| Photos (See all 71 | slideshow) | Videos (see all 2) |
| Elizabeth Taylor | ... | Martha | |
| Richard Burton | ... | George | |
| George Segal | ... | Nick | |
| Sandy Dennis | ... | Honey | |
| rest of cast listed alphabetically: | |||
| Agnes Flanagan | ... | Roadhouse Waitress (uncredited) | |
| Frank Flanagan | ... | Roadhouse Manager (uncredited) | |
Directed by | |||
| Mike Nichols | |||
Writing credits | ||
| Ernest Lehman | (screenplay) | |
| Edward Albee | (play) uncredited | |
Produced by | |||
| Ernest Lehman | .... | producer (uncredited) | |
Original Music by | |||
| Alex North | (music composed by) | ||
Cinematography by | |||
| Haskell Wexler | (director of photography) | ||
Film Editing by | |||
| Sam O'Steen | (film editor) | ||
Production Design by | |||
| Richard Sylbert | |||
Set Decoration by | |||
| George James Hopkins | |||
Costume Design by | |||
| Irene Sharaff | (costumes designed by) | ||
Makeup Department | |||
| Gordon Bau | .... | makeup: Miss Taylor's | |
| Ron Berkeley | .... | makeup: Mr. Burton's (as Ronnie Berkeley) | |
| Sydney Guilaroff | .... | hair styles creator: Miss Taylor | |
| Jean Burt Reilly | .... | supervising hair stylist | |
Second Unit Director or Assistant Director | |||
| Bud Grace | .... | assistant director | |
Art Department | |||
| Craig Binkley | .... | set dresser (uncredited) | |
| Harold Michelson | .... | storyboard artist (uncredited) | |
| Joseph Musso | .... | production illustrator (uncredited) | |
Sound Department | |||
| M.A. Merrick | .... | sound | |
| George Groves | .... | sound recordist (uncredited) | |
Camera and Electrical Department | |||
| Frank Flanagan | .... | gaffer (uncredited) | |
| Ralph Gerling | .... | camera operator (uncredited) | |
| Robert Jason | .... | electrician (uncredited) | |
| Michael A. Jones | .... | rigging gaffer (uncredited) | |
| Robert Willoughby | .... | special still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Joan Joseff | .... | costume jeweller (uncredited) | |
Music Department | |||
| Alex North | .... | music conductor | |
| Bob Bain | .... | musician: guitar (uncredited) | |
| Henry Brant | .... | orchestrator (uncredited) | |
| Dan Wallin | .... | music scoring mixer (uncredited) | |
Transportation Department | |||
| Frank Khoury | .... | driver: cast (uncredited) | |
Other crew | |||
| Richard Barr | .... | produced on the stage by | |
| Doane Harrison | .... | production advisor | |
| Hal W. Polaire | .... | assistant to the producer (as Hal Polaire) | |
| Meta Rebner | .... | script supervisor | |
| Clinton Wilder | .... | produced on the stage by | |
| Wayne Fitzgerald | .... | title designer (uncredited) | |
| T.J. Healy II | .... | production assistant (uncredited) | |
| Herbert Ross | .... | choreographer (uncredited) | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Drama section |
| IMDb USA section |
'Who's Afraid of Virginia Woolf' tells the story of two couples that are quite different at first sight - one used to each other for years, the other one rather freshly wed in comparison. Actually it doesn't tell their story, but it displays their relationships.
The film begins on a Sunday morning at 2 o'clock, right after a party, and ends just after the sun rises. In these few hours we get to know these four people better then we might possibly want.
George and Martha are the older couple. He is a history professor, she is the daughter of the head of the university. Their relationship seems to be from hell, full of mutual disgust and humiliation. Their guests are Nick and Honey. He is the new, ambitious biology professor, she is his naive young wive. As all these four characters are more or less drunk throughout the entire film, alcohol works as a catalyst, and we quickly see the different kind of character traits they have: George is a cynic, Martha loves to torment her husband, Nick is an opportunist and Honey is very much a stupid blonde.
The two relationships deserve closer examination: We wonder why Martha and George married in the first place. They keep swearing at each other. Martha can't stop humiliating George, when they are alone as well as when Nick and Honey are there. Maybe there is still a rest of love in them, but there mutual respect has vanished completely. And then there is the strange story of their son, who is supposed to visit on his birthday. They way George and Martha talk about him make us feel that there is something peculiar about him. At the end we get to know more about him, and we can only guess how important the son is for their relationship.
Nick and Honey, on the other hand, seem to be quite the opposite. But, being used as weapons by the older couple, we see that their relationship isn't as perfect as it seems to be, either. Nick didn't marry Honey because he loved her, but because he thought she was pregnant and because of her money. And when Martha tries to seduce him to tease George, he plays the game with her, always in mind that this woman's father is the head of the university. Honey, on the other hand, is much more emotional than her husband, but she also is the most passive character, and the one most affected by the alcohol.
Mike Nichols assembled an outstanding cast for his film. Casting Elizabeth Taylor and Richard Burton as Martha and George is a stroke of genius - not only are they terrific actors, but it also heats the imagination of the viewer how much their real-life-marriage resembled the relationship they had in this film. Elizabeth Taylor outshines her co-stars a little. Never was she any better than in this one; although her character is the meanest in the film, she manages that we still feel compassion for her at the end. But Richard Burton, George Segal and especially Sandy Dennis deliver memorable performances, too.
'Who's Afraid of Virginia Woolf' succeeds at something rather difficult: It makes us care for characters we wouldn't want to have anything to do with in real life. And although it actually consist of nothing but four people talking for two hours, it never bored us for a second.