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Little Women is a "coming of age" drama tracing the lives of four sisters: Meg, Jo, Beth and Amy. During the American Civil War, the girls father is away serving as a minister to the troops... See full summary »
Director:
George Cukor
Stars:
Katharine Hepburn,
Joan Bennett,
Paul Lukas
Vada Sultenfuss is obsessed with death. Her mother is dead, and her father runs a funeral parlor. She is also in love with her English teacher, and joins a poetry class over the summer just... See full summary »
Director:
Howard Zieff
Stars:
Dan Aykroyd,
Jamie Lee Curtis,
Macaulay Culkin
Rich Mr. Dashwood dies, leaving his second wife and her three daughters poor by the rules of inheritance. The two eldest daughters are the titular opposites.
Anne Shirley accepts a teaching position at a girls boarding school in a town dominated by a rich and belligerant family determined to make her life miserable.
Sparks fly when spirited Elizabeth Bennet meets single, rich, and proud Mr. Darcy. But Mr. Darcy reluctantly finds himself falling in love with a woman beneath his class. Can each overcome their own pride and prejudice?
Director:
Joe Wright
Stars:
Keira Knightley,
Donald Sutherland,
Brenda Blethyn
A naive young woman comes to New York and scores a job as the assistant to one of the city's biggest magazine editors, the ruthless and cynical Miranda Priestly.
Post-WWII Germany: Nearly a decade after his affair with an older woman came to a mysterious end, law student Michael Berg re-encounters his former lover as she defends herself in a war-crime trial.
With their father away fighting in the Civil War, Jo, Meg, Beth and Amy grow up with their mother in somewhat reduced circumstances. They are a close family who inevitably have their squabbles and tragedies. But the bond holds even when, later, men friends start to become a part of the household. Written by
Jeremy Perkins {J-26}
At the holiday party where the camera pans down through several floors, the space of the staircase where the camera flows down through is only a matter of inches, roughly 8" - 12" by 24", and is filmed in a castle in the suburbs of Victoria, B.C. in Canada See more »
Goofs
The soldiers' uniforms in the various party scenes have both stripes on the sleeves and shoulder boards. In reality, stripes on the sleeves denote an enlisted man, and shoulder boards denote an officer. They are thus mutually exclusive and both would not have been worn by the same individual. See more »
I hear it's really hard to turn a book into a movie, and even as a viewer, I notice this. You can keep the book and lose a movie, or you make a movie and lose a book. But this balances and keeps the essence of the book and creates a miraculous movie that works on every single level.
It's depth, it's warmth, it's beauty (from aesthetics to costumes to storyline), it all works. I saw this movie before I read the book, and my mom, a big fan of the book loved it, so did my dad who had never read it.
Unlike a lot of period classics that are turned into films, this one has no rigidity or boring spots, and it doesn't feel like the dime a dozen period films out there that re-use the same costumes and replay the same stories. It flows and invites you into the world of these girls, making the 1860s and the March family intensely real.
Fabulous acting by an ensemble cast completes this film. Winona Ryder was inspired casting, and in my opinion makes the best screen Jo ever. She's feisty, strong, tomboyish, but has a warmth and grace about her that I feel Katharine Hepburn and June Allyson (the most famous Jo's) didn't have and suits the character wonderfully. the best thing about these characters is that they endear themselves to you, something many movies lack. Great ensemble as well: Susan Sarandon, Christian Bale, Claire Danes (at 14, believe it or not), Eric Stoltz, Kirsten Dunst, Trini Alvarado, Susan Wickes, Gabriel Byrne all of them are incredible, and fit perfectly.
And if you can get through Beth's death scene without crying, you're pretty tough. It's a scene that doesn't pull sentimental melodrama, but plays honestly and goes to that heartbreaking sadness of losing someone. And the geranium petals and dolls and Thomas Newman's brilliant score finish off the scene, and I think makes it one of the greatest scenes in any film of the last 10 years (and they didn't even include it in the 75th Oscars montage, tsk tsk). The ending is incredibly lovely, and as James Lipton of the Actors Studio says, only needs those "three words" to coney everything that needs to be said.
This is a beautiful film. It's inviting, but not overly sweet, and though nothing too exciting happens, still very fulfilling and entertaining; it can be very bittersweet, but it is a joyful film, and says a lot about people and our emotions and our lives and yet is not confrontational in the least. It pulled out themes and messages which are often looked over out of one of the world's most famous books and made a lasting work of art that touches your heart.
26 of 33 people found this review helpful.
Was this review helpful to you?
I hear it's really hard to turn a book into a movie, and even as a viewer, I notice this. You can keep the book and lose a movie, or you make a movie and lose a book. But this balances and keeps the essence of the book and creates a miraculous movie that works on every single level.
It's depth, it's warmth, it's beauty (from aesthetics to costumes to storyline), it all works. I saw this movie before I read the book, and my mom, a big fan of the book loved it, so did my dad who had never read it.
Unlike a lot of period classics that are turned into films, this one has no rigidity or boring spots, and it doesn't feel like the dime a dozen period films out there that re-use the same costumes and replay the same stories. It flows and invites you into the world of these girls, making the 1860s and the March family intensely real.
Fabulous acting by an ensemble cast completes this film. Winona Ryder was inspired casting, and in my opinion makes the best screen Jo ever. She's feisty, strong, tomboyish, but has a warmth and grace about her that I feel Katharine Hepburn and June Allyson (the most famous Jo's) didn't have and suits the character wonderfully. the best thing about these characters is that they endear themselves to you, something many movies lack. Great ensemble as well: Susan Sarandon, Christian Bale, Claire Danes (at 14, believe it or not), Eric Stoltz, Kirsten Dunst, Trini Alvarado, Susan Wickes, Gabriel Byrne all of them are incredible, and fit perfectly.
And if you can get through Beth's death scene without crying, you're pretty tough. It's a scene that doesn't pull sentimental melodrama, but plays honestly and goes to that heartbreaking sadness of losing someone. And the geranium petals and dolls and Thomas Newman's brilliant score finish off the scene, and I think makes it one of the greatest scenes in any film of the last 10 years (and they didn't even include it in the 75th Oscars montage, tsk tsk). The ending is incredibly lovely, and as James Lipton of the Actors Studio says, only needs those "three words" to coney everything that needs to be said.
This is a beautiful film. It's inviting, but not overly sweet, and though nothing too exciting happens, still very fulfilling and entertaining; it can be very bittersweet, but it is a joyful film, and says a lot about people and our emotions and our lives and yet is not confrontational in the least. It pulled out themes and messages which are often looked over out of one of the world's most famous books and made a lasting work of art that touches your heart.