A famous film director remembers his childhood at the Cinema Paradiso where Alfredo, the projectionist, first brought about his love of films. He returns home to his Sicilian village for the first time after almost 30 years and is reminded of his first love, Elena, who disappeared from his life before he left for Rome. Written by
Graeme Roy <firstname.lastname@example.org>
Giuseppe Tornatore's intention was that this movie should serve as an obituary for traditional movie theatres (like the one on the film) and the movie industry in general. After the movie's success he never mentioned this again. See more »
When the (adolescent) Salvatore is leaving home on the train, we see Alfredo getting up out of the seat on the platform. The next time we see him, he's seated again, and getting up again. See more »
Maria Di Vita - Older:
[on the phone]
Maria Di Vita - Older:
Yes, Salvatore di Vita. You mean you don't know him, Miss? That's right, and I'm his mother. I've been calling from Sicily, all day long. I understand, he's not there.
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Movies can wield a strange power over those who sit in the darkened seats of a theatre. The truly great ones manipulate your perception of reality, suspend your disbelief, and ultimately either alter or affirm your view on life. NUOVO CINEMA PARADISO is just such a movie. It is the near-perfect melding of direction, acting, script, sound track, and cinematography. Phillipe Noiret and Salvatore Cascio give the kind of performances usually associated with much more recognizable actors. The supporting cast looks like they could all be full-blooded Sicilians. The location shots add depth and realism to the entire production. Ennio Morricone's music is simply the most appropriate and emotive I have ever had the pleasure to hear in a theatre. Tornatore's script and direction are a joy, a breath of fresh air.
I will not spoil this story by repeating it, nor will I give away the ending, although it matters not a whit. I could disclose fully everything in this movie, and in seeing it, all my words would evaporate. There is nothing like the experience of sitting through it, becoming engulfed by it, and in the end, being changed.
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