| Suzy Kendall | ... | Jane | |
| Tina Aumont | ... | Daniela | |
| Luc Merenda | ... | Roberto | |
| John Richardson | ... | Franz | |
| Roberto Bisacco | ... | Stefano Vanzi | |
| Ernesto Colli | ... | Gianni Tomasso, the scarf vendor | |
| Angela Covello | ... | Katia | |
| Carla Brait | ... | Ursula | |
| Conchita Airoldi | ... | Carol Peterson (as Cristina Airoldi) | |
| Patrizia Adiutori | ... | Florence Heineken | |
| Luciano Bartoli | ... | Motorcycle guy #1 | |
| Gianni Greco | ... | Motorcycle guy #2 | |
| Luciano De Ambrosis | ... | Inspector Martino | |
| Enrico DiMarco | ... | Village idiot | |
| Giorgio Dolfin | ... | Slim boy in the village | |
| Carlo Alighiero | ... | Uncle Nino | |
| Vincenzo Crocitti | ... | Delivery man | |
| Luca Bonicalzi | ... | Truck Driver | |
| Fausto Di Bella | ... | John - Flo's boyfriend | |
| Giuseppe Terranova | ... | Car repairman | |
| Rosaria della Femmina | ... | Prostitute | |
| Ermelinda De Felice | ... | Woman in car with Roberto | |
| rest of cast listed alphabetically: | |||
| Dolores Calò | ... | Woman with Green Dress at University Exit (uncredited) | |
| Renato Cestiè | ... | Gianni - Little Kid (uncredited) | |
| Carolyn De Fonseca | ... | Prostitute (voice: English version) (uncredited) | |
| Vera Drudi | ... | Stefano's Grandmother (uncredited) | |
| Giuseppe Marrocco | ... | Policeman - First Crime Scene (uncredited) | |
| Barbara Marzano | ... | Hippie Dancer (uncredited) | |
| Osvaldo Natale | ... | Policeman - First Crime Scene (uncredited) | |
| Alberto Sorrentino | ... | Countryman - First Crime Scene (uncredited) | |
| Susan Spafford | ... | Jane (voice: English version) (uncredited) | |
Directed by | |||
| Sergio Martino | |||
Writing credits(in alphabetical order) | ||
| Ernesto Gastaldi | screenplay | |
| Sergio Martino | screenplay | |
| Sergio Martino | story | |
Produced by | |||
| Antonio Levesi Cervi | .... | executive producer (as Antonio Cervi) | |
| Carlo Ponti | .... | producer | |
Original Music by | |||
| Guido De Angelis | |||
| Maurizio De Angelis | |||
Cinematography by | |||
| Giancarlo Ferrando | |||
Film Editing by | |||
| Eugenio Alabiso | |||
Production Design by | |||
| Giantito Burchiellaro | |||
Art Direction by | |||
| Giantito Burchiellaro | |||
Costume Design by | |||
| Silvio Laurenzi | |||
| Vera Marzot | |||
Makeup Department | |||
| Maria-Luisa Fraticelli | .... | hair stylist | |
| Mario Van Riel | .... | makeup artist | |
Production Management | |||
| Giuseppe Bruno Bossio | .... | production supervisor | |
| Dino Di Salvo | .... | production manager | |
| Andrea Petricca | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Michele Massimo Tarantini | .... | assistant director (as Michael E. Lemick) | |
Sound Department | |||
| Luciano Anzellotti | .... | sound effects | |
| Alberto Moretti | .... | sound recordist | |
| Romano Pampaloni | .... | sound recordist | |
Camera and Electrical Department | |||
| Bruno Pellegrini | .... | assistant camera | |
| Paolo Pettini | .... | still photographer | |
| Adolfo Troiani | .... | assistant camera | |
Editorial Department | |||
| Amedeo Moriani | .... | assistant editor | |
Other crew | |||
| Anita Borgiotti | .... | continuity | |
| Lewis E. Ciannelli | .... | english adaptation (uncredited) | |
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| The Cat o' Nine Tails | A Bay of Blood | Black Belly of the Tarantula | The Case of the Scorpion's Tail | Blade of the Ripper |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Italy section |
I admire this piece of giallo cinema because of its great style and how director Sergio Martino contrasts the gorgeously beautiful Italian countryside with the bloody activities of a mysterious gloved killer. In this film, the killer is unique because he/she casts a very unique, eerie presence whenever hinted at or briefly shown onscreen, usually wearing some sort of ski mask to hide his/her face. I also like the plot revolving around the red and black scarf, and how it ties in with the identity of the murderer. The story follows a group of young, gorgeous Italian coeds frightened when their friends start dropping like flies at the hands of a brutal slasher, who likes to strangle, stab and fondle the nude bodies of his victims (another sick, effective touch which makes the film all the more nasty). Four of the girls flee to a villa in a small, scenic village to get away from all the atrocities committed on campus. Of course, the killer has followed them there and is set on killing them off one by one. This film is very perverted in ways, the killings are all sexually sadistic in nature, and the motive basically revolves around the dangerous sexual games played by the beautiful coeds. I can't say more without revealing clues which may give away the killer's identity. "Torso" is also loaded with female nudity, as the film starts right off with a wild orgy going on as the credits roll, complete with close up shots of naked breasts. There is also a slight lesbian subplot involving two of the girls, although we don't see anything that graphic at all. No male nudity is present, which is too bad, I was really waiting for one of my fav hot actors, John Richardson, to take something off, but no such luck. Again, this movie is creepily effective, well-acted, and has great photography, and even if you do find it slow-moving, keep with it, as the finale is probably the best part of the film as the heroine has to watch the killer carve up her friends, one of the most unnerving sequences I have ever seen captured on film. The music is pretty good for the most part, but at times it seems like music better suited to a porno flick. And another thing to mention is, the uncut version of this movie doesn't seem to have that much gore at all, I just figured it would since such a big deal was made about it being uncut with all the "grisly violence" finally restored. It still seems like you're watching the R-rated version. Oh, well. This is still a fun movie, especially for those who love Italian horror.