| Herbert Fleischmann | ... | Bertie Engelhardt | |
| Paul Neuhaus | ... | Walter Roland | |
| Edith Heerdegen | ... | Luise Gottschalk | |
| Hannelore Elsner | ... | Irina | |
| Arno Assmann | ... | Herford | |
| Konrad Georg | ... | Gernot | |
| Paul Edwin Roth | ... | Oswald Seerose | |
| Heidi Stroh | ... | Blondy | |
| Malte Thorsten | ... | Theo | |
| Günter Mack | ... | Pastor Demel | |
| Klaus Schwarzkopf | ... | Dr. Wolfgang Erkner | |
| Ernst von Klipstein | ... | Thomas Hem | |
| Walter Buschhoff | ... | Kuschke | |
| Marc Rammertshofen | ... | Karle | |
| Charles Brauer | |||
| Rick Parsé | ... | Jan Bilka | |
| Eva Gelb | |||
| Gert Haucke | ... | Zuhälter Concon | |
| Friedrich G. Beckhaus | ... | Herr Klein (as Friedrich Georg Beckhaus) | |
| Dieter Wagner | |||
| Charles Régnier | ... | Vladimir Monerow | |
| Hans Daniel | |||
| Alf Marholm | ... | Kriminalrat | |
| Franz Rudnick | |||
| Hans Peter Hallwachs | ... | Diener von Herrn Michelsen | |
| Herbert Mensching | |||
| Arnold Marquis | ... | Taxifahrer Ivanow | |
| Arthur Brauss | ... | Genosse Michailow KGB (as Art Brauss) | |
| Anton Diffring | |||
| Rainer Basedow | ... | Kellner im Hotel | |
| Detlof Krüger | |||
| Kurt Rackelmann | |||
| Gerd Oswald | |||
| rest of cast listed alphabetically: | |||
| Karl Merkatz | ... | Drunken visitor at Reeperbahn brothel (uncredited) | |
Directed by | |||
| Alfred Vohrer | |||
Writing credits(in alphabetical order) | ||
| Manfred Purzer | writer | |
| Johannes Mario Simmel | novel | |
Produced by | |||
| Luggi Waldleitner | .... | producer | |
Original Music by | |||
| Peter Thomas | |||
Cinematography by | |||
| Charly Steinberger | |||
Film Editing by | |||
| Susanne Paschen | |||
Production Design by | |||
| Günther Kob | |||
Costume Design by | |||
| Irms Pauli | |||
Makeup Department | |||
| Herbert Grieser | .... | makeup artist | |
| Eva von Giese | .... | makeup artist | |
Production Management | |||
| Franz Achter | .... | production manager | |
| Walter Tjaden | .... | production leader | |
Second Unit Director or Assistant Director | |||
| Eva Ebner | .... | assistant director | |
Sound Department | |||
| Ludwig Langecker | .... | sound | |
| Christian Schubert | .... | sound mixer | |
Camera and Electrical Department | |||
| Bernd Elstner | .... | assistant camera | |
| Leo Weisse | .... | still photographer | |
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| Lieb Vaterland magst ruhig sein | Es muß nicht immer Kaviar sein | Diesmal muß es Kaviar sein | The Odessa File | Das Rätsel der Sandbank |
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| Full cast and crew | Company credits | IMDb Thriller section |
| IMDb West Germany section | Add this title to MyMovies |
Based on a bestseller spy novel by popular German author Johannes Mario Simmel, this 1972 movie is a boring mixture of a typical cold war political thriller and a greasy love story. It is far too long, and the direction can't decide which way to take. The tempo of the film is boring, the plot is too twisted and there are nearly no thrills at all, but dull dream sequences, stereotype love scenes, a maniac old woman talking religious stuff all the time and ridiculously produced special effects such as the explosion of a car which looks rather like a burnt plastic model. The actors also seem not very enthusiastic about their job. The only outstanding things about "The things dreams are made of" are the weird, electronic-orchestral sound track by the Peter Thomas Sound Orchester ("Space Patrol") and an early performance by young Hannelore Elsner. Forget the rest!