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Directed by | |||
| Gillian Armstrong | |||
Writing credits(WGA) | ||
| Louisa May Alcott | (novel) | |
| Robin Swicord | (screenplay) | |
Produced by | |||
| Warren Carr | .... | associate producer | |
| Denise Di Novi | .... | producer (as Denise DiNovi) | |
| Robin Swicord | .... | co-producer | |
Original Music by | |||
| Thomas Newman | |||
Cinematography by | |||
| Geoffrey Simpson | (director of photography) | ||
Film Editing by | |||
| Nicholas Beauman | |||
Production Design by | |||
| Jan Roelfs | |||
Art Direction by | |||
| Richard Hudolin | |||
Set Decoration by | |||
| Jim Erickson | |||
Costume Design by | |||
| Colleen Atwood | |||
Makeup Department | |||
| Donna Bis | .... | assistant hair stylist | |
| James D. Brown | .... | hair stylist | |
| Marilyn Carbone | .... | makeup artist: Ms. Sarandon and Mr. Byrne | |
| Naomi Donne | .... | makeup artist: Winona Ryder | |
| Sherry Linder-Gygli | .... | assistant hair stylist | |
| Jan Newman | .... | makeup artist | |
| Peter Owen | .... | wig designer and maker | |
| Connie Parker | .... | first assistant makeup artist | |
| Lisa Taylor Roberts | .... | first assistant makeup artist (as Lisa Roberts) | |
Second Unit Director or Assistant Director | |||
| Jim Brebner | .... | additional second assistant director | |
| Dave 'Foots' Footman | .... | dgc trainee (as Dave Footman) | |
| John-Paul Holecka | .... | third assistant director | |
| Mark Lewis | .... | second unit director | |
| Mark Turnbull | .... | first assistant director | |
| Pete Whyte | .... | third assistant director | |
| Kim H. Winther | .... | second assistant director (as Kim Winther) | |
| Kate Eisemann | .... | second assistant director: second unit (uncredited) | |
Art Department | |||
| Lubor Cencak | .... | scenic painter | |
| James H. Chow | .... | property master (as Jimmy Chow) | |
| Mel Christensen | .... | construction foreman | |
| John Hamilton | .... | lead painter | |
| R. St. John Harrison | .... | set designer (as Richard St. John Harrison) | |
| Craig Henderson | .... | construction foreman | |
| Barry Kootchin | .... | head scenic artist | |
| Janis Lee | .... | scenic painter | |
| Catherine Leighton | .... | assistant property master | |
| Bridget McGuire | .... | assistant art director | |
| Neil McLeod | .... | assistant property master | |
| Michael J. Siver | .... | head greensman (as Mike Siver) | |
| Thom Wells | .... | construction coordinator (as Thomas Wells) | |
| Joshua A. Burwell | .... | greensman (uncredited) | |
| Marta McLaughlin | .... | prop buyer (uncredited) | |
| Ken Rabhel | .... | illustrator (uncredited) | |
Sound Department | |||
| Eric Batut | .... | production sound mixer | |
| Gethin Creagh | .... | sound re-recording mixer | |
| Chris Glyn-Jones | .... | boom operator (as Chris Glyn Jones) | |
| David Grusovin | .... | sound assistant | |
| Phil Heywood | .... | sound re-recording mixer | |
| Tim Jordan | .... | adr editor | |
| Paula Lourie | .... | sound assistant | |
| Simon Martin | .... | sound assistant | |
| Gary O'Grady | .... | dialogue editor | |
| Martin Oswin | .... | sound re-recording mixer | |
| John Penders | .... | adr editor | |
| John Simpson | .... | foley artist | |
| Lee Smith | .... | sound designer | |
| Peter Townend | .... | sound effects editor | |
| Karin Whittington | .... | dialogue editor | |
Special Effects by | |||
| Tony Lazarowich | .... | special effects assistant | |
| Lars Lenander | .... | best boy special effects | |
| William H. Orr | .... | special effects (as William Orr) | |
| Jak Osmond | .... | special effects assistant | |
| David K'shin Gendron | .... | special effects assistant (uncredited) | |
Visual Effects by | |||
| Roger Cowland | .... | opticals | |
Stunts | |||
| Marny Eng | .... | stunt double: Winona Ryder (uncredited) | |
Camera and Electrical Department | |||
| John L. Brown | .... | dolly grip | |
| Phillip V. Caruso | .... | key art photographer | |
| Derek Grieves | .... | dolly grip (as Derek Grieve) | |
| Tim Hogan | .... | key grip | |
| Stephen Jackson | .... | gaffer | |
| Burton 'Joe' Kuchera | .... | best boy electric (as Burton Kuchera) | |
| Joseph Lederer | .... | still photographer (as Joe Lederer) | |
| Peter Levy | .... | director of photography: second unit | |
| Tenzin Lhalungpa | .... | first assistant camera | |
| Randal Platt | .... | camera operator | |
| Lisa Robison | .... | second assistant camera | |
| Ken Woznow | .... | second grip | |
| Chris Cochrane | .... | generator operator (uncredited) | |
| Herb DeWaal | .... | rigging grip (uncredited) | |
| Kim Olsen | .... | grip (uncredited) | |
| George Ramage | .... | electrician (uncredited) | |
| Michael Wale | .... | camera trainee (uncredited) | |
Casting Department | |||
| Stuart Aikins | .... | casting: Canada | |
| Sandra Couldwell | .... | extras casting: Canada | |
| Carrie Frazier | .... | casting | |
| Shani Ginsberg | .... | casting | |
| William Haines | .... | casting associate | |
Costume and Wardrobe Department | |||
| Debbie Douglas | .... | costume set supervisor (as Deborah Douglas) | |
| Jennifer Grossman | .... | costume supervisor | |
| Nancy McArdle | .... | costume supervisor | |
| Nicola Ryall | .... | set costumer | |
| Robin Richesson | .... | costume illustrator (uncredited) | |
Editorial Department | |||
| Arthur Cambridge | .... | color timer | |
| Martin Connor | .... | digital editing assistant | |
| James Ilecic | .... | first assistant editor | |
| Stein Myhrstad | .... | digital editing assistant | |
| Karen Psaltis | .... | negative cutter | |
| Noelleen Westcombe | .... | first assistant editor | |
Music Department | |||
| Bill Bernstein | .... | music editor | |
| Sharal Churchill | .... | music consultant | |
| Bruce Johnson | .... | music consultant | |
| Shawn Murphy | .... | scoring mixer | |
| Michel Plasson | .... | conductor: opera "Les pêcheurs de perles" | |
| Thomas Pasatieri | .... | orchestrator (uncredited) | |
Transportation Department | |||
| Scott Irvine | .... | transportation coordinator | |
| Ron James | .... | transportation captain | |
| Robert Martini | .... | transportation coordinator: Boston | |
Other crew | |||
| Jan Alexander | .... | craft service | |
| Michael Andreen | .... | executive: Di Novi Pictures | |
| Kara Baker | .... | assistant: Ms. Armstrong (as Karla Dillard Baker) | |
| Belinda Bennetts | .... | title designer | |
| Mandy Butler | .... | assistant accountant | |
| Mark A. Dixon | .... | location manager: Deerfield second unit | |
| Paula Marie Duncan | .... | assistant accountant | |
| Truddi Forrest | .... | choreographer (as Trudi Forrest) | |
| Dave Gilbert | .... | extras | |
| Tim Haughian | .... | assistant location manager | |
| Don Knodel | .... | assistant location manager | |
| Wendy Lewis | .... | production coordinator (as Wendy Patricia Lewis) | |
| Paul Lougheed | .... | production assistant | |
| Dawn Martin-Weiner | .... | head animal trainer (as Dawn Martin-Wiener) | |
| Jane McKernan | .... | assistant accountant | |
| Margaret Mitchell | .... | production accountant (as Margaret A. Mitchell) | |
| Rino Pace | .... | location manager | |
| Laila Palermo | .... | production assistant | |
| Jamie Payton | .... | animal wrangler | |
| Anne S. Reilly | .... | unit publicist | |
| John Scott | .... | head animal wrangler (as John D. Scott) | |
| Anne M. Simonet | .... | assistant: Ms. Di Novi (as Anne Simonet) | |
| Erin Smith | .... | assistant production coordinator | |
| Julie Tjaden | .... | assistant: Ms. Di Novi | |
| Christine Wilson | .... | script supervisor | |
| Matthew C. Young | .... | researcher | |
| Dorothy Aufiero | .... | production coordinator: second unit (uncredited) | |
| Harrison Cheung | .... | assistant: Christian Bale (uncredited) | |
| Dana Dubé | .... | animal trainer (uncredited) | |
| Lori Gillis | .... | production assistant (uncredited) | |
| April D. Matthews | .... | accounting clerk (uncredited) | |
| Tim Monich | .... | dialect coach (uncredited) | |
| Diane Puhalla | .... | assistant cutter/fitter (uncredited) | |
| Dale Wibben | .... | custom made cutter (uncredited) | |
Thanks | |||
| Polly Hannah Klaas | .... | film dedicated to | |
| Judy Scott-Fox | .... | film dedicated to | |
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A film so beautiful, lovely, and true that it will remain in your heart long after. All the parts played flawlessly, a location which is evocative of Alcott's beloved Concord, Massachusetts. Family life at its best. I highly recommend this film and the book written by Louisa May Alcott. They are timeless classics.