Carlo Alonzo | .... | production secretary | |
| Michela De Porzi | .... | production secretary | |
| John Fonseca | .... | dialogue coach | |
| Maurizio Garrone | .... | animal supplier | |
| Marcello Lanza | .... | production accountant | |
| Ágoston F. Megyesy | .... | production assistant | |
| Paola Mengoni | .... | script supervisor | |
| Carla Menicucci | .... | assistant production accountant (as Carla Menicocci) | |
| Raffaella Milanesi | .... | opera singing double: Asia Argento | |
| Gábor Rajna | .... | location manager | |
| Rita Mányai | .... | interpreter (uncredited) | |
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| The Phantom of the Opera | The Phantom of the Opera | Phantom of the Opera | The Phantom of the Opera | Sunshine |
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I first saw this movie on a local TV station and figured out it was the Phantom of the Opera. Since I love the musical and have seen it twice, I watched this movie. It somewhat follows the line of the real story but to make it it's own it is a little different. The Phantom actually looks a little like Fabio with his long blonde hair. He plays a very devilish character. I thought at first that this a very old rendition of the movie but when I had searched forever to figure out which one it was, it was the most recent one made. I like the bit of extra sexuality they threw in it. It adds more of a reality to the characters and their feelings for each other. It is sort of like a tacky Italian version but that's what makes it good. I really liked this version of the movie and I suggest people watch it. Again, remember that it is not like the musical in every way, it is different, but it is still good! People need to get off the bandwagon of every Phantom movie made has to follow exactly like the musical, if they were all like that, then there would only be one made, this is why they make several, different versions makes watching each one interesting to see what will be different.