| Photos (See all 19 | slideshow) |
| John Cusack | ... | Walter 'Gib' Gibson | |
| Daphne Zuniga | ... | Alison Bradbury | |
| Anthony Edwards | ... | Lance | |
| Boyd Gaines | ... | Jason | |
| Tim Robbins | ... | Gary Cooper | |
| Lisa Jane Persky | ... | Mary Ann Webster | |
| Viveca Lindfors | ... | Professor Taub | |
| Nicollette Sheridan | ... | The Sure Thing | |
| Marcia Christie | ... | Julie | |
| Robert Anthony Marcucci | ... | Bobby | |
| Sarah Buxton | ... | Sharon | |
| Lorrie Lightle | ... | Lucy | |
| Joshua Cadman | ... | Jimbo | |
| Krystal Richards | ... | Girl in Photo | |
| John Putch | ... | Mastin | |
| Steve Pink | ... | Football Player | |
| Tracy Reiner | ... | Alison's Friend | |
| Martin J. Layton | ... | Frat Guy (as Marty Layton) | |
| Amy Resnick | ... | Marsha | |
| Robert Bauer | ... | Moke | |
| Frantz Turner | ... | Cop | |
| Garry Goodrow | ... | Pick-Up Driver | |
| Robert Snively | ... | Bus Station Clerk | |
| Carmen Filpi | ... | Bus Station Bum | |
| Richard Hamilton | ... | Bartender | |
| George Memmoli | ... | Man in Bar | |
| Rosalind Moreland | ... | Barmaid | |
| Sunshine Parker | ... | Cowboy Guy | |
| Fran Ryan | ... | Lady in Car | |
| Teresa Baxter | ... | Rose Lady | |
| Larry Hankin | ... | Trucker | |
| Jimmy Baron | ... | Guy at Frat Party | |
| Julie Ow | ... | Girl in Sarong | |
| Noelle Williams | ... | Katherine | |
| rest of cast listed alphabetically: | |||
| Tamara Carrera | ... | Fantasy Girl (uncredited) | |
| David Connella | ... | Student (uncredited) | |
| Helen Kelly | ... | Bar Girl (uncredited) | |
| Joy Michelle Moore | ... | Hot Party Girl (uncredited) | |
| John Richard Petersen | ... | Frat Guy on Stairs (uncredited) | |
| Christopher Rydell | ... | Charlie (uncredited) | |
Directed by | |||
| Rob Reiner | |||
Writing credits | ||
| Steve Bloom | (written by) (as Steven L. Bloom) & | |
| Jonathan Roberts | (written by) | |
Produced by | |||
| Roger Birnbaum | .... | producer | |
| Andrew Scheinman | .... | co-producer | |
| Jeffrey Stott | .... | associate producer | |
| Henry Winkler | .... | executive producer | |
Original Music by | |||
| Tom Scott | |||
Cinematography by | |||
| Robert Elswit | (director of photography) | ||
Film Editing by | |||
| Robert Leighton | |||
Casting by | |||
| Janet Hirshenson | |||
| Jane Jenkins | |||
Production Design by | |||
| Lilly Kilvert | |||
Set Decoration by | |||
| Lisa Fischer | |||
Costume Design by | |||
| Durinda Wood | |||
Makeup Department | |||
| Patricia Messina | .... | makeup artist | |
| Michele Payne | .... | hair stylist | |
Production Management | |||
| Steve Nicolaides | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Brian James Ellis | .... | second assistant director | |
| Sam Epstein | .... | second assistant director | |
| Thomas Lofaro | .... | first assistant director | |
Art Department | |||
| David Brisbin | .... | lead man | |
| Mickie Cecchini | .... | assistant painter | |
| Buddy Cone | .... | art department assistant | |
| Amanda J. Flick | .... | scenic artist (as Amanda Flick) | |
| David L. Glazer | .... | property master (as David Glazer) | |
| Mark 'Digger' Green | .... | assistant props (as Mark Green) | |
| Dennis Hoerter | .... | carpenter | |
| Richard Hoover | .... | assistant art director | |
| Thierry Verrier | .... | set dresser | |
| Frank Viviano | .... | construction coordinator | |
Sound Department | |||
| Douglas B. Arnold | .... | boom (as Doug Arnold) | |
| Beth Bergeron | .... | post-production sound | |
| John Brasher | .... | post-production sound | |
| David E. Campbell | .... | sound re-recording mixer | |
| Roberta Doheny | .... | post-production sound | |
| Robert Eber | .... | sound mixer (as Bob Eber) | |
| Alfred T. Ferrante | .... | sound recordist | |
| Alia Kahn | .... | post-production sound | |
| Lars Nelson | .... | post-production sound | |
| Tony Ray | .... | post-production sound | |
| John T. Reitz | .... | sound re-recording mixer | |
| Gregg Rudloff | .... | sound re-recording mixer (as Gregg C. Rudloff) | |
Special Effects by | |||
| John Frazier | .... | special effects | |
| Jeffrey A. Wischnack | .... | special effects assistant (as Jeff Wischnack) | |
Camera and Electrical Department | |||
| Paul Amorelli | .... | electrician | |
| Greg Bridges | .... | grip | |
| François Duhamel | .... | unit photographer (as Francois Duhamel) | |
| Kevin Kelley | .... | best boy electrician | |
| Martin J. Layton | .... | camera assistant (as Marty Layton) | |
| Michael Meek | .... | grip | |
| Ron Meurrier | .... | lamp operator: Stockton | |
| Jack Palinkas | .... | key grip | |
| Lee Phillips | .... | gaffer | |
| Krishna Rao | .... | camera assistant (as Chris Rao) | |
| George Ressler | .... | grip best boy (as George Resler) | |
| Thomas Vanghele | .... | camera assistant (as Thomas P. Vanghele) | |
| Devik Wiener | .... | electrician | |
| Roland Young | .... | electrician | |
Casting Department | |||
| Eve Brandstein | .... | casting executive | |
Costume and Wardrobe Department | |||
| May Hart | .... | wardrobe assistant | |
| Constance Sech | .... | costumer | |
Editorial Department | |||
| Christine Cholvin | .... | assistant editor | |
| Terry Haggar | .... | color timer | |
| Jack Hooper | .... | negative cutter | |
| Cathy Rosenstein | .... | post-production coordinator | |
| Adam Weiss | .... | assistant editor | |
Music Department | |||
| Kenneth Karman | .... | music editor | |
| Alexandra Leviloff | .... | assistant music editor | |
| Gary Lubow | .... | music recording engineer | |
| Elliot Lurie | .... | music coordinator | |
| Becky Mancuso-Winding | .... | music supervisor (as Becky Shargo) | |
Transportation Department | |||
| Ken Day | .... | driver | |
| Bo Falck | .... | transportation co-captain | |
| Pat Gordon | .... | driver | |
| Thomas A. Gordon | .... | driver (as Tom Gordon) | |
| Greg Landis | .... | driver | |
| Ronald Linxwiler | .... | driver (as Ron Linxwiler) | |
| Tim Roslan | .... | transportation captain | |
| Dusty Saunders | .... | driver | |
| David Shaffer | .... | driver (as Dave Shaffer) | |
| Larry Sims | .... | driver | |
Other crew | |||
| Robert Breech | .... | location manager: Los Angeles | |
| William Burke | .... | location manager: Stockton | |
| Leslie Cornyn | .... | assistant production accountant | |
| Leigh French | .... | coordinator: custom looping | |
| Joan Gagrelcik | .... | studio teacher (as Joan Thompson Gabrelcik) | |
| Elizabeth Galloway | .... | production coordinator | |
| Walter Hart | .... | production assistant | |
| Edward Hersom | .... | craft service: Stockton | |
| Lisa Lynn Kearsley | .... | production secretary: Los Angeles | |
| Cathy Lerner | .... | secretary: Mr. Birnbaum | |
| Leslie 'Tinker' Linville | .... | production assistant (as Leslie Linville) | |
| Mitch Marcus | .... | production assistant | |
| Anne Rapp | .... | continuity (as Anne Rapp-Dowd) | |
| Cathy Rosenstein | .... | assistant: Rob Reiner & producers | |
| Eric Silvern | .... | craft service: Los Angeles | |
| Mary Vigna | .... | production secretary: Stockton | |
| Joyce Wagner | .... | unit publicist | |
| Zelig Walters | .... | caterer | |
| Ron Welch | .... | caterer | |
| Ruth Whittle | .... | production accountant | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Just for the heck of it, I pulled out my copy of The Sure Thing and watched it again. It's held up well since I first saw it on video in 1986. Yeah, the music is a little old, and Jason, Alison's boyfriend, still grates on me because I looked like him, but in all other respects it has held up well. What carries it is that it's the classic John Cusack Movie, where Cusack is just being... John Cusack. Totally real, totally unpretentious. You can see it in everything else he's done, even things of totally different style, like "Eight Men Out" and "The Grifters." He just rules the screen and the production ends up recalling pictures like "His Girl Friday" and "It Happened One Night." This has stood up to nearly fifteen years of viewing pretty well. Compare and contrast other stuff of that era, like "St. Elmo's Fire," and "Fast Times At Ridgemont High." Or any Tom Hanks movie of the period.
I've now come back five years after originally posting this review (it's now May, 2007) and I say, this film STILL stands as a classic Cusack, even after I have (in the interim) loved "Pushing Tin," "Being John Malkovich" and of course the amazing "High Fidelity." And to this day, I have been known to say, in bars, "BARKEEP! Bring this man...a TROUGH... of spritzer!"
And just remember...
"Credit cards work on a completely different kind of lock!"