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IMDb > Il cinico, l'infame, il violento (1977)

Il cinico, l'infame, il violento (1977) More at IMDbPro »


Overview

User Rating:
7.0/10   180 votes
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Director:
Umberto Lenzi
Writers:
Ernesto Gastaldi (writer)
Umberto Lenzi (writer)
(more)
Contact:
View company contact information for Il cinico, l'infame, il violento on IMDbPro.
Release Date:
3 February 1977 (Italy) more
Genre:
Thriller more
Plot Keywords:
User Comments:
THE CYNIC, THE RAT AND THE FIST (Umberto Lenzi, 1977) **1/2 more

Cast

  (in credits order)
Maurizio Merli ... Leonardo Tanzi
John Saxon ... Frank Di Maggio
Tomas Milian ... Luigi 'Er Cinese' Maietto
Renzo Palmer ... Commissioner Astalli
Gabriella Lepori ... Nadia
Claudio Undari ... Dario (as Robert Hundar)
Bruno Corazzari ... Cesare Ettore
Marco Guglielmi ... Marchetti, Di Maggio's lawyer
Gabriella Giorgelli ... Maria Balzano
Guido Alberti ... Tanzi's uncle
Aldo Massasso ... Magistrate
Brigitte Petronio ... Hooker at Fazi's
Gianni Musi ... Nicola Proietti
Gianfilippo Carcano ... The Professor
Dante Cleri ... Ragioniere
Riccardo Garrone ... Natali
Claudio Nicastro ... Fazi
Massimo Bonetti ... Cappuccino
Pietro Tiberi
Franco Odoardi ... Sgt. Esposito
Salvatore Billa ... Salvatore
Rosario Borelli ... Di Maggio's Thug
Tommaso Palladino ... Di Maggio's Thug
Benito Pacifico ... Maietto's Assassin
Franco Marino
Fulvio Mingozzi ... Inspector Pisani
Ermelinda De Felice ... Landlady at 'Gabriella'
Fortunato Arena ... Large Prison Assassin
rest of cast listed alphabetically:
Ennio Antonelli ... Prison Barber (uncredited)
Omero Capanna ... Thief in pre-title-sequence (uncredited)
Costantino Carrozza ... Operaio (uncredited)
Domenico Cianfriglia ... Prison Guard (uncredited)
Rocco Lerro ... Driver (uncredited)
Riccardo Petrazzi ... Di Maggio's Thug (uncredited)
Renzo Pevarello ... Fazi Henchman (uncredited)
Claudio Ruffini ... Fazi's Door Guard (uncredited)
Sergio Smacchi ... Gunman at Fazi's (uncredited)
Sergio Testori ... Blonde Prison Assassin (uncredited)
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Directed by
Umberto Lenzi 
 
Writing credits
(in alphabetical order)
Ernesto Gastaldi  writer
Umberto Lenzi  writer
Dardano Sacchetti  writer
Sauro Scavolini  story

Produced by
Luciano Martino .... producer
 
Original Music by
Franco Micalizzi 
 
Cinematography by
Federico Zanni 
 
Film Editing by
Eugenio Alabiso 
 
Costume Design by
Silvio Laurenzi 
 
Production Management
Umberto Innocenzi .... production manager
 

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Additional Details

Also Known As:
The Cynic, the Rat & the Fist
more
Runtime:
100 min
Country:
Italy
Language:
Italian
Color:
Color
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Mono
Filming Locations:
Rome, Lazio, Italy
Company:
Dania Film more

Fun Stuff

Movie Connections:
Follows Roma a mano armata (1976) more

FAQ

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THE CYNIC, THE RAT AND THE FIST (Umberto Lenzi, 1977) **1/2, 2 September 2006
6/10
Author: MARIO GAUCI (marrod@melita.com) from Naxxar, Malta

This is one of the better poliziotteschi I've seen - written by Lenzi with two other Euro-Cult stalwarts, Ernesto Gastaldi and Dardano Sacchetti - and also, perhaps, the quintessential Maurizio Merli film (not that this, in itself, is a guarantee of quality!).

From the title, one presumes that this was intended to be THE GOOD, THE BAD AND THE UGLY (1966) of crime films - although, here, the shifty alliance is made between two baddies (Tomas Milian - dubbed "The Chinaman", for some reason a favorite nickname in films from this subgenre! - and John Saxon). Again, having just watched COP IN BLUE JEANS (1976) the previous day, I couldn't help noticing just how many of these films open with a robbery sequence; likewise, the leading man's girlfriend generally emanates from the wrong side of the tracks and is victimized for aiding our hero during the course of the film!

As is to be expected, the film's pace never lets up by providing a steady quota of highly proficient action scenes - culminating in a heist committed at one of Saxon's offices by Milian's thugs(!) and which also involves Merli and "The Professor", an elderly pint-sized expert in gadgetry, in the elaborate diffusion of the building's security system. Still, characterization is not entirely neglected: Merli is obsessed with catching Milian (even if the two only come face to face at the climax) and, feigning his own death, works undercover to this end but remains in contact with his chief; Milian is a small-time hood with ambitions of taking over the territory of American mobster Saxon; the latter, then, is the typical gangster - wealthy, ruthless (with a penchant of leaving traitors at the mercy of his enormous hounds!) and apparently omnipotent. The scenes in which the villainous duo clash - each with his own agenda which sees no place in the scheme of things for the other! - constitute some of the film's highlights; Franco Micalizzi's score is also notable.

Even if the film's in no way a spoof as COP IN BLUE JEANS had been, its script features a comparable surfeit of hard-boiled dialogue which is so over-the-top as to be quite funny - extending even to the notes of condolences passed on amongst the criminals as a means of heralding someone's death sentence!

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