| Photos (see all 15 | slideshow) |
| Peter Falk | ... | Vincent J. Ricardo | |
| Alan Arkin | ... | Sheldon S. Kornpett, D.D.S. | |
| Richard Libertini | ... | General Garcia | |
| Nancy Dussault | ... | Carol Kornpett | |
| Penny Peyser | ... | Barbara Kornpett | |
| Arlene Golonka | ... | Jean Ricardo | |
| Michael Lembeck | ... | Tommy Ricardo | |
| Paul L. Smith | ... | Mo (as Paul Lawrence Smith) | |
| Carmine Caridi | ... | Angie | |
| Ed Begley Jr. | ... | Barry Lutz, CIA Intelligence officer at Embassy in Tijada | |
| Sammy Smith | ... | Mr. Hirschorn, Dental Patient | |
| James Hong | ... | Bing Wong, owner Wong Airlines | |
| Barbara Dana | ... | Theresa the Bank Teller | |
| Rozsika Halmos | ... | Mrs. Adelman, 2nd Dental Patient | |
| Álvaro Carcaño | ... | Edgardo | |
| Jorge Zepeda | ... | Carlos | |
| Sergio Calderón | ... | Alfonso | |
| David Paymer | ... | Cab Driver | |
| Kent Williams | ... | Ski Mask | |
| John Hancock | ... | T Man #1 | |
| John Finnegan | ... | Deliveryman #1 | |
| Brass Adams | ... | Deliveryman #2 | |
| Eduardo Noriega | ... | Senator Jesus Braunschweiger | |
| Danny Kwan | ... | Billy Wong, Wong's son and pilot | |
| Maurice Sneed | ... | Man at Car Painting Shop | |
| Rosanna DeSoto | ... | Evita (as Rosana Soto) | |
| Jim Goodwin | ... | Guard | |
| Mitchell Group | ... | Second Guard | |
| Carmen Dragon | ... | Carmen Dragon | |
| Peter Miller | ... | Peter Miller, Bank Manager | |
| Hanna King | ... | Vicki | |
| Dick Wieand | ... | Al | |
| Carlos Montalbo | ... | Lieutenant | |
| Tom Degidon | ... | Bartender | |
| Tony DiFalco | ... | T Man #2 | |
| John Daheim | ... | T Man #3 (as John Day) | |
| Art Evans | ... | Driver | |
| John Hostetter | ... | Workman | |
| Bill Houston | ... | Officer | |
| Terry Bolo | ... | Ad Lib #1 | |
| Drew Michaels | ... | Ad Lib #2 | |
| Judith Garwood | ... | Ad Lib #3 | |
| Ellen Clark | ... | Ad Lib #4 |
Directed by | |||
| Arthur Hiller | |||
Writing credits(in alphabetical order) | ||
| Andrew Bergman | writer | |
Produced by | |||
| Alan Arkin | .... | executive producer | |
| Arthur Hiller | .... | producer | |
| William Sackheim | .... | producer | |
| Dorothy Wilde | .... | associate producer | |
Original Music by | |||
| John Morris | |||
Cinematography by | |||
| David M. Walsh | |||
Film Editing by | |||
| Robert Swink | |||
Casting by | |||
| Dianne Crittenden | |||
Production Design by | |||
| Pato Guzman | |||
Set Decoration by | |||
| Ernie Bishop | |||
| Robert De Vestel | |||
Makeup Department | |||
| Del Armstrong | .... | makeup artist | |
| Mark Busson | .... | makeup artist | |
| Francine Haendiges | .... | hair stylist | |
| Dione Taylor | .... | hair stylist | |
Production Management | |||
| David Silver | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Carole Keligian | .... | trainee assistant director | |
| John T. Kretchmer | .... | second assistant director (as John Kretchmer) | |
| Jack Roe | .... | assistant director | |
Art Department | |||
| Stan Cockerell | .... | assistant property master | |
| Sidney H. Greenwood | .... | property master (as Syd Greenwood) | |
| Michael J. Smith | .... | construction coordinator (as Michael Smith) | |
| Richard M. Kristy | .... | lead man (uncredited) | |
Sound Department | |||
| Clint Althouse | .... | boom operator | |
| Les Fresholtz | .... | sound re-recording mixer | |
| Jerry Jacobson | .... | adr editor | |
| Larry Jost | .... | sound mixer | |
| Michael Minkler | .... | sound re-recording mixer | |
| Arthur Piantadosi | .... | sound re-recording mixer | |
| Sam F. Shaw | .... | sound effects editor (as Sam Shaw) | |
Special Effects by | |||
| Milt Rice | .... | special effects | |
Stunts | |||
| Phil Chong | .... | stunts | |
| Bennie E. Dobbins | .... | stunts (as Bennie Dobbins) | |
| Chris Howell | .... | stunts | |
| John Hudkins | .... | stunts | |
| Gray Johnson | .... | stunts | |
| Mike Johnson | .... | stunts | |
| Hubie Kerns Jr. | .... | stunt driver | |
| John Moio | .... | stunts | |
| Rick Sawaya | .... | stunts | |
| Jerry Summers | .... | stunts | |
| Chuck Waters | .... | stunts | |
| Jesse Wayne | .... | stunt driver | |
Camera and Electrical Department | |||
| Eric D. Andersen | .... | camera operator (as Eric Anderson) | |
| Jack Gereghty | .... | still photographer | |
| Norman Harris | .... | gaffer | |
| Ron Kenyon | .... | best boy | |
| Richard Moran | .... | key grip | |
| Johnny Walker | .... | first assistant camera (as John Walker) | |
Costume and Wardrobe Department | |||
| John A. Anderson | .... | costume supervisor (as John Anderson) | |
| Phyllis Garr | .... | costumer: women | |
Editorial Department | |||
| Dennis Wooley | .... | assistant film editor | |
Music Department | |||
| Jerry MacDonald | .... | music editor | |
| William Sackheim | .... | choral supervisor (as Bill Sackheim) | |
| Dan Wallin | .... | score mixer | |
Transportation Department | |||
| Joel Marrow | .... | transportation coordinator | |
| Bobby Marsh | .... | driver | |
| Joseph Sullivan | .... | driver | |
| John M. Woodward | .... | transportation captain (as John Woodward) | |
Other crew | |||
| Phyllis Gardner | .... | unit publicist | |
| Delores Levin | .... | script supervisor | |
| Florence Luneau | .... | secretary to producer | |
| Paul Pav | .... | location manager | |
| Don Record | .... | title designer | |
| Dolores Rubin | .... | script supervisor (as Dolores Levin) | |
| Lee Stitch | .... | production secretary | |
| Brenda White | .... | secretary to director | |
|
|
|
|
|
| Live Free or Die Hard | The French Connection | The Incredibles | On Her Majesty's Secret Service | Live and Let Die |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb USA section |
| Add this title to MyMovies |
I've just seen this film for the third time - the first was in 1979 when it was in the cinemas, the second was in 1989, and last night - 1999. And each time I've loved it. Somehow it catches just the right note early on, and manages to maintain it right thru the film.
I think the character of Vince (Peter Falk) is the key. At the start of the film we are convinced that he is a loud-mouthed schmuck with criminal tendencies, embarrassing and unpleasant to be around. This image slowly begins to crack, and although his behavior doesn't change one iota from start to finish, our perception of him does. So much so that by the close of the film we come to see him as a man of heroic qualities, gracious, and modest to boot. It's a very clever transformation and it's achieved via a plot that spirals hilariously out of control at dazzling speeds.
And of course the other joy of the film is the unlikely relationship which develops under fire between the zany CIA operative Falk and Alan Arkin as the dull but respectable dentist.