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"That Girl"
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"That Girl" (1966) More at IMDbPro »TV series 1966-1971

Photos (See all 80 | slideshow) Videos (see all 64)
That Girl: :  -- Ann Marie is a struggling actress living in New York City. In between trying to find jobs acting and modeling she has time for her boyfriend, Don Hollinger, and her dad, Lou Marie.
That Girl: :  -- Home video trailer for this series with Marlo Thomas
That Girl: :  -- Ann Marie is a struggling actress living in New York City. In between trying to find jobs acting and modeling she has time for her boyfriend, Don Hollinger, and her dad, Lou Marie.
That Girl: :  -- Ann Marie is a struggling actress living in New York City. In between trying to find jobs acting and modeling she has time for her boyfriend, Don Hollinger, and her dad, Lou Marie.

Overview

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7.2/10   916 votes »
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Seasons:
1 | 2 | 3 | 4 | 5
Genre:
Plot:
Ann Marie is a struggling actress living in New York City. In between trying to find jobs acting and modeling she has time for her boyfriend... See more »
Awards:
Won Golden Globe. Another 2 wins & 10 nominations See more »
User Reviews:
Love That Girl See more (15 total) »

Cast

 (Series Cast Summary - 3 of 137)

Marlo Thomas ... Ann Marie (137 episodes, 1965-1971)

Ted Bessell ... Donald Hollinger / ... (137 episodes, 1965-1971)
Lew Parker ... Lew Marie / ... (63 episodes, 1966-1971)
(more)

Series Directed by
Hal Cooper (23 episodes, 1967-1970)
John Rich (19 episodes, 1968-1971)
Richard Kinon (18 episodes, 1968-1971)
John Erman (10 episodes, 1966-1967)
Russ Mayberry (10 episodes, 1969-1970)
Bob Sweeney (7 episodes, 1966)
James Sheldon (7 episodes, 1967-1969)
Danny Arnold (6 episodes, 1967-1969)
Saul Turteltaub (6 episodes, 1969-1971)
James Frawley (5 episodes, 1967-1968)
Roger Duchowny (3 episodes, 1971)
Seymour Robbie (2 episodes, 1966-1967)
Sidney Miller (2 episodes, 1966)
Jeffrey Hayden (2 episodes, 1967)
Ted Bessell (2 episodes, 1969-1970)
Jay Sandrich (2 episodes, 1969)
 
Series Writing credits
Sam Denoff (137 episodes, 1965-1971)
Bill Persky (137 episodes, 1965-1971)
Bernie Orenstein (26 episodes, 1967-1971)
Saul Turteltaub (26 episodes, 1967-1971)
Ruth Brooks Flippen (13 episodes, 1967-1969)
Richard Baer (11 episodes, 1966-1969)
Peggy Elliott (8 episodes, 1966-1970)
Ed Scharlach (8 episodes, 1966-1970)
Alfred Lewis Levitt (6 episodes, 1966-1967)
Helen Levitt (6 episodes, 1966-1967)
Stan Cutler (6 episodes, 1968-1969)
Martin Donovan (6 episodes, 1968-1969)
Carl Kleinschmitt (5 episodes, 1966-1969)
Milton Pascal (5 episodes, 1966-1968)
Arnold Margolin (5 episodes, 1966-1967)
Jim Parker (5 episodes, 1966-1967)
Danny Arnold (5 episodes, 1967-1969)
Arnold Horwitt (5 episodes, 1969-1971)
Joseph Bonaduce (4 episodes, 1966-1970)
Rick Mittleman (4 episodes, 1966-1970)
James L. Brooks (3 episodes, 1966-1967)
Bruce Howard (3 episodes, 1968-1970)
Arthur Julian (3 episodes, 1968)
Warren S. Murray (3 episodes, 1969-1971)
Sydney Zelinka (2 episodes, 1967-1970)
Milt Rosen (2 episodes, 1969)

Series Produced by
Sam Denoff .... executive producer (136 episodes, 1966-1971)
Bill Persky .... executive producer (136 episodes, 1966-1971)
Joel Swanson .... associate producer (60 episodes, 1966-1968)
Danny Arnold .... producer (56 episodes, 1967-1969)
Lew Gallo .... associate producer (50 episodes, 1969-1971)
Bernie Orenstein .... producer (50 episodes, 1969-1971)
Saul Turteltaub .... producer (50 episodes, 1969-1971)
Jerry Davis .... producer (30 episodes, 1966-1967)
Eddie Foy III .... associate producer (26 episodes, 1968-1969)
Marlo Thomas .... executive producer (8 episodes, 1967-1971)
 
Series Original Music by
Earle Hagen (53 episodes, 1965-1971)
Warren Barker (30 episodes, 1968-1969)
Harry Geller (21 episodes, 1966-1967)
Dominic Frontiere (14 episodes, 1967-1968)
Luchi De Jesus (12 episodes, 1967-1968)
Walter Scharf (7 episodes, 1966)
Carl Brandt (4 episodes, 1970)
 
Series Cinematography by
Leonard J. South (76 episodes, 1968-1971)
Jacques R. Marquette (58 episodes, 1966-1968)
Lester Shorr (2 episodes, 1967)
 
Series Film Editing by
Mike Crumplar (31 episodes, 1967-1971)
Homer Powell (31 episodes, 1968-1971)
Robert Moore (19 episodes, 1965-1967)
Bill Murphy (14 episodes, 1967-1968)
Hugh Chaloupka (12 episodes, 1968-1969)
Bernard Matis (8 episodes, 1968-1969)
Newell P. Kimlin (6 episodes, 1967-1968)
Jim Faris (6 episodes, 1967)
Tom Biggart (4 episodes, 1967)
Bob Lewis (3 episodes, 1966)
Bud Molin (2 episodes, 1966)
 
Series Casting by
Fred Roos (112 episodes, 1966-1970)
Mike Fenton (30 episodes, 1966-1967)
William J. Kenney (24 episodes, 1970-1971)
 
Series Art Direction by
Kenneth A. Reid (32 episodes, 1965-1968)
Raymond Beal (30 episodes, 1967-1968)
Pato Guzman (28 episodes, 1966-1967)
Gibson Holley (26 episodes, 1968-1969)
Lewis E. Hurst Jr. (24 episodes, 1969-1970)
Peter Wooley (24 episodes, 1970-1971)
Archie J. Bacon (2 episodes, 1969)
 
Series Set Decoration by
John Lamphear (50 episodes, 1969-1971)
John Burton (30 episodes, 1966-1967)
Carl Biddiscombe (30 episodes, 1967-1968)
Donald E. Webb (26 episodes, 1968-1969)
 
Series Costume Design by
Phyllis Garr (52 episodes, 1966-1968)
Fern Vollner (26 episodes, 1968-1969)
Suzanne Smith (12 episodes, 1970-1971)
Florence Albert (9 episodes, 1965-1966)
 
Series Makeup Department
E. Thomas Case .... makeup artist (136 episodes, 1966-1971)
Lynn Masters .... hair stylist (136 episodes, 1966-1971)
 
Series Production Management
Ronald Jacobs .... executive in charge of production (137 episodes, 1965-1971)
John Banse .... production manager (103 episodes, 1967-1971)
Norman Henry .... production supervisor (56 episodes, 1967-1969)
Edward M. Hillie .... production manager (30 episodes, 1966-1967)
Donald A. Baer .... supervising production manager / production manager (26 episodes, 1969-1970)
Jerry Jameson .... production supervisor (24 episodes, 1970-1971)
 
Series Second Unit Director or Assistant Director
Roger Duchowny .... assistant director (89 episodes, 1967-1971)
Edward M. Hillie .... assistant director (29 episodes, 1966-1967)
Wilbur D'Arcy .... assistant director (14 episodes, 1967-1968)
Robert Bennett Steinhauer .... assistant director (3 episodes, 1971)
 
Series Art Department
Glenn Ross .... property master (136 episodes, 1966-1971)
Ideal Dottini .... construction coordinator (89 episodes, 1966-1971)
Ross Utley .... construction coordinator (14 episodes, 1970-1971)
 
Series Sound Department
Jimmy Thompson .... sound engineer (112 episodes, 1966-1970)
Victor Guarnier .... sound editor (75 episodes, 1966-1971)
William A. Phillips .... sound editor (49 episodes, 1967-1969)
John McDonald .... sound engineer (24 episodes, 1970-1971)
Robert A. Reich .... sound editor (7 episodes, 1968-1969)
Leonard Davison .... sound editor (4 episodes, 1966)
 
Series Stunts
Carol Daniels .... stunt double: Judy Bessemer (8 episodes, 1966)
 
Series Camera and Electrical Department
Irv McClellan .... key grip (24 episodes, 1970-1971)
Howard Roberts .... gaffer (24 episodes, 1970-1971)
 
Series Costume and Wardrobe Department
Suzanne Smith .... fashion director / fashion designer / ... (38 episodes, 1969-1971)
Donald Finlayson .... costumer: men (24 episodes, 1970-1971)
G. Fern Weber .... costumer: women (24 episodes, 1970-1971)
 
Series Editorial Department
Jerry Jameson .... editorial supervisor / editoral supervisor / ... (113 episodes, 1965-1970)
Elby Cuniberti .... editorial supervisor (24 episodes, 1970-1971)
 
Series Music Department
Earle Hagen .... composer: theme music (136 episodes, 1966-1971)
Rocky Moriana .... music editor (58 episodes, 1967-1969)
Mark Southern .... music editor (43 episodes, 1969-1971)
John Caper Jr. .... music editor (30 episodes, 1966-1967)
Sam Denoff .... lyricist: theme music (24 episodes, 1970-1971)
Luchi De Jesus .... musical director (5 episodes, 1967)
 
Series Other crew
Jane Ficker .... continuity / script continuity (86 episodes, 1966-1969)
Howard Hohler .... script continuity (50 episodes, 1969-1971)
Bernie Orenstein .... story consultant (50 episodes, 1969-1971)
Saul Turteltaub .... story consultant (50 episodes, 1969-1971)
Ruth Brooks Flippen .... script consultant (49 episodes, 1967-1969)
Jerry Davis .... script consultant (30 episodes, 1966-1967)
 

Production CompaniesDistributorsSpecial EffectsOther Companies

Additional Details

Also Known As:
Runtime:
30 min (136 episodes)
Country:
Language:
Color:
Aspect Ratio:
1.33 : 1 See more »
Sound Mix:

Did You Know?

Trivia:
The running gag of having the pre-credit sequence ending with a character referring to Ann as "that girl" was originally only supposed to be used in the pilot as it was believed that they would never be able to keep finding ways to work it into the conversation. It ended up being used in almost all the episodes.See more »
Goofs:
Errors in geography: Ann Marie moves to New York City from Brewster, NY, which is on the Metro North Railroad's Harlem Line to Grand Central Terminal. The footage behind the credits was shot on New Jersey Transit's Northeast Corridor Line (photographed from the rear of a train leaving New York and then shown backwards so the train appears to be going to New York, although on the wrong track).See more »
Movie Connections:
Referenced in Advice from a Caterpillar (1999)See more »
Soundtrack:
Minnie the MoocherSee more »

FAQ

With regards to That Girl with Marlo Thomas, I've been looking for the episode where Don proposes to Ann. I have Disc Nos. 1, 2 and 3. Is there a 4th?
See more »
1 out of 2 people found the following review useful.
Love That Girl, 2 January 2012
Author: earlytalkie from United States

"That Girl" is one of those shows that I enjoyed during it's first run on ABC and in it's reruns over the years, but it's been many years since i saw this as it has not been on TV in a while. The re-discovery of this on DVD reveals that it is even better than I remember it. The cast in all instances is first-rate, and the scripts are crisp, funny, full of heart and do not date one bit. Marlo Thomas supposedly had a hand in most of the aspects of this classic series, and I say a great job well done. Like John Forsythe in "Bachelor Father", this show was her baby and no show could have had a better mother. ME-TV has just begun re-running this as of this writing, and my partner and I were laughing out loud at many of the antics on the marathon which launched the series on New Year's Day. The film quality of the show has been so beautifully preserved that it looks brand-new. The 1960s background makes the series a kind of time capsule back to those fashions and some of the early episodes especially feature some great location footage shot in N.Y.C. which add to the "theatrical" look of this series. Each episode has the look of a mini-movie, being shot with one camera. The laugh-track is present but not overdone or intrusive. The format of the single girl trying to make it on her own would be echoed a few years later in the super-classic "Mary Tyler Moore" show. "That Girl" had great writing throughout it's five seasons, and Ms. Thomas wisely opted out of the show before it became stale as so many other long-running shows of the period did. She also avoided knuckling under to the network by not having Ann and Donald marry. This was her personal decision and in retrospect, a wise one. Marlo Thomas herself, being the daughter of the great Danny Thomas, had to prove herself with this series and boy, did she ever. Having "Make Room For Daddy", one of the great shows of it's own era, and "That Girl", one of the greats of the 60s, one hopes that there will be another generation of the Thomas family to give us yet another great series to enjoy. If this review sounds like a love letter to Marlo Thomas, so be it. It is.

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This was not the first show about an independent woman loveoldmovies22
Ann's age rerunwatcher
Ann and Donald's wedding WhyVon
Ann never called Donald 'Don' jdeaver886
Location in Closing Credits info xfrql
observation about the kite thomsth
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