Recent college graduate Benjamin Braddock is trapped into an affair with Mrs. Robinson, who happens to be the wife of his father's business partner and then finds himself falling in love with her daughter, Elaine.
George and Martha are a middle aged married couple, whose charged relationship is defined by vitriolic verbal battles, which underlies what seems like an emotional dependence upon each other. This verbal abuse is fueled by an excessive consumption of alcohol. George being an associate History professor in a New Carthage university where Martha's father is the President adds an extra dimension to their relationship. Late one Saturday evening after a faculty mixer, Martha invites Nick and Honey, an ambitious young Biology professor new to the university and his mousy wife, over for a nightcap. As the evening progresses, Nick and Honey, plied with more alcohol, get caught up in George and Martha's games of needing to hurt each other and everyone around them. The ultimate abuse comes in the form of talk of George and Martha's unseen sixteen year old son, whose birthday is the following day. Written by
On the back of the movie tie-in paperback of the play, it reads: "A Warner Bros. Technicolor film" - even though the film was shot in black & white. See more »
The four characters stop at a bar after the first soiree at George's house. It is clearly after 2:00 a.m., since the time was stated during the first segment. No bars, however, would have been open after 1 or 2 a.m. in the New England states, where the film is set. See more »
We'll go in a little while.
Oh no. No, you mustn't. Martha is changing, and Martha is not changing for me, Martha hasn't changed for me in years. If Martha is changing, that means we're going to be here for days. You're being accorded an honor, and you mustn't forget that Martha is the daughter of our beloved boss. She is his right... arm. I was going to use another word, but we'll leave that sort of talk to Martha.
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This is one of the most powerfully written and acted movies I have ever seen. I was emotionally drained at the end and could not imagine how actors could have done this on Broadway night after night. The terrible verbal inhumanities Taylor and Burton inflicted on each other were done so well, one never knew what was truth and what was game. A must see if you can handle such a well acted but emotionally traumatic film.
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