| Photos (See all 25 | slideshow) |
| Betsy Palmer | ... | Mrs. Pamela Voorhees | |
| Adrienne King | ... | Alice Hardy | |
| Jeannine Taylor | ... | Marcie Cunningham | |
| Robbi Morgan | ... | Annie | |
| Kevin Bacon | ... | Jack Burrel | |
| Harry Crosby | ... | Bill | |
| Laurie Bartram | ... | Brenda | |
| Mark Nelson | ... | Ned Rubinstein | |
| Peter Brouwer | ... | Steve Christy | |
| Rex Everhart | ... | Enos, the Truck Driver | |
| Ronn Carroll | ... | Sgt. Tierney | |
| Ron Millkie | ... | Officer Dorf | |
| Walt Gorney | ... | Crazy Ralph | |
| Willie Adams | ... | Barry | |
| Debra S. Hayes | ... | Claudette | |
| Dorothy Kobs | ... | Trudy | |
| Sally Anne Golden | ... | Sandy | |
| Mary Rocco | ... | Operator | |
| Ken L. Parker | ... | Doctor | |
| Ari Lehman | ... | Jason Voorhees | |
| rest of cast listed alphabetically: | |||
| Noel Cunningham | ... | Boy in 1958 Camping Circle (uncredited) | |
| Irwin Keyes | ... | Busboy (uncredited) | |
| Tom Savini | ... | Man The Knife Killer (uncredited) | |
Directed by | |||
| Sean S. Cunningham | |||
Writing credits | ||
| Victor Miller | (screenplay) | |
| Sean S. Cunningham | story | |
| Ron Kurz | uncredited | |
| Victor Miller | story | |
Produced by | |||
| Sean S. Cunningham | .... | producer | |
| Alvin Geiler | .... | executive producer | |
| Steve Miner | .... | associate producer (as Stephen Miner) | |
Original Music by | |||
| Harry Manfredini | |||
Cinematography by | |||
| Barry Abrams | (director of photography) | ||
Film Editing by | |||
| Bill Freda | |||
Casting by | |||
| Julie Hughes | |||
| Barry Moss | |||
Production Design by | |||
| Virginia Field | (uncredited) | ||
Art Direction by | |||
| Virginia Field | |||
| Robert Topol | (uncredited) | ||
Costume Design by | |||
| Caron Coplan | |||
Makeup Department | |||
| Tom Savini | .... | special makeup effects | |
| Taso N. Stavrakis | .... | special makeup effects assistant (as Taso Stavrakis) | |
| Katharine Vickers | .... | hair stylist: Miss Palmer | |
| Katharine Vickers | .... | makeup artist | |
| Cecilia Verardi | .... | key makeup artist (uncredited) | |
Production Management | |||
| Steve Miner | .... | unit production manager (as Stephen Miner) | |
Second Unit Director or Assistant Director | |||
| Stephen Ross | .... | second assistant director | |
| Cindy Veazey | .... | assistant director | |
Art Department | |||
| Christine Gardyasz | .... | assistant properties (as Chris Gardyasz) | |
| Alice MaGuire | .... | property mistress (as Alice Maguire) | |
| Daniel E. Mahon | .... | assistant to art director (as Danny Mahon) | |
Sound Department | |||
| Lee Dichter | .... | sound re-recordist | |
| Richard Murphy | .... | sound mixer | |
| David Platt | .... | boom | |
| Jerry Trent | .... | foley artist (uncredited) | |
Special Effects by | |||
| Steven Kirshoff | .... | atmospheric effects (as Steve Kirshoff) | |
Stunts | |||
| Tom Savini | .... | stunts | |
| Robert Tramontin | .... | motorcycle stunt | |
Camera and Electrical Department | |||
| Phil Beard | .... | second electric (as Philip Beard) | |
| Jim Bekiaris | .... | best boy (as Jim Bekaris) | |
| Richard Berger | .... | second assistant camera | |
| Robert Brady | .... | second assistant camera | |
| Richard Feury | .... | still photographer | |
| Mike Hirsch | .... | assistant camera: second unit | |
| William Klayer | .... | electric: second unit | |
| Braden Lutz | .... | camera operator | |
| Tad Page | .... | gaffer | |
| Carl Peterson | .... | grip | |
| Larry Reibman | .... | gaffer: second unit | |
| Robert D. Shulman | .... | key grip (as Bob Shulman) | |
| Peter Stein | .... | camera: second unit | |
| John Verardi | .... | first assistant camera | |
Costume and Wardrobe Department | |||
| Anne King | .... | wardrobe assistant | |
| Jan Shoebridge | .... | wardrobe mistress | |
Editorial Department | |||
| Susan E. Cunningham | .... | associate editor | |
| Jay Keuper | .... | assistant editor | |
Transportation Department | |||
| Rudy Churny | .... | transportation captain (as Rudy Churney) | |
Other crew | |||
| Willie Adams | .... | production assistant | |
| Michael Barry | .... | production assistant | |
| Michael Calvello | .... | location auditor | |
| Michael Hall | .... | production assistant | |
| Martin Kitrosser | .... | script supervisor | |
| Ted Lowry | .... | titles | |
| Denise Pinckley | .... | production office coordinator | |
| Cecilia Verardi | .... | production assistant (as Cindie M. Verardi) | |
Thanks | |||
| Norman Bedell | .... | special thanks: Chief, Blairstown Police Department | |
| Richard Skow | .... | special thanks: Chief, Blairstown Fire Department | |
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| A Bay of Blood | Black Belly of the Tarantula | The Bird with the Crystal Plumage | The Cat o' Nine Tails | Torso |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
Without a doubt, the work of Cunningham and Carpenter during 1978 & 1980 rocked the world of the horror genre. Friday the 13th is one of the films that to this day still has repercussions. It demonstrated the importance of setting the tone in horror movies, making the audience themselves feel as if they too were being stalked. Cunningham also was one of the few directors to introduce the idea of a possible female serial killer.
Without this film, Scream's Randy would have never uttered those famous words, 'There are certain rules to surviving a horror movie..' This film combined with Carpenter's Halloween, firmly etched the rules in stone. The creepy music, the infamous "ch-ch-ch-ha-ha-ha", the crude photography and the graphic depiction of the murders of the counsellors all blend together to give a classic piece of film history. It scared the hell out of multitudes of teenagers who, in many instances could see themselves in the victims of the stalker. These weren't bad people getting killed, these were just your typical average American kids, having a good time, getting picked off.
That is what makes this film so defining, that is why, for all its crude and harsh imagery, this is a classic. This is why alot of recent attempts at horror don't measure up. It's not the effects or the blood necessarily, it's the atmosphere and the familiarity that bring it home.It is more frightening to think, "That could be me"