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| Elizabeth Taylor | ... | Martha | |
| Richard Burton | ... | George | |
| George Segal | ... | Nick | |
| Sandy Dennis | ... | Honey | |
| rest of cast listed alphabetically: | |||
| Agnes Flanagan | ... | Roadhouse Waitress (uncredited) | |
| Frank Flanagan | ... | Roadhouse Manager (uncredited) | |
Directed by | |||
| Mike Nichols | |||
Writing credits | ||
| Ernest Lehman | (screenplay) | |
| Edward Albee | (play) uncredited | |
Produced by | |||
| Ernest Lehman | .... | producer (uncredited) | |
Original Music by | |||
| Alex North | (music composed by) | ||
Cinematography by | |||
| Haskell Wexler | (director of photography) | ||
Film Editing by | |||
| Sam O'Steen | (film editor) | ||
Production Design by | |||
| Richard Sylbert | |||
Set Decoration by | |||
| George James Hopkins | |||
Costume Design by | |||
| Irene Sharaff | (costumes designed by) | ||
Makeup Department | |||
| Gordon Bau | .... | makeup: Miss Taylor's | |
| Ron Berkeley | .... | makeup: Mr. Burton's (as Ronnie Berkeley) | |
| Sydney Guilaroff | .... | hair styles creator: Miss Taylor | |
| Jean Burt Reilly | .... | supervising hair stylist | |
Second Unit Director or Assistant Director | |||
| Bud Grace | .... | assistant director | |
Art Department | |||
| Craig Binkley | .... | set dresser (uncredited) | |
| Harold Michelson | .... | storyboard artist (uncredited) | |
| Joseph Musso | .... | production illustrator (uncredited) | |
Sound Department | |||
| M.A. Merrick | .... | sound | |
| George Groves | .... | sound recordist (uncredited) | |
Camera and Electrical Department | |||
| Frank Flanagan | .... | gaffer (uncredited) | |
| Ralph Gerling | .... | camera operator (uncredited) | |
| Robert Jason | .... | electrician (uncredited) | |
| Michael A. Jones | .... | rigging gaffer (uncredited) | |
| Robert Willoughby | .... | special still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Joan Joseff | .... | costume jeweller (uncredited) | |
Music Department | |||
| Alex North | .... | music conductor | |
| Robert Bain | .... | musician: guitar (uncredited) | |
| Henry Brant | .... | orchestrator (uncredited) | |
| Dan Wallin | .... | music scoring mixer (uncredited) | |
Transportation Department | |||
| Frank Khoury | .... | driver: cast (uncredited) | |
Other crew | |||
| Richard Barr | .... | produced on the stage by | |
| Doane Harrison | .... | production advisor | |
| Hal W. Polaire | .... | assistant to the producer (as Hal Polaire) | |
| Meta Rebner | .... | script supervisor | |
| Clinton Wilder | .... | produced on the stage by | |
| Wayne Fitzgerald | .... | title designer (uncredited) | |
| T.J. Healy II | .... | production assistant (uncredited) | |
| Herbert Ross | .... | choreographer (uncredited) | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Drama section |
| IMDb USA section |
Ailing couple George (Burton) and Martha (Taylor) invite a young couple over for a late-night drink - much to quiet and repressed George's annoyance - and what starts off as a twisted game by sultry Martha to annoy her husband and get her way with young stud Nick (George Segal) ends up in a horrific duel of wits.
Adapted from the play and boasting very few locations, "Virginia Woolf" is notable for many unsuspected reasons. Designed for the stage, the film makes the story uniquely cinematic and tense, amped up by stunning photography (in Black and White, a daring choice in 1966). The younger leads are superb, but Burton and Taylor still manage to walk away with film, giving stunning renditions of the world's most demented couple. They make the surreal dialogue hurt and touch in ways never thought possible.
Though there are countless reasons to recommend this jewel of a film, there are also reasons why one would wish to avoid it. This is the kind of film that makes you feel like having a showing (or a very concentrated drink) to wash away the grit and human evil and pain absorbed. You'll feel dirty, but in a way you'll also feel enlightened: that a small character film can carry more punch than any explosion-packed blockbuster out there is a thing of beauty indeed!