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Directed by | |||
| Francis Ford Coppola | |||
Writing credits | ||
| Francis Ford Coppola | (screenplay) & | |
| Mario Puzo | (screenplay) | |
| Mario Puzo | (novel "The Godfather") | |
Produced by | |||
| Francis Ford Coppola | .... | producer | |
| Gray Frederickson | .... | co-producer | |
| Fred Roos | .... | co-producer | |
| Mona Skager | .... | associate producer | |
| Robert Evans | .... | executive producer (uncredited) | |
Original Music by | |||
| Nino Rota | |||
Cinematography by | |||
| Gordon Willis | (director of photography) | ||
Film Editing by | |||
| Barry Malkin | |||
| Richard Marks | |||
| Peter Zinner | |||
Casting by | |||
| Jane Feinberg | |||
| Mike Fenton | (as Michael Fenton) | ||
| Vic Ramos | |||
Production Design by | |||
| Dean Tavoularis | |||
Art Direction by | |||
| Angelo P. Graham | (as Angelo Graham) | ||
| John Dapper | (uncredited) | ||
Set Decoration by | |||
| George R. Nelson | |||
Costume Design by | |||
| Theadora Van Runkle | |||
Makeup Department | |||
| Naomi Cavin | .... | hair stylist | |
| Charles H. Schram | .... | makeup artist (as Charles Schram) | |
| Dick Smith | .... | makeup artist | |
| Edie Lindon | .... | hair stylist (uncredited) | |
| Dedee Petty | .... | hair stylist (uncredited) | |
Production Management | |||
| Mario Cotone | .... | unit manager: sicilian unit | |
| Valerio De Paolis | .... | production supervisor: sicilian unit (as Valerio DePaolis) | |
| Michael S. Glick | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Newt Arnold | .... | assistant director (as Newton Arnold) | |
| Burt Bluestein | .... | second assistant director | |
| Tony Brandt | .... | assistant director: sicilian unit | |
| Alan Hopkins | .... | second assistant director | |
| Michael Kusley | .... | second assistant director (as Mike Kusley) | |
| Henry J. Lange Jr. | .... | second assistant director | |
| Charles Myers | .... | second assistant director (as Chuck Myers) | |
Art Department | |||
| Joe Chevalier | .... | assistant set decorator: sicilian unit | |
| Douglas E. Madison | .... | properties (as Doug Madison) | |
| V.R. Bud Shelton | .... | properties (as V. Bud Shelton) | |
| Eugene Acker | .... | painter (uncredited) | |
| Matty Azzarone | .... | leadman (uncredited) | |
| Nick Caparelli | .... | props (uncredited) | |
| Gerard Dery | .... | greensman gang boss (uncredited) | |
| Gary Fettis | .... | carpenter (uncredited) | |
| Jerry Graham | .... | property master (uncredited) | |
| Robert Hart | .... | carpenter (uncredited) | |
| Bob Jepsen | .... | drapery foreman (uncredited) | |
| Gary F. Kieldrup | .... | assistant property master (uncredited) | |
| John LaSandra | .... | construction coordinator (uncredited) | |
| Claude F. Powell | .... | construction gang boss (uncredited) | |
Sound Department | |||
| Howard Beals | .... | sound effects editor | |
| Mark Berger | .... | sound montage associate | |
| Nathan Boxer | .... | production recordist | |
| James Fritch | .... | sound effects editor (as Jim Fritch) | |
| Pat Jackson | .... | sound montage associate | |
| James J. Klinger | .... | sound effects editor (as Jim Klinger) | |
| Walter Murch | .... | sound montage | |
| Walter Murch | .... | sound re-recordist | |
| Charles M. Wilborn | .... | production recordist (as Chuck Wilborn) | |
| Pat Mitchell | .... | boom operator (uncredited) | |
| James Perdue | .... | playback sound (uncredited) | |
| Maurice Schell | .... | adr voice casting (uncredited) | |
| Ben Sobin | .... | playback sound (uncredited) | |
| Mel Zelniker | .... | adr recordist (uncredited) | |
Special Effects by | |||
| A.D. Flowers | .... | special effects | |
| Joe Lombardi | .... | special effects | |
Visual Effects by | |||
| Kevin Chaja | .... | data management (2007 restoration) | |
| Chris Clausing | .... | MTI operator: digital image clean up (2007 restoration) | |
| Padraic Culham | .... | compositor (2007 restoration) | |
| Daphne Dentz | .... | senior digital intermediate producer (2007 restoration) | |
| Karina Desin | .... | data management (2007 restoration) | |
| Joe Dubs | .... | MTI operator: digital image clean up (2007 restoration) | |
| Lloyd Kaplowitz | .... | MTI operator: digital image clean up (2007 restoration) | |
| Valerie McMahon | .... | MTI operator: digital image clean up (2007 restoration) | |
| Mike Moreno | .... | MTI operator: digital image clean up (2007 restoration) | |
| Edgar Orlino | .... | MTI operator: digital image clean up (2007 restoration) | |
| Cathy Quiroz | .... | MTI operator: digital image clean up (2007 restoration) | |
| Bill Roper | .... | film recordist (2007 restoration) | |
Stunts | |||
| Steven Burnett | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| William Gereghty | .... | camera assistant (as Bill Gereghty) | |
| Ralph Gerling | .... | camera operator | |
| George Holmes | .... | gaffer | |
| Bob Rose | .... | key grip | |
| Pat Campea Sr. | .... | dolly grip (uncredited) | |
| Johnie Carroll | .... | grip (uncredited) | |
| Bob Edessa | .... | camera assistant (uncredited) | |
| Carl R. Gibson Jr. | .... | best boy (uncredited) | |
| James Glennon | .... | first camera assistant (uncredited) | |
| Lloyd Gowdy | .... | electrician (uncredited) | |
| Larry D. Howard | .... | best boy (uncredited) | |
| Larry Keys | .... | electrician (uncredited) | |
| Robert D. McBride | .... | first assistant camera (uncredited) | |
| Bruce McBroom | .... | still photographer (uncredited) | |
| Steve Pellant | .... | electrician (uncredited) | |
| Arley Waters | .... | generator operator (uncredited) | |
Casting Department | |||
| Emy DeSica | .... | casting: Sicilian unit | |
| Maurizio Lucci | .... | casting: Sicilian unit | |
| Maurice Schell | .... | adr voice casting (uncredited) | |
Costume and Wardrobe Department | |||
| Sandy Berke Jordan | .... | wardrobe (as Sandra Burke) | |
| Nancy McArdle | .... | wardrobe | |
| George Newman | .... | wardrobe | |
| Marie Osborne | .... | wardrobe | |
| Marilyn Putnam | .... | wardrobe | |
| Eric Seelig | .... | wardrobe | |
| Thomas Welsh | .... | wardrobe (as Tommy Welsh) | |
| Frances Kandelin Harrison | .... | wardrobe (uncredited) | |
| Kent James | .... | wardrobe (uncredited) | |
| Cliff Langer | .... | wardrobe (uncredited) | |
| Ray Summers | .... | key wardrobe (uncredited) | |
Editorial Department | |||
| George Berndt | .... | assistant editor | |
| Lisa Fruchtman | .... | assistant editor | |
| Christopher Gillaspie | .... | scan manager (2007 restoration) (as Chris Gillaspie) | |
| Bobbe Kurtz | .... | assistant editor | |
| Kathleen Largay | .... | digital conform (2007 restoration) | |
| Jan Yarbrough | .... | senior digital intermediate colorist (2007 restoration) | |
| Peter Zinner | .... | foreign post-production | |
| Michael Kirchberger | .... | apprentice editor (uncredited) | |
Music Department | |||
| George Brand | .... | music editor | |
| Carmine Coppola | .... | composer: additional music | |
| Carmine Coppola | .... | conductor | |
Transportation Department | |||
| James D. Brubaker | .... | transportation captain (uncredited) | |
| Chris Haynes | .... | driver (uncredited) | |
| Hugh Kelly | .... | driver (uncredited) | |
Other crew | |||
| B.J. Bjorkman | .... | script supervisor (as B.J. Bachman) | |
| Serena Canevari | .... | script supervisor: sicilian unit | |
| Randy Carter | .... | location assistant | |
| Ronald Colby | .... | location supervisor: New York (as Ron Colby) | |
| Jack English | .... | location coordinator | |
| Deborah Fine | .... | researcher | |
| Wayne Fitzgerald | .... | title | |
| John Franco | .... | script supervisor | |
| Sonya Friedman | .... | subtitler | |
| Edward Guthmann | .... | advisor: senate hearings (as Ed Guthman) | |
| Mona Houghton | .... | location assistant | |
| Melissa Mathison | .... | location assistant | |
| Tammy Newell | .... | coordinator: Miami | |
| Bruno Perria | .... | production assistant: sicilian unit | |
| Eileen Peterson | .... | unit publicist | |
| Romano Pianti | .... | sicilian translator | |
| Nanette Siegert | .... | production secretary | |
| Carl Skelton | .... | location auditor | |
| Joe Catalfo | .... | first aid (uncredited) | |
| Shirley Deckert | .... | welfare worker (uncredited) | |
| Stephen A. Glanzrock | .... | production assistant: New York (uncredited) | |
| Eileen Peterson | .... | publicist (uncredited) | |
| Jesse Wayne | .... | location assistant (uncredited) | |
Thanks | |||
| James Caan | .... | the producers would like to thank: for his special participation in this film | |
| Joe Caracappa | .... | thanks: Pro-Tek Media Preservation Services, a Kodak company, negative preparation (2007 restoration) | |
| Jeff Cava | .... | thanks: for Paramount Pictures (2007 restoration) | |
| Martin Cohen | .... | thanks: for Paramount Pictures (2007 restoration) | |
| Francis Ford Coppola | .... | special thanks (2007 restoration) | |
| Allen Daviau | .... | thanks (2007 restoration) | |
| Brian Drischell | .... | thanks: The Academy Film Archive (2007 restoration) | |
| Jessi Jones | .... | thanks: The Academy Film Archive (2007 restoration) | |
| Liana Kroll | .... | thanks: Pro-Tek Media Preservation Services, a Kodak company, negative preparation (2007 restoration) | |
| Joanne Lawson | .... | thanks: for the Film Preserve (2007 restoration) | |
| Scott MacQueen | .... | thanks: Pro-Tek Media Preservation Services, a Kodak company, negative preparation (2007 restoration) | |
| James T. Mockoski | .... | thanks: for American Zoetrope (2007 restoration) (as James Mockoski archivist) | |
| Heather Olson | .... | thanks: The Academy Film Archive (2007 restoration) | |
| Michael Pogorzelski | .... | thanks: The Academy Film Archive (2007 restoration) | |
| Robert Raring | .... | thanks: Technicolor liaison (2007 restoration) (as Bob Raring) | |
| Ben Rosenblatt | .... | thanks: for Paramount Pictures (2007 restoration) | |
| Gordon Willis | .... | special thanks (2007 restoration) | |
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| The Godfather | Scarface | The Departed | Giornata nera per l'ariete | Once Upon a Time in America |
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The original Godfather is a brilliant work. It is in a sense a voyeuristic delight, allowing us to see the mafia from the inside - we become part of the family. It single-handedly change the world's view of organized crime, and created a cast of sympathetic characters, none of whom have a shred of common morality. It was the highest grossing movie of its time and Brando created a cultural icon whose influence resonates as strong today as it did in 1972.
As extraordinary an achievement as this is, Part II is even better. It easily receives my nod as the best picture ever made. I have seen it at least 20 times, and each time its 200 minutes fly by.
The movie uses flashbacks to brilliantly weave two tales. The main story is the reign of Michael Corleone as the world's most powerful criminal. Now reaping the benefits of legalized gambling in Las Vegas, Michael is an evident billionaire with an iron fist on a world of treachery.
Behind this, Director Francis Ford Coppola spins the tale of the rise of Michael's father, Vito, to the center of the New York mafia. It is these scenes that make the film a work of art. Without spoiling, I will simply say the Robert DeNiro as the young Vito is the best acting performance of all time, a role for which he won a richly deserved Oscar.
The screenplay is full of delicious little underworld nuggets ("Keep your friends close .....", "I don't want to kill everyone, just my enemies"), while it blows a dense, twisted plot past you at a dizzying and merciless pace. The cinematography is depressing and atmospheric. The score continues in the eerie role of its predecessor, foretelling death and evil.
All of this makes the movie great and infinitely watchable. But it's what's deeper inside this film ... what it is really about ... that is its true genius.
The Godfather Part II is not really a movie about the mafia, it is a movie about a man's life long struggle. Michael controls a vast empire that is constantly slipping out of his hands. He grows increasingly distrustful and paranoid, and even shows signs that he hates his own life. Michael almost seems to resent the fact that he is a natural born crime lord, a man who puts the family business ahead of everything.
The great Don Michael Corleone can never come to terms with one simple fact.... his father's empire was built on love and respect, Michael's empire is built on fear and violent treachery.
See this movie. It's three-and-a-half hours very well spent.