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Directed by | |||
| Francis Ford Coppola | |||
Writing credits | ||
| Mario Puzo | (novel "The Godfather") | |
| Francis Ford Coppola | (screenplay) and | |
| Mario Puzo | (screenplay) | |
Produced by | |||
| Francis Ford Coppola | .... | producer | |
| Gray Frederickson | .... | co-producer | |
| Fred Roos | .... | co-producer | |
| Mona Skager | .... | associate producer | |
Original Music by | |||
| Nino Rota | |||
Cinematography by | |||
| Gordon Willis | |||
Film Editing by | |||
| Barry Malkin | |||
| Richard Marks | |||
| Peter Zinner | |||
Casting by | |||
| Jane Feinberg | |||
| Mike Fenton | (as Michael Fenton) | ||
| Vic Ramos | |||
Production Design by | |||
| Dean Tavoularis | |||
Art Direction by | |||
| Angelo P. Graham | (as Angelo Graham) | ||
Set Decoration by | |||
| George R. Nelson | |||
Costume Design by | |||
| Theadora Van Runkle | |||
Makeup Department | |||
| Naomi Cavin | .... | hair stylist | |
| Charles H. Schram | .... | makeup artist (as Charles Schram) | |
| Dick Smith | .... | makeup artist | |
Production Management | |||
| Mario Cotone | .... | unit manager: Sicily | |
| Valerio De Paolis | .... | production supervisor: Sicily (as Valerio DePaolis) | |
| Michael S. Glick | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Newt Arnold | .... | assistant director (as Newton Arnold) | |
| Burt Bluestein | .... | second assistant director | |
| Tony Brandt | .... | assistant director: Sicily | |
| Alan Hopkins | .... | second assistant director | |
| Michael Kusley | .... | second assistant director (as Mike Kusley) | |
| Henry J. Lange Jr. | .... | second assistant director | |
| Charles Myers | .... | second assistant director (as Chuck Myers) | |
Art Department | |||
| Joe Chevalier | .... | assistant set decorator: Sicily | |
| Douglas E. Madison | .... | property master (as Doug Madison) | |
| V.R. Bud Shelton | .... | property master (as V. Bud Shelton) | |
Sound Department | |||
| Howard Beals | .... | sound effects editor | |
| Mark Berger | .... | sound montage associate | |
| Nathan Boxer | .... | production sound recordist | |
| James Fritch | .... | sound effects editor (as Jim Fritch) | |
| Pat Jackson | .... | sound montage associate | |
| James J. Klinger | .... | sound effects editor (as Jim Klinger) | |
| Walter Murch | .... | sound montage | |
| Walter Murch | .... | sound re-recordist | |
| Charles M. Wilborn | .... | production sound recordist (as Chuck Wilborn) | |
| James Perdue | .... | playback sound (uncredited) | |
| Ben Sobin | .... | playback sound (uncredited) | |
| Mel Zelniker | .... | adr recordist (uncredited) | |
Special Effects by | |||
| A.D. Flowers | .... | special effects | |
| Joe Lombardi | .... | special effects | |
Stunts | |||
| Steven Burnett | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| William Gereghty | .... | assistant camera (as Bill Gereghty) | |
| Ralph Gerling | .... | camera operator | |
| George Holmes | .... | gaffer | |
| Bob Rose | .... | key grip | |
| Robert D. McBride | .... | first assistant camera (uncredited) | |
| Bruce McBroom | .... | still photographer (uncredited) | |
Casting Department | |||
| Emy DeSica | .... | casting: Sicily | |
| Maurizio Lucci | .... | casting: Sicily | |
| Maurice Schell | .... | adr voice casting (uncredited) | |
Costume and Wardrobe Department | |||
| Sandra Burke | .... | wardrobe | |
| Nancy McArdle | .... | wardrobe | |
| George Newman | .... | wardrobe | |
| Marie Osborne | .... | wardrobe | |
| Marilyn Putnam | .... | wardrobe | |
| Eric Seelig | .... | wardrobe | |
| Thomas Welsh | .... | wardrobe (as Tommy Welsh) | |
Editorial Department | |||
| George Berndt | .... | assistant editor | |
| Lisa Fruchtman | .... | assistant editor | |
| Bobbe Kurtz | .... | assistant editor | |
| Michael Kirchberger | .... | apprentice editor (uncredited) | |
Music Department | |||
| George Brand | .... | music editor | |
| Carmine Coppola | .... | composer: additional music | |
| Carmine Coppola | .... | conductor | |
Transportation Department | |||
| Chris Haynes | .... | driver (uncredited) | |
| Hugh Kelly | .... | driver (uncredited) | |
Other crew | |||
| B.J. Bjorkman | .... | script supervisor (as B.J. Bachman) | |
| Serena Canevari | .... | script supervisor: Sicily | |
| Randy Carter | .... | location assistant | |
| Ronald Colby | .... | location supervisor: New York (as Ron Colby) | |
| Jack English | .... | location coordinator | |
| Deborah Fine | .... | researcher | |
| Wayne Fitzgerald | .... | title designer | |
| John Franco | .... | script supervisor | |
| Sonya Friedman | .... | subtitler | |
| Edward Guthmann | .... | advisor: senate hearings (as Ed Guthman) | |
| Mona Houghton | .... | location assistant | |
| Melissa Mathison | .... | location assistant | |
| Tammy Newell | .... | coordinator: Miami | |
| Bruno Perria | .... | production assistant: Sicily | |
| Eileen Peterson | .... | unit publicist | |
| Romano Pianti | .... | translator: Sicilian | |
| Nanette Siegert | .... | production secretary | |
| Carl Skelton | .... | location auditor | |
| Peter Zinner | .... | foreign post-production | |
| Stephen A. Glanzrock | .... | production assistant: New York (uncredited) | |
| Jesse Wayne | .... | location assistant (uncredited) | |
Thanks | |||
| James Caan | .... | thanks: The producers would like to thank, for his special participation in this film | |
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You can count on one hand the movie sequels that measure up to the original; GODFATHER II makes the cut. This movie is just as fine as GODFATHER I. Here the director goes back and forth between the early days of the young Vito Corleone, played by Robert De Niro, and the family after the action in GODFATHER I in the 1950's just before Castro came to power. Michael Corleone (Al Pacino) has moved the family and most of his business to Nevada. Once again the acting is flawless. Diane Keaton as Michael's wife who quickly becomes disillusioned with her life with him and the lies he continues to tell her, assuring her that he is going legitimate soon; Robert Duvall as Michael's adopted brother and adviser; and Lee Strasberg as Hyman Roth all give outstanding performances; but the film really is Al Pacino's. We see him become a ruthless, cold-blooded killer who alienates himself from his family in ways his father would never have done. He has come so far from the idealistic young man in "GODFATHER I, who joined the Marines in World War I to serve his country and die for it if necessary, to a lonely, paranoid tragic man. There are many poignant scenes concerning his wife and children-- the drawing his son leaves for him in his bedroom, the gift that Tom buys the child because Michael is too busy, his wife Kay's being kept a virtual prisoner at his orders in the family compound, etc.
Once again many acts of violence are interwoven with religion: Michael's son's first communion, the religious parade in New York, Fredo's repeating the Rosary in order to catch a fish, for example.
The cinematography is stunning; the footage from Sicily and New York around the turn of the century and the snow scenes from the American West are beautiful and rich in detail. Mr. Coppola has directed yet another masterpiece.