The 400 Blows
(1959)
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The 400 Blows
(1959)
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| Cast overview, first billed only: | |||
| Jean-Pierre Léaud | ... | ||
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Claire Maurier | ... |
Gilberte Doinel - la mère d'Antoine
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Albert Rémy | ... |
Julien Doinel
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Guy Decomble | ... |
'Petite Feuille', the French teacher
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Georges Flamant | ... |
Mr. Bigey
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Patrick Auffay | ... |
René
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Daniel Couturier | ... |
Betrand Mauricet
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François Nocher | ... |
Un enfant /
Child
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Richard Kanayan | ... |
Un enfant /
Child
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Renaud Fontanarosa | ... |
Un enfant /
Child
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Michel Girard | ... |
Un enfant /
Child
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Serge Moati | ... |
Un enfant /
Child
(as Henry Moati)
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Bernard Abbou | ... |
Un enfant /
Child
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Jean-François Bergouignan | ... |
Un enfant /
Child
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Michel Lesignor | ... |
Un enfant /
Child
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A young Parisian boy, Antoine Doinel, neglected by his derelict parents, skips school, sneaks into movies, runs away from home, steals things, and tries (disastrously) to return them. Like most kids, he gets into more trouble for things he thinks are right than for his actual trespasses. Unlike most kids, he gets whacked with the big stick. He inhabits a Paris of dingy flats, seedy arcades, abandoned factories, and workaday streets, a city that seems big and full of possibilities only to a child's eye. Written by alfiehitchie
François Truffaut was one of the best French critics past director and his letter is "Les 400 coups", a good example of this. The start of the "Antoine Doinel" (Jean-Pierre Léaud), series is dedicated to a movie fresh, dynamic, without a second to rest or boredom. A perfect example That cinema should be culture and at the same time, entertain, serve as escape. And that Truffaut has succeeded in most of his films, something that few directors have achieved.
François Truffaut is responsible for this dark urban tale, the film summit "novelle vague" French, one of the best debuts in film history. This debut feature tells the vicissitudes of "Antoine Doinel" a child whose life does not smile, your teacher will not tolerate it, hates his mother and his father ends up feeling the same after "Antoine" and best friend begin to make mischief.
It is a beautiful but very sad story, drawn with great skill and with a screenplay by Marcel Moussy with Truffaut. It is a deeply self-biographical film, and dedicated to his mentor André Bazin.
The film is well made, has a good photography, with a melancholy and nostalgic soundtrack, excellent performances for both children and adults, and an argument that many will shed tears for its crudeness. This works and this film take place among the great films of the good cinema.