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Directed by | |||
| Giuseppe Tornatore | |||
Writing credits | ||
| Giuseppe Tornatore | (story) | |
| Giuseppe Tornatore | screenplay and | |
| Vanna Paoli | collaborating writer | |
Produced by | |||
| Gabriella Carosio | .... | delegate producer: RAI | |
| Franco Cristaldi | .... | producer | |
| Giovanna Romagnoli | .... | producer | |
Original Music by | |||
| Ennio Morricone | |||
Cinematography by | |||
| Blasco Giurato | |||
Film Editing by | |||
| Mario Morra | |||
Production Design by | |||
| Andrea Crisanti | |||
Costume Design by | |||
| Beatrice Bordone | |||
Makeup Department | |||
| Laura Borselli | .... | assistant makeup artist (as Laura Borzelli) | |
| Paolo Borselli | .... | hair stylist (as Paolo Borzelli) | |
| Maurizio Trani | .... | makeup artist | |
Production Management | |||
| Mino Barbera | .... | general manager | |
| Romualdo Buzzanca | .... | production manager (as Aldo Buzzanca) | |
| Eleonora Comencini | .... | production manager | |
| Aureliano Luppi | .... | production supervisor | |
| Salvo Luppo | .... | production supervisor | |
| Vittorio Noia | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Giuseppe Giglietti | .... | assistant director | |
| Pietra Tornatore | .... | second assistant director | |
Art Department | |||
| Fabio Bonzi | .... | assistant production designer | |
| Benito Leonardi | .... | construction foreman | |
| Marco Maggi | .... | constructor | |
| Alberto Michettoni | .... | first property master | |
| Cinzia Milani | .... | assistant art director | |
| Marcello Molfo | .... | second property master | |
| Raffaele Pantaleo | .... | construction foreman | |
| Porfirio Perrone | .... | constructor | |
| Oreste Quercioli | .... | set painter | |
| Marina Zalapi | .... | assistant production designer | |
Sound Department | |||
| Luciano Anzellotti | .... | foley artist | |
| Annia Bargagli | .... | dubbing assistant | |
| Alberto Doni | .... | sound mixer | |
| Franco Finetti | .... | sound engineer | |
| Massimo Loffredi | .... | sound recordist | |
| Stefano Nissolino | .... | sound dubbing | |
| Giulio Viggiani | .... | boom operator | |
| Dan Edelstein | .... | supervising sound editor: special edition re-release (uncredited) | |
Special Effects by | |||
| Danilo Bollettini | .... | special effects technician | |
| Giovanni Corridori | .... | special effects coordinator (as Corridori) | |
Stunts | |||
| Angelo Ragusa | .... | stunt double | |
Camera and Electrical Department | |||
| Luca Biamonte | .... | still photographer | |
| Nazzareno Brescini | .... | chief electrician (as Neno Brescini) | |
| Giuseppe Di Biase | .... | camera operator | |
| Claudio Diamanti | .... | grip | |
| Fabio Lanciotti | .... | assistant camera | |
| Carlo Passari | .... | first assistant camera | |
| Giuseppe Petrignani | .... | key grip | |
| Giuseppe Sciarra | .... | electrician | |
| Giuseppe Sgarra | .... | electrician | |
| Elio Tolles | .... | electrician | |
| Doriano Torriero | .... | grip | |
Animation Department | |||
| Massimiliano Cerchi | .... | animator (as Alvaro Passeri) | |
Costume and Wardrobe Department | |||
| Jacopo Bellini | .... | assistant seamstress | |
| Luigi Bonanno | .... | costume assistant | |
| Amedeo Monti | .... | seamstress | |
Editorial Department | |||
| Ida Cruciani | .... | assistant editor | |
| Giancarlo Mammetti | .... | color technician | |
| Luca Montanari | .... | assistant editor | |
| Stefano Quaglia | .... | assistant editor | |
Music Department | |||
| John M. Davis | .... | music editor (director's cut) | |
| Enrico DeMelis | .... | general music coordinator (as Enrico De Melis) | |
| Andrea Morricone | .... | composer: love theme | |
| Franco Tamponi | .... | musician: violin | |
Other crew | |||
| Nestore Baratella | .... | administrator | |
| Cesare Barbetti | .... | dubbing director | |
| Cesare Barbetti | .... | voice dubbing: Jacques Perrin | |
| Luigi Biamonte | .... | press agent | |
| Riccardo Caneva | .... | coordinator | |
| Lillo Capoano | .... | continuity director | |
| Claudia Catani | .... | voice dubbing: Agnese Nano | |
| Vittorio Di Prima | .... | voice dubbing: Philippe Noiret | |
| Vittoria Febbi | .... | voice dubbing: Brigitte Fossey | |
| Peter Fernandez | .... | voice director (US version) | |
| Elizabetta Gizzi | .... | administrator (as Elisabetta Gizzi) | |
| Francesco Liberati | .... | production secretary | |
| Fabrizio Manfredi | .... | voice dubbing: Marco Leonardi | |
| Bruno Morganti | .... | production secretary | |
| Vanna Paoli | .... | researcher: film clips | |
| Carla Pettini | .... | coordination secretary | |
| Alba Maria Ruggeri | .... | cashier | |
| Luciano Vittori | .... | print production | |
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| Malèna | The Reader | The English Patient | Nowhere Boy | Baarìa |
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| Full cast and crew | Company credits | External reviews |
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| IMDb Italy section |
Whether you are a professional or an amateur it is always wise to avoid superlatives with regard to a movie critique ... but I cannot. 'Cinema Paradiso' is simply the finest movie I have ever seen. Like many who have posted at this site before me I have seen it many many times. It reaches within me to places other movies have never reached and I have often wondered why. Perhaps it is because of it's simplicity. It contains no expensive special effects, it has no gratuitous sex or violence, it has no "multi-millon dollar per performance" actors that I know of, it is arguable whether it even has a story line, and yet it soars far above the nonsense that film makers are producing these days. It's characters are portrayed by each and every actor in award winning style and the music is not only beautiful but absolutely perfect for this film.
It is quite simply the story of a human life and it's tragedies and triumphs within the context of a vocation. A young boy matures and gradually learns the lessons of life, cultivates his passion for the cinema, and is rewarded with professional success; however, he remains unfulfilled for true love has escaped him only to return in the form of a gift of love which transcends time, space, and death to reveal at the closing of the film Toto's one true mistress.
A staggering triumph of both the cinematic art and of story telling and yet there may be found people who do not like this movie .... I tend to keep such people at arms length and maintain a wary eye fixed upon them at all times.