The Letter (1940)

User Rating:

7.8/10   

Director:

William Wyler

Writers:

W. Somerset Maugham (play)
Howard Koch (screenplay)

Release Date:

23 November 1940 (USA)

Genre:

Crime | Drama | Film-Noir | Mystery

Tagline:

With all my heart I still love the man I killed

Plot:

The wife of a rubber plantation administrator shoots a man to death and claims it was self-defense; a letter in her own hand may prove her undoing.

Plot Keywords:

Letter | Widow | Plantation | Murder | Rubber Plantation

Awards:

Nominated for 7 Oscars.

Cast

Bette Davis	...	Leslie Crosbie
Herbert Marshall	...	Robert Crosbie
James Stephenson	...	Howard Joyce
Frieda Inescort	...	Dorothy Joyce
Gale Sondergaard	...	Mrs. Hammond
Bruce Lester	...	John Withers
Elizabeth Inglis	...	Adele Ainsworth (as Elizabeth Earl)
Cecil Kellaway	...	Prescott
Victor Sen Yung	...	Ong Chi Seng (as Sen Yung)
Doris Lloyd	...	Mrs. Cooper
Willie Fung	...	Chung Hi
Tetsu Komai	...	Head Boy

Runtime:

95 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (RCA Sound System)

Certification:

Canada:G (Ontario) | USA:TV-PG (TV rating) | Canada:PG (video rating) | West Germany:16 | Argentina:13 | Australia:PG | Finland:K-16 | Sweden:15 | USA:Approved (PCA #6442)

Filming Locations:

Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, California, USA

Company:

Warner Bros. Pictures

Trivia:

Sixteen years after he directed this film, William Wyler made his TV directing debut with a live production broadcast Oct. 15, 1956 on "Producers' Showcase: The Letter (#3.2)" (1956). The cast included Siobhan McKenna, John Mills, Michael Rennie, and Anna May Wong in the roles earlier played by Bette Davis, Herbert Marshall, James Stephenson, and Gale Sondergaard. Some of the censorship that had restricted the 1940 version was eased for this TV version. For example, Hammond's "Eurasian wife" in 1940 was permitted to be, as in the play and 1929 film, his Chinese mistress.

Goofs:

Errors made by characters (possibly deliberate errors by the filmmakers): Mrs Cooper calls Howard Joyce "Mr Johnson" before she leaves the first aid room.

Quotes:

Leslie: With all my heart, I still love the man I killed.

Movie Connections:

Edited into Who's Afraid of Virginia Woolf? (1966)

The letter is "A"

What a wonderful film this still is, so long as you're not hamstrung with all the modern pc prejudices. Sadly I feel that one far-off day this film will be banned, when apparent white moral repugnance of the past overwhelms the remaining whites with shame. I've seen "The Letter" now maybe 12 times and it hasn't polluted my mind with imperialist or racial stereotypes, just filled it with pleasure that Wyler at Warners could make such an atmospheric studio-bound gem in 1940.

At the start woman shoots man - but was it murder or justified homicide? All of the cast are superb in their roles, Bette never looked sexier, Herbert Marshall never so realistic, and Gale Sondergaard never so sinister - but James Stephenson! He only made a few more films before his premature death but his understated sweaty performance as the lawyer in this electrifies me every time I watch - without him it might have a very different story! Although on a serious level it is (to me) typical Somerset Maugham fare, I haven't read any better from him as yet. Bette has some fine lines and scenes, and only occasionally hamming it up. Steiner's music is repetitive, but memorable anyhow, and the photography gleams well under the Warners arc-moonlight. But as near perfect in every department as it could get, it's still dignified Stephenson's film - he steals every scene he's in, come what or who may.

The Hays Office was the real uncivilised savage at the end, not the inscrutable "Orientals", but even with such a contrived messy ending it remains compulsive classic viewing for me, once every couple of years.