| Photos (See all 39 | slideshow) |
| Jean-Pierre Léaud | ... | Antoine Doinel | |
| Claire Maurier | ... | Gilberte Doinel - la mère d'Antoine | |
| Albert Rémy | ... | Julien Doinel | |
| Guy Decomble | ... | 'Petite Feuille', the French teacher | |
| Georges Flamant | ... | Mr. Bigey | |
| Patrick Auffay | ... | René | |
| Daniel Couturier | ... | Betrand Mauricet | |
| François Nocher | ... | Un enfant / Child | |
| Richard Kanayan | ... | Un enfant / Child | |
| Renaud Fontanarosa | ... | Un enfant / Child | |
| Michel Girard | ... | Un enfant / Child | |
| Serge Moati | ... | Un enfant / Child (as Henry Moati) | |
| Bernard Abbou | ... | Un enfant / Child | |
| Jean-François Bergouignan | ... | Un enfant / Child | |
| Michel Lesignor | ... | Un enfant / Child | |
| Luc Andrieux | ... | Le professeur de gym | |
| Robert Beauvais | ... | Director of the school | |
| Bouchon | |||
| Christian Brocard | |||
| Yvonne Claudie | ... | Mme Bigey | |
| Marius Laurey | ... | L'inspecteur Cabanel | |
| Claude Mansard | ... | Examining Magistrate | |
| Jacques Monod | ... | Commissioner | |
| Pierre Repp | ... | The English Teacher | |
| Henri Virlojeux | ... | Night watchman (as Henri Virlogeux) | |
| rest of cast listed alphabetically: | |||
| Jean-Claude Brialy | ... | Man in Street | |
| Jeanne Moreau | ... | Woman with dog (as Mademoiselle Jeanne Moreau) | |
| Philippe de Broca | ... | Man in Funfair (uncredited) | |
| Jacques Demy | ... | Policeman (uncredited) | |
| Jean Douchet | ... | The Lover (uncredited) | |
| Marianne Girard | ... | (uncredited) | |
| Simone Jolivet | ... | (uncredited) | |
| Laure Paillette | ... | (uncredited) | |
| François Truffaut | ... | Man in Funfair (uncredited) | |
Directed by | |||
| François Truffaut | |||
Writing credits | ||
| François Truffaut | (scenario) | |
| Marcel Moussy | (adaptation) (as M. Moussy) & | |
| François Truffaut | (adaptation) (as F. Truffaut) | |
| Marcel Moussy | (dialogue) | |
Produced by | |||
| François Truffaut | .... | producer (uncredited) | |
Original Music by | |||
| Jean Constantin | |||
Cinematography by | |||
| Henri Decaë | |||
Film Editing by | |||
| Marie-Josèphe Yoyotte | |||
Set Decoration by | |||
| Bernard Evein | |||
Production Management | |||
| Georges Charlot | .... | production manager | |
| Robert Lachenay | .... | assistant unit manager | |
| Jean Lavie | .... | unit manager | |
Art Department | |||
| Raymond Lemoigne | .... | property master (as Raymond Le Moigne) | |
Sound Department | |||
| Jean Labussière | .... | sound assistant | |
| Jean-Claude Marchetti | .... | sound | |
Camera and Electrical Department | |||
| André Dino | .... | still photographer | |
| Alain Levent | .... | assistant camera | |
| Jean Rabier | .... | camera operator | |
Editorial Department | |||
| Michèle de Possel | .... | assistant editor | |
| Cécile Decugis | .... | assistant editor | |
Other crew | |||
| Luce Deuss | .... | production secretary | |
| Roland Nonin | .... | production administrator | |
| Jacqueline Parey | .... | script girl | |
Thanks | |||
| André Bazin | .... | dedicatee | |
| Jean-Claude Brialy | .... | thanks | |
| Fernand Deligny | .... | thanks | |
| Alex Joffé | .... | thanks | |
| Jacques Josse | .... | thanks | |
| Suzanne Lipinska | .... | thanks | |
| Claire Mafféi | .... | thanks | |
| Jeanne Moreau | .... | thanks (as Mademoiselle Jeanne Moreau) | |
| Claude Vermorel | .... | thanks | |
| Claude Véga | .... | thanks | |
| Annette Wademant | .... | thanks | |
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| Full cast and crew | Company credits | External reviews |
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| IMDb France section |
The Four Hundred Blows is the semi-autobiographical story of Antoine Doinel, a boy trapped in a life of contemtptuous authority who turns to outward rebellion. Truffaut shows his mastery of the cinema in this, his freshman attempt.
The film is perfectly cast with Dionel relaying neutral facial expressions for the majority of the film. The boy, although not necessarily evoking sympathy from the audience, definitely evokes empathy. He is a pathetic character forced into his position by his teacher and his almost uncaring mother.
Throughout the film, Truffaut hints at the possibility of a happy life for the protagonist, but just as soon as the ideal is given to us, it is taken away. The mood shifts in the film are fabulously orchestrated through contrasting scenes, music, and even acting. From the opening sequence through the final, enigmatic still shot, the movie is a masterpiece of both French and world cinema. It is a must see.