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Django Kill... If You Live, Shoot! (1967)

Se sei vivo spara (original title)
Various factions, including a half-breed bandit, a gang of homosexual cowboys and a priest, feud over stolen gold in a surreal town.

Director:

Writers:

(story and screenplay), (story and screenplay) | 2 more credits »
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Cast

Complete credited cast:
...
...
Flory
Piero Lulli ...
Oaks
Milo Quesada ...
Bill Templer
Miguel Serrano ...
Indian
Francisco Sanz ...
Hagerman (as Paco Sanz)
Ángel Silva ...
Indian
...
Willy (as Félix Sancho Gracia)
Mirella Pamphili ...
Woman in Town (as Mirella Panfili)
...
Evan (as Raymond Lovelock)
Roberto Camardiel ...
Sorrow
Patrizia Valturri ...
Elizabeth Hagerman
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Storyline

The Stranger, a half-breed bandit, is part of a band of thieves that steal a cargo of gold from a stagecoach. However, the Americans in the band betray him, and shoot all the Mexicans. The Stranger is not completely dead though, and crawls his way out of his shallow grave, continuing his pursuit of the gold, and exacting a bloody vengeance. Written by David Gibson <djg6@ukc.ac.uk>

Plot Summary | Add Synopsis

Taglines:

Terror from the depths of hell!

Genres:

Action | Western

Certificate:

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Parents Guide:

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Details

Country:

|

Language:

Release Date:

3 May 1967 (West Germany)  »

Also Known As:

Django Kill... If You Live, Shoot!  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (original)

Sound Mix:

Color:

(Technicolor) (US version)| (Eastmancolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Directorial debut of Giulio Questi. See more »

Goofs

One of the hanged men is plainly breathing (albeit shallowly) in the foreground, to the viewer's right, as the Stranger is washing-up (after shooting Oaks) in the background. See more »

Quotes

Mr. Zorro: [to the Stranger] I've made stronger men than you tell me everything.
See more »

Connections

Featured in Western Outlaws: 50 Movie MegaPack (2016) See more »

Soundtracks

My Town
(uncredited)
Sung by Ann Collin (dubbing Marilù Tolo)
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User Reviews

 
Shock horror euro-western delivers on all fronts
1 July 2005 | by (United Kingdom) – See all my reviews

The Stranger (Tomas Milian) arrives in the town known by the local Indian tribes as "The Unhappy Place" to see the bodies of his recent partners in crime hanging in front of him. Flashbacks have already revealed that he had been betrayed and left for dead by the gang, led by Oats (Piero Lulli), following a theft of gold from the army.

The two most prominent townsfolk, Tembler (Quesada) and Hagerman (Sanz) have split the stolen gold between them, and are keeping it hidden from Sorrow (Camardiel), a larger than life bandit whose "muchachos" dress all in black and, lets say, presumably enjoy the pleasures of men. Throw into the pot the mysterious figure of Hagerman's imprisoned wife, who beckons the Stranger from her cell window, and you have a very strange, yet apt, setting for this highly entertaining and frankly bizarre movie.

In fact, this film is straight out of horror territory, from the Stranger's first screen appearance - clawing his way out of an open grave - until its bitter ending. The mood is ably assisted by Ivan Vandor's score, which adds suitable suspense and tension, particularly during the scenes portraying Hagerman, his wife and her relationship with the Stranger.

The cast is quite superb, particularly Sanz in the part of the treacherous Hagerman. Milian meanwhile plays the Stranger role competently but fairly static without the mysterious charisma of a Nero or Eastwood. I am a huge fan of Milian, but much prefer to see his characters portray a little more humour (as he does so brilliantly in Face to Face and the Big Gundown, to name just two performances).

At times graphic (like the notorious scalping scene, or the sight of Oaks' body being torn apart by the locals desperately clawing at the gold bullets within his barely alive body), at times obviously low budget (such as the scene in which the Stranger is tortured, by being subjected to blood sucking bats and other creatures), but captivating throughout. One of the "must view" euro-westerns, in my view.


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