The 400 Blows (1959)
"Les quatre cents coups" (original title)

Intensely touching story of a misunderstood young adolescent who left without attention, delves into a life of petty crime.

Director:

François Truffaut

Writers:

François Truffaut (scenario), Marcel Moussy (adaptation),

Stars:

Jean-Pierre Léaud, Claire Maurier, Albert Rémy

Top 250 #181 | Nominated for 1 Oscar. Another 6 wins & 3 nominations.

Cast

Cast overview, first billed only:
Jean-Pierre Léaud	...	Antoine Doinel
Claire Maurier	...	Gilberte Doinel - la mère d'Antoine
Albert Rémy	...	Julien Doinel
Guy Decomble	...	'Petite Feuille', the French teacher
Georges Flamant	...	Mr. Bigey
Patrick Auffay	...	René
Daniel Couturier	...	Betrand Mauricet
François Nocher	...	Un enfant / Child
Richard Kanayan	...	Un enfant / Child
Renaud Fontanarosa	...	Un enfant / Child
Michel Girard	...	Un enfant / Child
Serge Moati	...	Un enfant / Child (as Henry Moati)
Bernard Abbou	...	Un enfant / Child
Jean-François Bergouignan	...	Un enfant / Child
Michel Lesignor	...	Un enfant / Child

Storyline

A young Parisian boy, Antoine Doinel, neglected by his derelict parents, skips school, sneaks into movies, runs away from home, steals things, and tries (disastrously) to return them. Like most kids, he gets into more trouble for things he thinks are right than for his actual trespasses. Unlike most kids, he gets whacked with the big stick. He inhabits a Paris of dingy flats, seedy arcades, abandoned factories, and workaday streets, a city that seems big and full of possibilities only to a child's eye.

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Plot Keywords:

school | fondling | jail | mother son relationship | police station | 

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Taglines:

Det franske mesterværk om de unge i lømmelalderen[Denmark]

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Genres:

Crime | Drama

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Certificate:

Not Rated

Details

Country:

France

Language:

French English

Release Date:

16 November 1959 (USA)

Also Known As:

The Four Hundred Blows

Filming Locations:

Avenue Frochot, Paris 9, Paris, France

Company Credits

Production Co:

Les Films du Carrosse, Sédif Productions

Technical Specs

Runtime:

99 min

Sound Mix:

Mono

Color:

Black and White

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

François Truffaut:  is seen riding next to Antoine in the centrifuge ride at the fair, and can then be seen smoking a cigarette just outside the ride.

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Goofs

In the end of the movie, right as Antoine reaches the water's edge, the shadows of the crew can be seen on the sand.

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Quotes

[first lines]
Petite Feuille: Doinel, bring me that. Indeed! Go to the corner!

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Connections

Referenced in Joe the King (1999)

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Soundtracks

"Balzac"
Composed by Jean Costantin

User Reviews

French cinema at its best

Truffaut has worked wonders here, creating a masterful tale of a boy confused, troubled, and unloved. Antoine Doinel (played superbly by Jean-Pierre Léaud in the lead role) has strict, unfaithful parents, and a harsh, oppressive teacher, and falls into delinquency because of his unhappiness. He lies, steals, skips school and runs away from home, and soon ends up in a juvenile delinquency centre.

Truffaut's inspiration for this film came from his own depressed childhood, so he bases Antoine on himself, including in terms of appearance. Being a 'New Wave' (a cinematographic movement of the sixties, involving directors who believed Hollywood films were too lavish and unreal) director, Truffaut always used a real location for the film, including breathtaking shots of Truffaut's native Paris. He also made a cameo in the film in the style of Hitchcock.

Delinquance is the key theme here. Antoine, who is a character who believes in liberty and freedom, and the way he is always locked up is repressive for him, and this provokes a constant need for him to be out.

Trying to make a realistic and moving film was Truffaut's aim, which, by watching this film, I realised that he had done amazingly well. Also, by combining humour and drama too, we have the defining French film of the 20th century. A black and white film that is full of colour. Bien sur, François Truffaut.