| Tomas Milian | ... | The Stranger | |
| Ray Lovelock | ... | Evan Tembler (as Raymond Lovelock) | |
| Piero Lulli | ... | Oaks | |
| Milo Quesada | ... | Bill Templer | |
| Roberto Camardiel | ... | Mr. Sorrow | |
| Miguel Serrano | |||
| Ángel Silva | |||
| Sancho Gracia | ... | Willy - Zorro's lieutenant (as Félix Sancho Gracia) | |
| Marilù Tolo | ... | Lori | |
| Mirella Pamphili | ... | Woman in town (as Mirella Panfili) | |
| Francisco Sanz | ... | Hagerman (as Paco Sanz) | |
| Patrizia Valturri | ... | Elizabeth Hagerman | |
| rest of cast listed alphabetically: | |||
| Calogero Azzaretto | ... | Uomo di Sorrow (uncredited) | |
| Frank Braña | ... | Tembler's henchman (uncredited) | |
| Sisto Brunetti | ... | Sorrow henchman (uncredited) | |
| Gene Collins | ... | Collins (uncredited) | |
| Eduardo de Santis | ... | (uncredited) | |
| Antonio Pica | ... | Tembler's henchman (uncredited) | |
| Herman Reynoso | ... | Bearded townsman (uncredited) | |
| Fernando Villena | ... | Oaks gang member (uncredited) | |
Directed by | |||
| Giulio Questi | |||
Writing credits(in alphabetical order) | ||
| Franco Arcalli | screenplay | |
| Franco Arcalli | story | |
| Benedetto Benedetti | ||
| María del Carmen Martínez Román | screenplay | |
| María del Carmen Martínez Román | story | |
| Giulio Questi | screenplay | |
| Giulio Questi | story | |
Produced by | |||
| Alessandro Jacovoni | .... | producer (as Alex J. Rascal) | |
| Giulio Questi | .... | producer | |
Original Music by | |||
| Ivan Vandor | |||
Cinematography by | |||
| Franco Delli Colli | |||
Film Editing by | |||
| Franco Arcalli | |||
Production Design by | |||
| Enzo Bulgarelli | |||
Art Direction by | |||
| José Luis Galicia | |||
| Jaime Pérez Cubero | |||
Makeup Department | |||
| Enzo Baraldi | .... | makeup artist | |
| Lina Cassini | .... | hair stylist | |
| Adela del Pino | .... | makeup artist | |
| María Sánchez Gadeo | .... | hair stylist | |
Production Management | |||
| Renato De Pasqualis | .... | production manager | |
| Alex J. Rascal | .... | production manager | |
| Ángel Rosson y Rubio | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Gianni Amelio | .... | assistant director (uncredited) | |
Sound Department | |||
| Aurelio Pennacchia | .... | sound effects montage | |
| Goffredo Salvatori | .... | sound engineer | |
Camera and Electrical Department | |||
| Fernando Gallandt | .... | assistant camera | |
| Roberto Marrama | .... | camera operator: second unit | |
| Ricardo Poblete | .... | first unit camera operator | |
| Santiago Zuazo | .... | assistant camera | |
Other crew | |||
| Marisol de Villanueva | .... | script girl | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Italy section |
A fine, if somewhat bananas spaghetti western that cashes in on the Franco Nero/Sergio Corbucci Django of the previous year simply by including Django in the title. What we have here, though, is a marvelous, if somewhat slightly mysterious example of the genre. More interesting than Django is a B***ard, or whatever its called this week, Django Kill really pulls out all the stops in an endless parade of the macabre. From the curious opening scene with Tomas Milian crawling out of a grave to the brutal lynchings and gothic horror drenching of one of many villains in liquid gold- this is a real treat for genre fans. As with many similar movies there are no morals anywhere to be seen, characters turn up, rub their hands together, kill mercilessly and then are shot down or, in this case, killed by an exploding horse. I understand that there are many versions of this movie in existence, which is not surprising in the least. The version i have was shown on uk tv five or six years ago, so i suppose its incompleteness would be down to broadcast quality prints. Its still a real doozer though.