Based on the 1935 novel of the same name, it tells the story of an ill-fated assault on German forces by French soldiers, and the grippling consequences those soldiers face when they refuse to follow through with it.
A famous film director remembers his childhood at the Cinema Paradiso where Alfredo, the projectionist, first brought about his love of films. He returns home to his Sicilian village for the first time after almost 30 years and is reminded of his first love, Elena, who disappeared from his life before he left for Rome. Written by
Graeme Roy <firstname.lastname@example.org>
The character played by Brigitte Fossey was included in the first theatrical version of the film (155 minutes, released in November 1988) but then dropped in the shorter re-release (124 minutes, May 1989), which was shown internationally. Her scenes were eventually reinstated in the extended version (173 minutes). See more »
When the film is borrowed from a neighboring theater, we see that the projector is apparently located in the balcony of the theater, not in an enclosed projection room. Furthermore, the projector has a "magnetic penthouse" sound pickup, an attachment used to play early stereophonic prints. This process would not be invented until 1953 and not used widely until years after nitrate film was phased out. See more »
Maria Di Vita - Older:
[on the phone]
Maria Di Vita - Older:
Yes, Salvatore di Vita. You mean you don't know him, Miss? That's right, and I'm his mother. I've been calling from Sicily, all day long. I understand, he's not there.
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A breath of fresh air blowing away the cobwebs of Hollywood "blah" films.
I have seen this film at least a dozen times and each time I am carried away to a small village in Italy, where the dreams of a small boy come true and we can join his spellbinding journey. The Italian language (it is subtitled) adds to the film's beauty and music, the characters are so real you can almost smell them. I am absorbed into "Paradiso" each time I watch it, so that when it is over, I am shocked into the realisation that I haven't actually been anywhere except right there, in my theatre seat. I am not a huge "art house" film fan or indeed enjoy subtitled films (it is hard on the old eyes!) but "Paradiso" is a gem and is worth seeing again and again.
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