Environmental protection agent Jack Taggart is fighting big business types led by Orin Hanner who are dumping toxic waste somewhere in the Kentucky hills region. They also killed his fellow... See full summary »
Félix Enríquez Alcalá
Brooklyn cop Gino Felino is about to go outside and play catch with his son Tony when he receives a phone call alerting him that his best friend Bobby Lupo has been shot dead in broad ... See full summary »
Chicago DEA agent John Hatcher has just returned from Colombia, where his partner was killed in the line of duty by a drug dealer who has since been taken down. As a result of his partner's... See full summary »
Dwight H. Little
Mason Storm, a 'go it alone' cop, is gunned down at home. The intruders kill his wife, and think they've killed both Mason and his son too. Mason is secretly taken to a hospital where he ... See full summary »
Casey Ryback hops on a Colorado to LA train to start a vacation with his niece. Early into the trip, terrorists board the train and use it as a mobile HQ to hijack a top secret destructive US satellite.
Forrest Taft is an environmental agent who works for the Aegis Oil Company in Alaska. Aegis Oil's corrupt CEO, Michael Jennings, is the kind of person who doesn't care whether or not oil spills into the ocean or onto the land, just as long as it's making money for him. He even makes commercials that make him look like he cares about the environment. Jennings is almost finished with building his new state-of-the art oil rig: AEGIS-1. The problem is that if he doesn't finish building the rig in thirteen days, the land rights will be returned to the Eskimos and the Alaskan government. When Jennings finds out that Taft's best friend Hugh Palmer has a computer disk that contains information about defective equipment on AEGIS-1, he sends out his goons to murder Palmer. When Taft tries to interfere, Jennings tries to kill Taft. But an Eskimo woman named Masu, who introduces Taft to her father Silook, the chief of her tribe, rescues Taft. With Masu's help, Taft begins a trek through the ... Written by
The first half of the end credits run over images of Alaska and its various wildlife, until we see Forrest Taft & Masu in a canoe, with Taft pointing out to Masu, a crow in front of them circling over the water (supposedly meant to be Silook in another form) See more »
Nice to see an action movie with a new locale and a few new angles, but a shame that on the whole the film is pretty inept.
What drew me to On Deadly Ground was that it had a few new ideas in its locker that I hadn't come across in many other action movies. The setting was Alaska, which sounded intriguing. The action was backed up by an environmental message, which also sounded intriguing. The hero was played by a wooden martial arts "actor", while the villain was played by a prolific, Oscar-winning superstar, which sounded like an irresistible pairing (just for the novelty value of seeing them on screen together). Add to that the fact that the music was by Basil Poledouris (whose scores for Conan the Barbarian and The Hunt For Red October are all-time great pieces of film music). On Deadly Ground seemed to have the promise and the potential to be something pretty interesting. Alas, the film fulfils very little of its potential. It's a particularly inept action flick.
Troubleshooter Forrest Taft (Steven Seagal) works for an oil company in Alaska fronted by the unpleasant Michael Jennings (Michael Caine, not in his worst ever film but certainly providing his worst ever performance). Taft gradually begins to realize that the company he works for is responsible for appalling environmental damage, but he can't get them to approach their business with a more environmentally-friendly outlook.... so he does the next best thing - he kicks some butt! Taft goes on a worthy crusade against his callous, single-minded bosses. Hired mercenaries are brought in to stop him, but Taft either evades or kills them in the Alaskan wilderness, and ruthlessly closes in on Jennings.
Seagal made a major mistake in directing the film himself. He lacks fluency as a director and has little grasp of how to link scenes correctly. Nor does he seem capable of coaxing decent performances from his surprisingly good cast. The film stumbles with near-random carelessness from one badly-acted scene to the next, diverting occasionally for the odd expensive-but-totally-soulless set piece. There are flashes of pretty cinematography, and in parts the action is crisply and competently choreographed, but generally the film is a disappointment. After the roasting that it received, Seagal's box office appeal took a permanent dip and Michael Caine stopped prostituting his talents in every film that was offered to him and actually started looking for scripts worthy of his ability.
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