| Photos (See all 26 | slideshow) | Videos (see all 3) |
| Kirk Douglas | ... | Col. Dax | |
| Ralph Meeker | ... | Cpl. Philippe Paris | |
| Adolphe Menjou | ... | Gen. George Broulard | |
| George Macready | ... | Gen. Paul Mireau | |
| Wayne Morris | ... | Lt. Roget | |
| Richard Anderson | ... | Maj. Saint-Auban | |
| Joe Turkel | ... | Pvt. Pierre Arnaud (as Joseph Turkel) | |
| Christiane Kubrick | ... | German Singer (as Susanne Christian) | |
| Jerry Hausner | ... | Proprietor of Cafe | |
| Peter Capell | ... | Narrator of Opening Sequence / Chief Judge of Court-Martial | |
| Emile Meyer | ... | Father Dupree | |
| Bert Freed | ... | Sgt. Boulanger | |
| Kem Dibbs | ... | Pvt. Lejeune | |
| Timothy Carey | ... | Pvt. Maurice Ferol | |
| Fred Bell | ... | Shell-Shocked Soldier | |
| John Stein | ... | Capt. Rousseau - Battery Commander | |
| Harold Benedict | ... | Capt. Nichols - Artillery Spotter | |
| rest of cast listed alphabetically: | |||
| Leon Briggs | ... | Capt. Sancy (uncredited) | |
| Paul Bös | ... | Maj. Gouderc (uncredited) | |
| Herbert Ellis | ... | Small Role (unconfirmed) (uncredited) | |
| Wally Friedrichs | ... | Col. De Guerville (uncredited) | |
| Halder Hanson | ... | Doctor (uncredited) | |
| James B. Harris | ... | Private in the Attack (uncredited) | |
| Rolf Kralovitz | ... | K.P. (uncredited) | |
| Ira Moore | ... | Capt. Renouart (uncredited) | |
| Marshall Rainer | ... | Pvt. Duval (uncredited) | |
| Roger Vagnoid | ... | Cafe Owner (uncredited) | |
Directed by | |||
| Stanley Kubrick | |||
Writing credits | ||
| Stanley Kubrick | (screenplay) & | |
| Calder Willingham | (screenplay) and | |
| Jim Thompson | (screenplay) | |
| Humphrey Cobb | (based on the novel "Paths of Glory" by) | |
Produced by | |||
| James B. Harris | .... | producer | |
| Kirk Douglas | .... | producer (uncredited) | |
| Stanley Kubrick | .... | executive producer (uncredited) | |
Original Music by | |||
| Gerald Fried | |||
Cinematography by | |||
| Georg Krause | (photographed by) (as George Krause) | ||
Film Editing by | |||
| Eva Kroll | |||
Art Direction by | |||
| Ludwig Reiber | |||
Costume Design by | |||
| Ilse Dubois | |||
Makeup Department | |||
| Arthur Schramm | .... | makeup artist | |
Production Management | |||
| John Pommer | .... | production manager: American | |
| Helmut Ringelmann | .... | unit manager | |
| George von Block | .... | production manager: German | |
Second Unit Director or Assistant Director | |||
| Dixie Sensburg | .... | assistant director (as D. Sensburg) | |
| Franz-Josef Spieker | .... | assistant director (as F. Spieker) | |
| Hans Stumpf | .... | assistant director (as H. Stumpf) | |
Sound Department | |||
| Martin Müller | .... | sound | |
| Al Gramaglia | .... | sound re-recording mixer (uncredited) | |
Special Effects by | |||
| Erwin Lange | .... | special effects | |
Camera and Electrical Department | |||
| Hans Elsinger | .... | camera grip | |
| Hannes Staudinger | .... | camera operator | |
| Stanley Kubrick | .... | additional cinematographer (uncredited) | |
| Lars Looschen | .... | still photographer (uncredited) | |
Editorial Department | |||
| Helene Fischer | .... | assistant editor | |
Other crew | |||
| Trudy von Trotha | .... | script clerk | |
| Baron von Waldenfels | .... | military adviser (as Baron v. Waldenfels) | |
| Sid Stogel | .... | publicity director (uncredited) | |
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| Captain Conan | Cross of Iron | Joyeux Noel | La Grande Illusion | The Longest Day |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Drama section |
| IMDb USA section |
I consider Paths of Glory as one of the most memorable of Kubrick's entire output. The most remarkable aspect of this pioneer anti-war film is the complete absence of any persons depicting the "real" enemy. Therefore, the significance of the film lay not so much in its anti-war message, but in its brilliant expose of the "monsters within" the general staff, superbly acted by Adolphe Menjou and George Macready. The message here is that the enemy lurks much closer to home. In most war films, whether they glorify or condemn the carnage, there is rarely any venturing at all into the darker side of the politics. This film is a tour de force in its unabashed depiction of just how misguided is the quest for glory as an end in itself; and in the portrayal of the leaders who would shamelessly sacrifice others for their own self aggrandizement. Truly, one of my all time favourite movies.