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| Kirk Douglas | ... | Col. Dax | |
| Ralph Meeker | ... | Cpl. Philippe Paris | |
| Adolphe Menjou | ... | Gen. George Broulard | |
| George Macready | ... | Gen. Paul Mireau | |
| Wayne Morris | ... | Lt. Roget | |
| Richard Anderson | ... | Maj. Saint-Auban | |
| Joe Turkel | ... | Pvt. Pierre Arnaud (as Joseph Turkel) | |
| Christiane Kubrick | ... | German Singer (as Susanne Christian) | |
| Jerry Hausner | ... | Proprietor of Cafe | |
| Peter Capell | ... | Narrator of Opening Sequence / Chief Judge of Court-Martial | |
| Emile Meyer | ... | Father Dupree | |
| Bert Freed | ... | Sgt. Boulanger | |
| Kem Dibbs | ... | Pvt. Lejeune | |
| Timothy Carey | ... | Pvt. Maurice Ferol | |
| Fred Bell | ... | Shell-Shocked Soldier | |
| John Stein | ... | Capt. Rousseau - Battery Commander | |
| Harold Benedict | ... | Capt. Nichols - Artillery Spotter | |
| rest of cast listed alphabetically: | |||
| Leon Briggs | ... | Capt. Sancy (uncredited) | |
| Paul Bös | ... | Maj. Gouderc (uncredited) | |
| Herbert Ellis | ... | Small Role (unconfirmed) (uncredited) | |
| Wally Friedrichs | ... | Col. De Guerville (uncredited) | |
| Halder Hanson | ... | Doctor (uncredited) | |
| James B. Harris | ... | Private in the Attack (uncredited) | |
| Rolf Kralovitz | ... | K.P. (uncredited) | |
| Ira Moore | ... | Capt. Renouart (uncredited) | |
| Marshall Rainer | ... | Pvt. Duval (uncredited) | |
| Roger Vagnoid | ... | Cafe Owner (uncredited) | |
Directed by | |||
| Stanley Kubrick | |||
Writing credits | ||
| Stanley Kubrick | (screenplay) & | |
| Calder Willingham | (screenplay) and | |
| Jim Thompson | (screenplay) | |
| Humphrey Cobb | (based on the novel "Paths of Glory" by) | |
Produced by | |||
| James B. Harris | .... | producer | |
| Kirk Douglas | .... | producer (uncredited) | |
| Stanley Kubrick | .... | executive producer (uncredited) | |
Original Music by | |||
| Gerald Fried | |||
Cinematography by | |||
| Georg Krause | (photographed by) (as George Krause) | ||
Film Editing by | |||
| Eva Kroll | |||
Art Direction by | |||
| Ludwig Reiber | |||
Costume Design by | |||
| Ilse Dubois | |||
Makeup Department | |||
| Arthur Schramm | .... | makeup artist | |
Production Management | |||
| John Pommer | .... | production manager: American | |
| Helmut Ringelmann | .... | unit manager | |
| George von Block | .... | production manager: German | |
Second Unit Director or Assistant Director | |||
| Dixie Sensburg | .... | assistant director (as D. Sensburg) | |
| Franz-Josef Spieker | .... | assistant director (as F. Spieker) | |
| Hans Stumpf | .... | assistant director (as H. Stumpf) | |
Sound Department | |||
| Martin Müller | .... | sound | |
| Al Gramaglia | .... | sound re-recording mixer (uncredited) | |
Special Effects by | |||
| Erwin Lange | .... | special effects | |
Camera and Electrical Department | |||
| Hans Elsinger | .... | camera grip | |
| Hannes Staudinger | .... | camera operator | |
| Stanley Kubrick | .... | additional cinematographer (uncredited) | |
| Lars Looschen | .... | still photographer (uncredited) | |
Editorial Department | |||
| Helene Fischer | .... | assistant editor | |
Other crew | |||
| Trudy von Trotha | .... | script clerk | |
| Baron von Waldenfels | .... | military adviser (as Baron v. Waldenfels) | |
| Sid Stogel | .... | publicity director (uncredited) | |
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| Captain Conan | Cross of Iron | Joyeux Noel | La Grande Illusion | The Longest Day |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Drama section |
| IMDb USA section |
An arrogant French general (a superb George Macready) orders his men on a suicide mission and then has the gall to try to court marshal and execute three of them for cowardice in the face of the enemy. A former lawyer turned colonel (Kirk Douglas in his prime) is the voice of reason against gross injustice. This excellently staged and wonderfully acted production is as much an acting showcase for Douglas as it is a directorial masterstroke by a young Stanley Kubrick who adapted this to the screen from a novel based on actual accounts.
Kubrick displays a great control of sound effects and camera movement in the brief but effective battle scenes that expertly depict the controlled chaos that was trench warfare during WWI. Things get juicier during the ensuing courtroom battle where the deafening disparity between the elite who propagate and profit from war and the common citizens who suffer and die in war is shown with great lucidity.
Unlike later Kubrick epics, this runs at a crisp 90 minutes, though suffers briefly from a slow and awkwardly staged opening ten minutes before Douglas comes on screen. Ultimately, this holds up very well to modern scrutiny thanks to the flawlessness of Kurbick's craft, the amazing ensemble acting, and the surprising depth of its philosophical and psychological pondering. "Paths of Glory" is more anti-arrogance than anti-war, and is unapologetically sentimental and pro-soldier. As such, much can still be gleaned from its message.