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The 400 Blows (1959)
"Les quatre cents coups" (original title)

 -  Crime | Drama  -  16 November 1959 (USA)
8.2
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Ratings: 8.2/10 from 56,056 users  
Reviews: 166 user | 153 critic

Intensely touching story of a misunderstood young adolescent who left without attention, delves into a life of petty crime.

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(scenario), (adaptation), 2 more credits »
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Top 250 #187 | Nominated for 1 Oscar. Another 7 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Claire Maurier ...
Gilberte Doinel - la mère d'Antoine
Albert Rémy ...
Julien Doinel
Guy Decomble ...
'Petite Feuille', the French teacher
...
Mr. Bigey
Patrick Auffay ...
René
Daniel Couturier ...
Betrand Mauricet
François Nocher ...
Un enfant / Child
Richard Kanayan ...
Un enfant / Child
Renaud Fontanarosa ...
Un enfant / Child
Michel Girard ...
Un enfant / Child
Serge Moati ...
Un enfant / Child (as Henry Moati)
Bernard Abbou ...
Un enfant / Child
Jean-François Bergouignan ...
Un enfant / Child
Michel Lesignor ...
Un enfant / Child
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Storyline

Seemingly in constant trouble at school, 14 year-old Antoine Doinel returns at the end of every day to a drab and unhappy home life. His parents have little money and he sleeps on a couch that's been pushed into the kitchen. He knows his mother is having an affair and his parents bicker constantly. He decides to skip school and begins a downward spiral of lies and later stealing. His parents are at their wits end and after he's stopped by the police, they decide the best thing to do would be to let Antoine face the consequences. He's sent to a juvenile detention facility where he doesn't do much better. He does manage to escape however......... Written by garykmcd

Plot Summary | Add Synopsis

Plot Keywords:

school | boy | run | police | shore | See All (66) »

Taglines:

Angel faces hell-bent for violence. See more »

Genres:

Crime | Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

16 November 1959 (USA)  »

Also Known As:

The 400 Blows  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

When Antoine and Rene are suspended from school, they go gallivanting around the town. At one point they pass a wall of posters and flyers, and they pull off a picture of a woman. The woman is Harriet Andersson in a shot from Ingmar Bergman's Summer with Monika (1953), also about two young lovers who ran away from home to "live their own life." See more »

Goofs

When Antoine is looking in the mirror, and his father is behind him, the camera is reflected in the mirror. See more »

Quotes

[first lines]
Petite Feuille: Doinel, bring me that. Indeed! Go to the corner!
See more »

Connections

Referenced in Thirteen (2003) See more »

Soundtracks

Ecole Buisonniere
(uncredited)
Written by Jean Constantin
See more »

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User Reviews

 
French cinema at its best
12 February 2006 | by (United Kingdom) – See all my reviews

Truffaut has worked wonders here, creating a masterful tale of a boy confused, troubled, and unloved. Antoine Doinel (played superbly by Jean-Pierre Léaud in the lead role) has strict, unfaithful parents, and a harsh, oppressive teacher, and falls into delinquency because of his unhappiness. He lies, steals, skips school and runs away from home, and soon ends up in a juvenile delinquency centre.

Truffaut's inspiration for this film came from his own depressed childhood, so he bases Antoine on himself, including in terms of appearance. Being a 'New Wave' (a cinematographic movement of the sixties, involving directors who believed Hollywood films were too lavish and unreal) director, Truffaut always used a real location for the film, including breathtaking shots of Truffaut's native Paris. He also made a cameo in the film in the style of Hitchcock.

Delinquance is the key theme here. Antoine, who is a character who believes in liberty and freedom, and the way he is always locked up is repressive for him, and this provokes a constant need for him to be out.

Trying to make a realistic and moving film was Truffaut's aim, which, by watching this film, I realised that he had done amazingly well. Also, by combining humour and drama too, we have the defining French film of the 20th century. A black and white film that is full of colour. Bien sur, François Truffaut.


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