George and Martha are a middle aged married couple, whose charged relationship is defined by vitriolic verbal battles, which underlies what seems like an emotional dependence upon each other. This verbal abuse is fueled by an excessive consumption of alcohol. George being an associate History professor in a New Carthage university where Martha's father is the President adds an extra dimension to their relationship. Late one Saturday evening after a faculty mixer, Martha invites Nick and Honey, an ambitious young Biology professor new to the university and his mousy wife, over for a nightcap. As the evening progresses, Nick and Honey, plied with more alcohol, get caught up in George and Martha's games of needing to hurt each other and everyone around them. The ultimate abuse comes in the form of talk of George and Martha's unseen sixteen year old son, whose birthday is the following day. Written by
When George and Nick are outside talking under the large tree, George pours a small amount of bourbon into Nick's glass. A second later, we see the glass has much more bourbon in it than was originally poured. See more »
That's what comes from too much alcohol and too few mutual respect
'Who's Afraid of Virginia Woolf' tells the story of two couples that are quite different at first sight - one used to each other for years, the other one rather freshly wed in comparison. Actually it doesn't tell their story, but it displays their relationships.
The film begins on a Sunday morning at 2 o'clock, right after a party, and ends just after the sun rises. In these few hours we get to know these four people better then we might possibly want.
George and Martha are the older couple. He is a history professor, she is the daughter of the head of the university. Their relationship seems to be from hell, full of mutual disgust and humiliation. Their guests are Nick and Honey. He is the new, ambitious biology professor, she is his naive young wive. As all these four characters are more or less drunk throughout the entire film, alcohol works as a catalyst, and we quickly see the different kind of character traits they have: George is a cynic, Martha loves to torment her husband, Nick is an opportunist and Honey is very much a stupid blonde.
The two relationships deserve closer examination: We wonder why Martha and George married in the first place. They keep swearing at each other. Martha can't stop humiliating George, when they are alone as well as when Nick and Honey are there. Maybe there is still a rest of love in them, but there mutual respect has vanished completely. And then there is the strange story of their son, who is supposed to visit on his birthday. They way George and Martha talk about him make us feel that there is something peculiar about him. At the end we get to know more about him, and we can only guess how important the son is for their relationship.
Nick and Honey, on the other hand, seem to be quite the opposite. But, being used as weapons by the older couple, we see that their relationship isn't as perfect as it seems to be, either. Nick didn't marry Honey because he loved her, but because he thought she was pregnant and because of her money. And when Martha tries to seduce him to tease George, he plays the game with her, always in mind that this woman's father is the head of the university. Honey, on the other hand, is much more emotional than her husband, but she also is the most passive character, and the one most affected by the alcohol.
Mike Nichols assembled an outstanding cast for his film. Casting Elizabeth Taylor and Richard Burton as Martha and George is a stroke of genius - not only are they terrific actors, but it also heats the imagination of the viewer how much their real-life-marriage resembled the relationship they had in this film. Elizabeth Taylor outshines her co-stars a little. Never was she any better than in this one; although her character is the meanest in the film, she manages that we still feel compassion for her at the end. But Richard Burton, George Segal and especially Sandy Dennis deliver memorable performances, too.
'Who's Afraid of Virginia Woolf' succeeds at something rather difficult: It makes us care for characters we wouldn't want to have anything to do with in real life. And although it actually consist of nothing but four people talking for two hours, it never bored us for a second.
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