Environmental protection agent Jack Taggart is fighting big business types led by Orin Hanner who are dumping toxic waste somewhere in the Kentucky hills region. They also killed his fellow... See full summary »
Félix Enríquez Alcalá
The gruesome murder of a Brooklyn Detective will turn the case into a personal vendetta when the deceased's best friend and fellow officer will unleash an all-out attack against a psychotic Mafia enforcer's brutal gang.
Casey Ryback hops on a Colorado to LA train to start a vacation with his niece. Early into the trip, terrorists board the train and use it as a mobile HQ to hijack a top secret destructive US satellite.
This movie tells the story of a man who goes undercover in a hi-tech prison to find out information to help prosecute those who killed his wife. While there he stumbles onto a plot involving a death-row inmate and his $200 million stash of gold.
Don Michael Paul
Forrest Taft is an environmental agent who works for the Aegis Oil Company in Alaska. Aegis Oil's corrupt CEO, Michael Jennings, is the kind of person who doesn't care whether or not oil spills into the ocean or onto the land, just as long as it's making money for him. He even makes commercials that make him look like he cares about the environment. Jennings is almost finished with building his new state-of-the art oil rig: AEGIS-1. The problem is that if he doesn't finish building the rig in thirteen days, the land rights will be returned to the Eskimos and the Alaskan government. When Jennings finds out that Taft's best friend Hugh Palmer has a computer disk that contains information about defective equipment on AEGIS-1, he sends out his goons to murder Palmer. When Taft tries to interfere, Jennings tries to kill Taft. But an Eskimo woman named Masu, who introduces Taft to her father Silook, the chief of her tribe, rescues Taft. With Masu's help, Taft begins a trek through the ... Written by
When Danish stuntman and actor Sven-Ole Thorsen met Steven Seagal on the set, he was asked by Seagal to kick him to show what Sven-Ole was capable of. Sven-Ole hesitantly kicked Seagal, who caught his leg and threw him to the ground. Seagal asked Sven-Ole to kick him again, giving it his best shot. Sven-Ole kicked him as fast and hard as he could and Seagal fell to the ground. When shooting a scene together a day or two later, Seagal hit Sven-Ole in the throat, resulting in Sven-Ole being knocked out for three or four seconds. It looked so realistic, that Seagal decided that Sven-Ole's character, Otto, died, and Sven-Ole's remaining scenes were cut from the film. See more »
When Forrest enters Hugh's cabin you see, for about 2 seconds, the gun cabinet, with a bolt action rifle on the left, a single barrel shotgun in the middle, and another rifle on the right, but when they come DOWN from upstairs, the two rifles have swapped places, and the shotgun is now a DOUBLE barrel variety. Also, the two boxes of shells have moved from beside the rifle butt in the bottom right corner, to on a shelf near the top of the cabinet. See more »
[after Otto breaks Hugh's first finger]
You'd better quit while you're ahead, Hugh! Know what I'm saying? While you can still play marbles. Where are the disks? Where are the books?
Fuck me? No, FUCK YOU!
[Otto breaks Hugh's second finger]
Go to hell!
OK. OK. I'll go to hell.
See more »
The first half of the end credits run over images of Alaska and its various wildlife, until we see Forrest Taft & Masu in a canoe, with Taft pointing out to Masu, a crow in front of them circling over the water (supposedly meant to be Silook in another form) See more »
In this Alaskan film, Joan Chen plays what is quite probably the last word in Sino-Eskimo snow bunnies.
Eskimo Joan represents the same sort of Hollywood confusion about racial boundary lines which saw Larry Fishburne play the Moor of Venice, and Jackie Chan cast to play the King of Pop in an upcoming TV movie. (I'm kidding about one of these.) Not to mention generations of Italian and Jewish Indians, and more white actors in blackface than there are seeds in a watermelon.
Joan is teamed here with Steven Seagal, quite probably the last word in inarticulate and extremely violent tree-hugging Buddhists. Sort of the Billy Jack of the Barents Sea. His jacket has more fringe on it than you'd see at a reunion concert by the Buffalo Springfield.
Together, they try to build a world where an interracial couple can be happy in an oomiak built for two.
A number of years ago, I spent nearly 8 seconds at a book-signing in the presence of Michael Caine. For each of those seconds, he was extremely personable. So it's a bit of a revelation for me seeing him playing his two-faced vicious Hun of a smooth oil company CEO. Old favourite John C. McGinley also appears against type as one of Caine's nastier henchthugs.
Finally, there's Seagal's direction which takes his film on this ecological walk through the woods which makes it all seem a little like Oliver Stone after too many days trapped in a sweatlodge.
It's so ridiculous I actually found myself enjoying the whole thing quite a bit.
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