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Directed by | |||
| Steven Seagal | |||
Writing credits(WGA) | ||
| Ed Horowitz | (written by) & | |
| Robin U. Russin | (written by) | |
Original Music by | |||
| Basil Poledouris | |||
Cinematography by | |||
| Ric Waite | (director of photography) | ||
Film Editing by | |||
| Don Brochu | |||
| Robert A. Ferretti | |||
Casting by | |||
| Pamela Basker | |||
Production Design by | |||
| William Ladd Skinner | (as Wm Ladd Skinner) | ||
Art Direction by | |||
| Louis Montejano | |||
Set Decoration by | |||
| John H. Anderson | |||
| Ronald R. Reiss | |||
Costume Design by | |||
| Joseph G. Aulisi | |||
Makeup Department | |||
| Shanon Ely | .... | hair stylist | |
| Jef Simons | .... | makeup artist | |
Production Management | |||
| Peter Burrell | .... | unit production manager | |
Art Department | |||
| Nigel A. Boucher | .... | leadman | |
| Mary Buri | .... | set dresser | |
| Charles A. Carlsen | .... | propmaker | |
| Dale DeStefani | .... | foreman | |
| Johnnie Jenkins | .... | construction accountant | |
| Charles R. Lipscomb | .... | lead man | |
| Sam Moore | .... | property master | |
| Penny Smartt-Juday | .... | art department coordinator | |
| John Sweeney | .... | assistant propmaster | |
| Sally Thornton | .... | set designer | |
| Ron Ashmore | .... | lead paint foreman (uncredited) | |
| Mark Boucher | .... | set dresser (uncredited) | |
Sound Department | |||
| Bobbi Banks | .... | adr editor | |
| Lance Brown | .... | sound editor | |
| Rickley W. Dumm | .... | assistant sound editor | |
| Steven Gerrior | .... | first assistant sound editor | |
| Joseph Holsen | .... | sound editor | |
| Elliott Koretz | .... | sound editor | |
| Lance Laurienzo | .... | assistant sound editor | |
| John Leveque | .... | supervising sound editor | |
| Steve Mann | .... | sound effects editor | |
| Kenneth C. Mantlo | .... | boom operator | |
| Anthony Milch | .... | sound editor | |
| Jay Nierenberg | .... | sound editor | |
| Greg P. Russell | .... | sound re-recording mixer | |
| Shawn Sykora | .... | supervising foley editor | |
| Edward Tise | .... | sound mixer | |
| Tim Tuchrello | .... | assistant sound editor | |
| Robert Ulrich | .... | adr editor | |
| Marshall Winn | .... | sound editor | |
| Richard E. Yawn | .... | supervising sound editor | |
| William Jacobs | .... | sound effects editor (uncredited) | |
Special Effects by | |||
| Thomas L. Fisher | .... | special effects | |
| Roy Goode | .... | pyrotechnician | |
| Andrew Miller | .... | special effects foreman | |
| Jay King | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Rocco Gioffre | .... | matte artist | |
| Adam Hill | .... | modelmaker: SVSI | |
| Dennis Michelson | .... | visual effects supervisor | |
| Liz Radley | .... | video & computer graphics supervisor | |
| Scott Schneider | .... | model maker | |
| Mark Stetson | .... | miniature effects co-supervisor: Stetson Visual Services | |
Camera and Electrical Department | |||
| Robert Reed Altman | .... | assistant camera | |
| Audie Aragon | .... | dolly grip | |
| Carl Boles | .... | gaffer | |
| Mike Bonnaud | .... | assistant chief lighting technician | |
| Richard Brooks Burton | .... | aerial first assistant camera | |
| David Emmerichs | .... | steadicam operator | |
| Christopher Goss | .... | assistant camera | |
| Kurt E. Soderling | .... | assistant camera | |
| Kurt E. Soderling | .... | camera operator: second unit | |
| Michael T. Travers | .... | best boy grip | |
| Andy Young | .... | grip | |
Costume and Wardrobe Department | |||
| Cathy Smith | .... | special costume design | |
Editorial Department | |||
| Gordon Antell | .... | assistant film editor | |
| Dawn M. Gerrior | .... | assistant editor | |
| Stefanie Wiseman | .... | assistant editor | |
Music Department | |||
| Tim Boyle | .... | score mixer | |
| Budd Carr | .... | music supervisor | |
| J.J. George | .... | assistant music editor | |
| Greig McRitchie | .... | orchestrator | |
| Basil Poledouris | .... | conductor | |
| Lolita Ritmanis | .... | orchestrator | |
| Curtis Roush | .... | music editor | |
Transportation Department | |||
| Steve Boyd | .... | transportation coordinator: second unit | |
| Maxwell R. Johnson II | .... | transportation coordinator | |
Other crew | |||
| Jeff Dash | .... | payroll accountant | |
| Howard Fannon | .... | assistant propmaster: weapons | |
| Jay K. Fishburn | .... | head wrangler | |
| Kurt Greufe | .... | assistant accountant | |
| Dow Griffith | .... | location manager | |
| David 'Cajun' Guilbeau | .... | craft service | |
| Maureen Higgins | .... | assistant accountant | |
| Larry Jolly | .... | miniature helicopter pilot | |
| J. David Jones | .... | helicopter pilot | |
| Harry Lu | .... | armorer | |
| John Monsour | .... | 24 frame computer supervising engineer | |
| Robin Mounsey | .... | wilderness location specialist | |
| Heather Murphy | .... | production coordinator: Washington | |
| David Paris | .... | aviation coordinator | |
| Libby Riddles | .... | coordinator: dog team logistics | |
| Juan Ros | .... | production assistant | |
| Judi Rosner | .... | production coordinator | |
| Jewels Satterfield | .... | set key production assistant | |
| Larry Schmidt | .... | helicopter pilot | |
| Doug Seus | .... | bear owner | |
| Doug Seus | .... | bear trainer | |
| Laura Sode-Matteson | .... | location manager | |
| Brian Wescott | .... | technical advisor | |
| Bill Daly | .... | post-production accountant (uncredited) | |
| Tom Lent | .... | adr voice (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb USA section | Add this title to MyMovies |
What drew me to On Deadly Ground was that it had a few new ideas in its locker that I hadn't come across in many other action movies. The setting was Alaska, which sounded intriguing. The action was backed up by an environmental message, which also sounded intriguing. The hero was played by a wooden martial arts "actor", while the villain was played by a prolific, Oscar-winning superstar, which sounded like an irresistible pairing (just for the novelty value of seeing them on screen together). Add to that the fact that the music was by Basil Poledouris (whose scores for Conan the Barbarian and The Hunt For Red October are all-time great pieces of film music). On Deadly Ground seemed to have the promise and the potential to be something pretty interesting. Alas, the film fulfils very little of its potential. It's a particularly inept action flick.
Troubleshooter Forrest Taft (Steven Seagal) works for an oil company in Alaska fronted by the unpleasant Michael Jennings (Michael Caine, not in his worst ever film but certainly providing his worst ever performance). Taft gradually begins to realize that the company he works for is responsible for appalling environmental damage, but he can't get them to approach their business with a more environmentally-friendly outlook.... so he does the next best thing - he kicks some butt! Taft goes on a worthy crusade against his callous, single-minded bosses. Hired mercenaries are brought in to stop him, but Taft either evades or kills them in the Alaskan wilderness, and ruthlessly closes in on Jennings.
Seagal made a major mistake in directing the film himself. He lacks fluency as a director and has little grasp of how to link scenes correctly. Nor does he seem capable of coaxing decent performances from his surprisingly good cast. The film stumbles with near-random carelessness from one badly-acted scene to the next, diverting occasionally for the odd expensive-but-totally-soulless set piece. There are flashes of pretty cinematography, and in parts the action is crisply and competently choreographed, but generally the film is a disappointment. After the roasting that it received, Seagal's box office appeal took a permanent dip and Michael Caine stopped prostituting his talents in every film that was offered to him and actually started looking for scripts worthy of his ability.