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The 400 Blows (1959)
"Les quatre cents coups" (original title)

 -  Crime | Drama  -  16 November 1959 (USA)
8.2
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Ratings: 8.2/10 from 52,573 users  
Reviews: 161 user | 148 critic

Intensely touching story of a misunderstood young adolescent who left without attention, delves into a life of petty crime.

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(scenario), (adaptation), 2 more credits »
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Top 250 #189 | Nominated for 1 Oscar. Another 6 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Claire Maurier ...
Gilberte Doinel - la mère d'Antoine
Albert Rémy ...
Julien Doinel
Guy Decomble ...
'Petite Feuille', the French teacher
Georges Flamant ...
Mr. Bigey
Patrick Auffay ...
René
Daniel Couturier ...
Betrand Mauricet
François Nocher ...
Un enfant / Child
Richard Kanayan ...
Un enfant / Child
Renaud Fontanarosa ...
Un enfant / Child
Michel Girard ...
Un enfant / Child
Serge Moati ...
Un enfant / Child (as Henry Moati)
Bernard Abbou ...
Un enfant / Child
Jean-François Bergouignan ...
Un enfant / Child
Michel Lesignor ...
Un enfant / Child
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Storyline

A young Parisian boy, Antoine Doinel, neglected by his derelict parents, skips school, sneaks into movies, runs away from home, steals things, and tries (disastrously) to return them. Like most kids, he gets into more trouble for things he thinks are right than for his actual trespasses. Unlike most kids, he gets whacked with the big stick. He inhabits a Paris of dingy flats, seedy arcades, abandoned factories, and workaday streets, a city that seems big and full of possibilities only to a child's eye. Written by alfiehitchie

Plot Summary | Add Synopsis

Plot Keywords:

boy | run | school | long take | long shot | See more »

Taglines:

Angel faces hell-bent for violence. See more »

Genres:

Crime | Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

16 November 1959 (USA)  »

Also Known As:

The 400 Blows  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

François Truffaut's first film to be released on the Blu-Ray Disc format. See more »

Goofs

When Antoine and René go to the cinema René wears a black coat, but in one shot he is wearing just a jacket. See more »

Quotes

[first lines]
Petite Feuille: Doinel, bring me that. Indeed! Go to the corner!
See more »

Connections

Referenced in Day for Night: An Appreciation (2003) See more »

Soundtracks

Balzac
Composed by Jean Constantin
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User Reviews

 
Deserved Truffaut Classic Benefits Significantly from Criterion's New DVD Package
20 May 2006 | by (San Francisco, CA, USA) – See all my reviews

As the seminal work of the French New Wave, the 1959 directorial debut of 27-year old Francois Truffaut has such a vaunted reputation that the final film is bound to disappoint. However, the pristine print that comes with the new Criterion Collection DVD really makes me realize what a brave and emotionally resonant film he made ostensibly about his own troubled adolescence. It's worth seeing twice - once for the film itself and a second time to listen to the newly recorded commentary by Truffaut's childhood friend Robert Lachenay (the true-life inspiration for Rene in the film). Speaking in French but subtitled in English, he provides insights into the story and context of the film that no film scholar or even production associate could possibly provide. As a point of comparison, listen to the by-the-numbers commentary by film scholar Brian Stonehill (recorded back in 1992), which is thoughtful and well researched but devoid of the human factor.

The film's title comes from a French colloquialism that translates into "raising hell", an appropriate reference since the story focuses on a thirteen-year old hellion named Antoine, living in a poor section of Paris and neglected by parents downright arrogant in their dysfunctional nature. Antoine consequently lives a street urchin's life as he lies to people in authority - his parents, his teachers, and the police - since he admits rather sadly that the truth doesn't make any difference. Truffaut tracks Antoine's life through a series of dispiriting episodes that ultimately lead him to be sent away to a reformatory after he gets caught returning a stolen typewriter and his mother and stepfather tire of their responsibility over him. To Truffaut's immense credit, the film feels stark and naturalistic without resorting to dramatic manipulation, and he finds the ideal Antoine in Jean-Pierre Leaud, who brings out the confusion, angst and wandering attention of his character in realistic terms. He is especially impressive in an apparently improvised scene where he is interviewed by the school authorities about why his life has come to this. It is heartbreaking to see how bleak his life becomes, yet Leaud imbues the incorrigible, often intolerable side of Antoine with fervor.

There are several interesting extras included with the 2006 DVD package starting with two separate interviews with Truffaut, the first a year after the film's release discussing he film's impact and the second five years later when we see the filmmaker in a more reflective mood about his cinematic influences. Leaud is featured in 16mm screen test footage where his naturally ebullient personality emerges and then after the 1959 Cannes Film Festival where puberty has apparently kicked in and then in 1965 as a comparatively reserved twenty-year old. The screen test of Richard Kanayan (who has a minor role as a schoolmate) is amusing for his Satchmo-inspired rendition of "When the Saints Go Marching In" and his eerie resemblance to Fantasy Island's Tattoo, Herve Villechaize. Be forewarned that the film is relentlessly downbeat, but Truffaut's emotional investment and consummate abilities as a filmmaker, even at this stage of his career, make this essential viewing.


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