| Photos (See all 31 | slideshow) | Videos (see all 3) |
| Mickey Rourke | ... | Harry Angel | |
| Robert De Niro | ... | Louis Cyphre | |
| Lisa Bonet | ... | Epiphany Proudfoot | |
| Charlotte Rampling | ... | Margaret Krusemark | |
| Stocker Fontelieu | ... | Ethan Krusemark | |
| Brownie McGhee | ... | Toots Sweet | |
| Michael Higgins | ... | Dr. Albert Fowler | |
| Elizabeth Whitcraft | ... | Connie | |
| Eliott Keener | ... | Det. Sterne | |
| Charles Gordone | ... | Spider Simpson | |
| Dann Florek | ... | Herman Winesap | |
| Kathleen Wilhoite | ... | Nurse | |
| George Buck | ... | Izzy | |
| Judith Drake | ... | Izzy's Wife | |
| Gerald Orange | ... | Pastor John (as Gerald L. Orange) | |
| Peggy Severe | ... | Mammy Carter - Herb Store Proprietor | |
| Pruitt Taylor Vince | ... | Det. Deimos | |
| Dave Petitjean | ... | Baptism Preacher (as David Petitjean) | |
| Rick Washburn | ... | Cajun Heavy #1 | |
| Neil Newlon | ... | Cajun Heavy #2 | |
| Oakley Dalton | ... | Big Jacket | |
| Yvonne Bywaters | ... | Margaret's Maid | |
| Loys T. Bergeron | ... | Mike | |
| Joshua Frank | ... | Toothless | |
| Karmen Harris | ... | Harlem Mourner | |
| Nicole Burdette | ... | Ellie | |
| Kendall Lupe | ... | Oyster Cajun #1 | |
| Percy Martin | ... | Oyster Cajun #2 | |
| Viola Dunbar | ... | Concierge | |
| Murray Bandel | ... | Bartender | |
| Jarrett Narcisse | ... | Epiphany's Child | |
| Ernest Watson | ... | Oyster Bar Saxophonist | |
| Rickie Monie | ... | Oyster Bar Pianist | |
| Sugar Blue | ... | Toots Sweet Band - Harmonica | |
| Pinetop Perkins | ... | Toots Sweet Band - Piano | |
| Deacon John Moore | ... | Toots Sweet Band - Lead Guitar | |
| Richard Payne | ... | Toots Sweet Band - Double Bass | |
| W. Alonzo Stewart | ... | Toots Sweet Band - Drums | |
| Lillian Boutte | ... | Toots Sweet Band - Vocalist | |
| Joel Adam | ... | Tap Dancer | |
| Darrell Beasley | ... | Tap Dancer (as Darrel Beasley) | |
| Stephen Beasley | ... | Tap Dancer | |
| Jerome Reddick | ... | Tap Dancer | |
| Louis Freddie Kohlman | ... | Voodoo Drums | |
| Stephen Kenyatta Simon | ... | Voodoo Drums | |
| Curtis Pierre | ... | Voodoo Drums | |
| Kufaru Aaron Mouton | ... | Voodoo Drums | |
| Roselyn Lionheart | ... | Voodoo Musician | |
| Marilyn Banks | ... | Voodoo Dancer | |
| Lula Elzy | ... | Voodoo Dancer | |
| Francesca J. Ridge | ... | Voodoo Dancer | |
| Hope Clarke | ... | Voodoo Dancer | |
| Oscar Best | ... | Voodoo Dancer | |
| Sarita Allen | ... | Voodoo Dancer | |
| Noel Jones | ... | Voodoo Dancer | |
| Valerie Jackson | ... | Voodoo Dancer (as Varerie Jackson) | |
| Greer Goff | ... | Voodoo Dancer | |
| Arlena Rolant | ... | Voodoo Dancer | |
| Karen Davis | ... | Voodoo Dancer | |
| Shirleta Jones | ... | Voodoo Dancer | |
| Mark L. Taylor | ... | Voodoo Dancer (as Mark Taylor) |
Directed by | |||
| Alan Parker | |||
Writing credits(in alphabetical order) | ||
| William Hjortsberg | novel "Falling Angel" | |
| Alan Parker | screenplay | |
Produced by | |||
| Robert Dattila | .... | associate producer | |
| Mario Kassar | .... | executive producer | |
| Elliott Kastner | .... | producer | |
| Alan Marshall | .... | producer | |
| Andrew G. Vajna | .... | executive producer (as Andrew Vajna) | |
Original Music by | |||
| Trevor Jones | |||
Cinematography by | |||
| Michael Seresin | (director of photography) | ||
Film Editing by | |||
| Gerry Hambling | |||
Casting by | |||
| Risa Bramon Garcia | (as Risa Bramon) | ||
| Billy Hopkins | |||
Production Design by | |||
| Brian Morris | |||
Art Direction by | |||
| Armin Ganz | |||
| Kristi Zea | |||
Set Decoration by | |||
| Robert J. Franco | |||
| Leslie A. Pope | (as Leslie Pope) | ||
Costume Design by | |||
| Aude Bronson-Howard | |||
Makeup Department | |||
| Victor DeNicola | .... | hair stylist (as Victor De Nicola) | |
| David Forrest | .... | key makeup artist | |
| Robert Laden | .... | special makeup artist | |
| Paul LeBlanc | .... | hair designer | |
| Carla White | .... | makeup artist | |
Production Management | |||
| Simon Bosanquet | .... | production supervisor | |
| Dan Mark | .... | executive in charge of production | |
| Michael Nozik | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Sarah M. Brim | .... | second assistant director | |
| Michael Dister | .... | dga trainee | |
| Ric Kidney | .... | first assistant director | |
| Nina Kostroff-Noble | .... | second assistant director (as Nina Kostroff) | |
Sound Department | |||
| Eddy Joseph | .... | sound editor | |
| Jean-Pierre Lelong | .... | foley artist | |
| Robert J. Litt | .... | sound re-recording mixer (as Robert Litt) | |
| Steve Maslow | .... | sound re-recording mixer | |
| Danny Michael | .... | sound recordist | |
| Marc-Jon Sullivan | .... | boom operator (as Marc Jon Sullivan) | |
| William Trent | .... | sound effects editor | |
| Elliot Tyson | .... | sound re-recording mixer | |
| Jean-Marc Lentretien | .... | sound mix technician: additional (uncredited) | |
Special Effects by | |||
| Russell Berg | .... | special effects assistant | |
| J.C. Brotherhood | .... | special effects supervisor | |
| Clive R. Kay | .... | special effects contact lenses | |
Visual Effects by | |||
| David Smith | .... | optical cameraman: Camera Effects Ltd (uncredited) | |
Stunts | |||
| Andy Duppin | .... | stunts | |
| Joy Hooper | .... | stunts | |
| Harry Madsen | .... | stunt coordinator | |
| Felix Mauras | .... | stunts | |
| Bufort McClerkins | .... | stunts | |
| Perry Nichols | .... | stunts | |
| Franklin Scott | .... | stunts (as Franklyn Scott) | |
| Roy Thomas | .... | stunts | |
| Shirley Walker | .... | stunts | |
| Jeff Ward | .... | stunts | |
| Webster Whinery | .... | stunts | |
| Bill Read | .... | dog attack stunt double: Mickey Rourke (uncredited) | |
| Webster Whinery | .... | stunt double: Mickey Rourke (uncredited) | |
Casting Department | |||
| Isabelle Kramer | .... | extras casting | |
| Rick Landry | .... | extras casting | |
| Heidi Levitt | .... | casting assistant | |
| Lisa Peterson | .... | casting assistant | |
| Stephanie Samuel | .... | casting assistant | |
| Cynthia Ellis | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Elin Bjorkman | .... | wardrobe supervisor | |
| Danajean Cicerchi | .... | assistant costume designer (as Dana-Jean Cicerchi) | |
| Barbara Hause | .... | wardrobe supervisor | |
| Alvin Perry | .... | assistant costume designer | |
| Heidi Shulman | .... | wardrobe assistant | |
Editorial Department | |||
| Clive Barrett | .... | assistant editor | |
| Jocelyne Cita | .... | assistant editor | |
| Glenn Cunningham | .... | assistant editor | |
| Leonard Green | .... | assistant editor | |
| Uri Katoni | .... | assistant editor | |
| Dorre Koeser | .... | assistant editor | |
| Bob Noland | .... | color timer (as Bob Nolan) | |
| Ginny Parillo | .... | negative cutter (as Virginia Parillo) | |
| Alexander Parker | .... | assistant editor | |
Music Department | |||
| Catherine Bott | .... | musician: Soprano solo | |
| Paul Hulme | .... | music engineer | |
| Courtney Pine | .... | musician: saxophones | |
|
|
|
|
|
| The Departed | Munich | The Basketball Diaries | Kiss Kiss Bang Bang | The Ninth Gate |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Mystery section | IMDb USA section |
I was stunned at what this film did to me. An absolutely brilliant display of psychological horror. Alan Parker made the scariest film of the eighties, maybe the scariest film of the second half of the century with this picture. The hell with "Psycho", "Angel Heart" is where it's at if you want horror.
I don't know how Parker hasn't become the Hitchcock of his generation after this film. I know some of his other work - "Evita" and Mississippi Burning" are two films of his that I happen to think are pretty good. But they're nothing like this. What Parker does so well here, what he seems to get better than any other director I've noticed since this film was made, is how atmosphere makes a movie. He has a real sense of place and time that's a key component to making the terror of this movie real.
Aside from Parker's talents, there are three performances without which the movie just wouldn't work.
Robert de Niro gives the second best performance of his career here, right next to "Raging Bull", and even that's pretty close. I'm not even normally a huge fan of de Niro's - I mean, don't get me wrong, he's a legend, but I find most of the time that I'm less impressed with him than most people are. Not here. In this movie, de Niro makes the simple act of eating an egg into a treatise on mortal dread. He should have received the Oscar for this performance, no question about it.
Lisa Bonet - what happened to her? Every couple of years I'll see her in something like this or "High Fidelity", and she's got all this charisma - she really is a superb actress. What she does here is really interesting because you can see that it's very underdone, a lot of subtlety. Which is a strange way to go if you're playing a voodoo priestess. But she's very vulnerable here. I think it's a shame she didn't become the star she could have. I'd love to see more work from her.
Mickey Rourke is another resident of the "Where are they now?" file. I've heard more from him recently though. He's been making a comeback of sorts. He's actually the primary reason I rented this movie, because I saw him in Sean Penn's "The Pledge" and wanted to see more of his stuff. He's the third performance that makes this movie complete, and he's the one who really has the hardest job, who has to strap it to his back and get it across the finish line. His is also the most important job, because he needs to instill the terror in you. It's through his eyes that you witness these bizarre events, and it's his reaction that makes it all the more terrifying.
Again, brilliant. Can't say enough about it. The last thirty seconds or so kind of sucks (those of you who've seen it know what I'm referring to), but I can just turn it off before that. Oddly, it doesn't ruin what's come before.