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The German filmmaker’s latest feature 13 Minutes dramatises the real-life story of small town carpenter Georg Elser who, in 1939, came close to assassinating Adolf Hitler with a homemade bomb.
The Oscar-nominated Downfall was set at the end of the Second World War, with the Nazi regime in its dying throes. Now, Hirschbiegel wants to turn his attention toward the ‘Great War’ of 1914-18.
“It is very much in the wake of Jean Renoir and of (Stanley) Kubrick,” the German director told ScreenDaily of the project, which is at a very early stage.
Two of its points of reference are Renoir’s La Grande Illusion (1937), the First World War classic about three French prisoners in German captivity, and Kubrick’s anti-war movie, Paths Of Glory (1957).
- email@example.com (Geoffrey Macnab)
The anti-war tale based on Stanley Kubrick’s unfilmed script will be the first in an ambitious trilogy that charts American history from the wild west era onwards
Marc Forster, the German director of The Kite Runner and World War Z, is to take charge of the first in a trilogy of movies based on Stanley Kubrick’s unfilmed American civil war screenplay The Downslope.
The historical epic centres on the fierce rivalry between Union general George Armstrong Custer and Confederate colonel John Singleton Mosby, nicknamed the Gray Ghost for his stealth and cunning on the battlefield. The screenplay was written by Kubrick in 1956, after the American director’s little-seen 1953 debut feature Fear and Desire and prior to his 1957 first world war period piece Paths of Glory.
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- Ben Child
As reported by Deadline, Stanley Kubrick’s written script for The Downslope will now be made into a film series by World War Z and Finding Neverland director Marc Forster, who will serve as producer for all three films and director for the first. Kubrick wrote the script in 1956 after his film Fear and Desire hit theaters, and before he started working on Paths of Glory. The film is said to be “a sweeping, historical action-drama,” according to Deadline, and will revolve around the Civil War. The first film of the trilogy will be based on Kubrick’s script and concept, and the subsequent films will expand on his original ideas and focus on the after-effects of the Civil War.
Kubrick’s death in 1999 has obviously not stopped his ideas from reaching the big screen, as seen with Spielberg’s film A.I. Artificial Intelligence in 2001. That film was brought about »
As one would expect from the ever audacious, thoughtful filmmaker, there are more than a few projects Stanley Kubrick developed but never brought to the screen. Though efforts have been made in the past to bring his unfinished works to life, namely through Steven Spielberg's A.I. Artificial Intelligence or the multiple rumors over the years to satisfy his vision of Napoleon in the form of a film or mini-series, most were put to rest with the filmmaker back in 1999. But apparently one of his earliest unmade screenplays -- 1956's The Downslope -- was dusted off the shelves somewhere in Hollywood recently, and director Marc Forster (World War Z) has decided to take a stab at bringing Kubrick's lost script to the screen. And because it's Hollywood, it'll be not just one film but an entire trilogy. Forster's only attached to direct the first, but plans to produce all three installments, »
- Will Ashton
One of late filmmaker Stanley Kubrick's unproduced screenplays, entitled The Downslope, is now being developed as a movie trilogy, directed by Marc Forster (World War Z). The director will also produce alongside Philip Hobbs (Full Metal Jacket) and Steve Lanning (The Secret Garden), who hold the rights to the script, with the project moving forward with the full support and encouragement of the Kubrick family. Lauren Selig (Black Mass), Barry Levine (Hercules) and Reneé Wolfe (All I See Is You) are also producing and developing the script with Marc Forster.
The Downslope is described by The Wrap as a "cautionary, anti-war tale". The story follows a series of Civil War battles in the Shenandoah Valley between Union General George Armstrong Custer and Confederate Colonel John Singleton Mosby, known as the Gray Ghost for his stealth and elusiveness. His cavalrymen, Mosby's Rangers, continually outsmarted the much larger enemy forces in a sequence of raids, »
Stanley Kubrick lives on, not only in his classic movies, but also in his unproduced screenplay, The Downslope. The movie is now being developed into a trilogy of “sweeping, period action-dramas based on historical events,” specifically, the Civil War. The movie, which Kubrick wrote between Fear and Desire and Paths of Glory, “focuses on a bitter, strategic series of Civil War battles in the Shenandoah Valley between Union General George Armstrong Custer and Confederate Colonel John Singleton Mosby, known as the Gray Ghost for his stealth and elusiveness. His cavalrymen, known as Mosby’s Rangers, continually outsmarted the much larger enemy forces in a sequence of raids, which enraged Custer and eventually created a fierce cycle of revenge between the two men.” When paired with Kubrick’s vigorous research, (the movie “was developed with renowned Civil War historian Shelby Foote, Kubrick’s story is based on historical events. Deeply passionate about the time period, »
- Matt Goldberg
Forster will direct the first film and will develop and produce all three after Selig negotiated a deal with rights holders Phil Hobbs and Steve Lanning, who will also serve as producers.
The producers said The Downslope has the full support and encouragement of the Kubrick family and is styled as a sweeping anti-war action-drama that Kubrick wrote after the release of Fear And Desire and before he directed Paths Of Glory.
The story focuses on a series of American Civil War battles in the Shenandoah Valley between Union General George Armstrong Custer and Confederate Colonel John Singleton Mosby, known as the Gray Ghost.
Kubrick initially developed the story with the Civil War historian Shelby Foote. The successive films will expand upon Kubrick’s original story as post-war »
- firstname.lastname@example.org (Jeremy Kay)
Written in 1956 following the release of Kubrick's allegorical war film “Fear and Desire,” "The Downslope" was a sweeping Civil War action-drama based on historical events. But Kubrick chose to direct instead his Ww I anti-war Oscar-winner “Paths of Glory." "The Downslope" was another cautionary, anti-war tale, that was originally developed with renowned Civil War historian Shelby Foote, who later collaborated with documentarian Ken Burns on his hugely popular PBS series "The Civil War." Forster (“Finding Neverland,” “Monsters Ball") is attached to direct and produce the first in the series and will produce the remaining features. Producers Lauren Selig, Barry Levine and Reneé Wolfe are developing the material with Forster. Selig initiated the project with rights holders Phil Hobbs (“Full Metal Jacket”) and Steve Lanning, who are also producers on the project, which has the full support of the Kubrick »
- Anne Thompson
Though Stanley Kubrick passed away in 1999, movies bearing his name are still working their way to the big screen. Marc Forster, who directed Paramount’s tentpole World War Z, has become attached to direct and produce a movie based on the 2001: A Space Odyssey auteur’s 1956 screenplay The Downslope.
The pic will be the first in a planned trilogy based on the script (Forster won’t direct the latter two installments, but he will produce all entries alongside Lauren Selig, Barry Levine, Reneé Wolfe, Phil Hobbs and Steve Lannning).
The Downslope was written in between Fear and Desire and Paths of Glory. Also a cautionary, anti-war tale, it centers on some key battles in the Civil War fought between Union General George Armstrong Custer and Confederate Colonel John Singleton Mosby. The latter was so renowned for his stealth and cunning that he was nicknamed the Gray Ghost, leading a »
- Isaac Feldberg
Lauren Selig (“Lone Survivor”), Barry Levine (“Oblivion”) and Reneé Wolfe (“All I See Is You”) will be producing with Forster. Selig initiated the project with producers/rights holders Phil Hobbs (“Full Metal Jacket”) and Steve Lanning, who are also serving as producers.
The movie has the full support and encouragement of the Kubrick family. Kubrick wrote the script following the release of his allegorical war film “Fear and Desire” and prior to directing his World War I drama “Paths of Glory.” Both films were cautionary, anti-war stories.
“The Downslope” centers on a series of Civil War battles in the Shenandoah »
- Dave McNary
Marc Forster will direct a film based on Stanley Kubrick's 1956 screenplay The Downslope. The film will be the first in a planned trilogy based on Kubrick's script. Forster will also produce the trilogy along with Lauren Selig, Barry Levine and Reneé Wolfe. Selig initiated the project with producers and rights holders Phil Hobbs and Steve Lanning, who are also serving as producers on the project. The Kubrick family is supporting the project. Kubrick wrote The Downslope following the release of his Fear and Desire, and prior to directing his Wwi period piece Paths of Glory. The anti-war story
- Rebecca Ford
Having survived the legions of undead (and, more critically, the bad buzz) of World War Z, Marc Forster would be forgiven for sticking to projects with little chance of pressure beyond the usual filmmaking issues for a while. But no, he’s now attached to a project that is not only based on a Stanley Kubrick script, but aims to forge a trilogy from the story. The script in question is Kubrick’s 1956 effort The Downslope, written following the release of Fear And Desire, and before he went on to make Paths Of Glory. It’s a critique of conflict framed by the tale of American Civil War battles in the Shenandoah Valley between Union General George Armstrong Custer and Confederate Colonel John Singleton Mosby. The latter was known as the Gray Ghost for his stealthy tactics, with his cavalrymen able to outsmart the much larger enemy forces. It’s all based on historical events, »
"World War Z" and "Quantum of Solace" helmer Marc Forster is attached to direct and produce the first film in a proposed film trilogy based on Stanley Kubrick's original 1956 screenplay "The Downslope".
The project is described as a a sweeping, historical anti-war action-drama which Kubrick penned between the release of his early films "Fear and Desire" and "Paths of Glory". Kubrick spent years developing and writing the story, creating detailed notes about how to film it and using the help of renowned Civil War historian Shelby Foote.
The story focuses on the bitter, strategic series of Civil War battles in the Shenandoah Valley between Union General George Armstrong Custer and Confederate Colonel John Singleton Mosby.
Mosby's cavalrymen continually outsmarted the much larger enemy forces in a sequence of raids, enraging Custer and setting both on a course for fierce revenge. With the expansion to a trilogy, the films will »
- Garth Franklin
This is a reprint of our review from the 2014 BFI London Film Festival. The First World War was one of the greatest, most terrible conflicts and losses of life in the history of humanity, but curiously, it's been relatively under-represented on screen, aside from a smattering of pictures like Oscar-winner "All Quiet On The Western Front," Stanley Kubrick's "Paths Of Glory," Peter Weir's "Gallipoli," and most recently, Steven Spielberg's "War Horse." Perhaps it's because it was less of a just war than its bigger sequel, perhaps it's that it was a particularly gruesome slog of mud and sacrifice, perhaps it was because America only entered the war three years in, but there's no doubt that the conflict has been seen in the movies much less than WWII, or even Vietnam. Read More: Watch: First Trailer For 'Testament Of Youth' Starring Kit Harington & Alicia Vikander This year, »
- Oliver Lyttelton
CopAt the ripe age of twenty-six—the two were born within days of each other in 1928—James B. Harris and Stanley Kubrick formed Harris-Kubrick Productions. With Kubrick leading the charge behind the camera and Harris acting as the right-hand-man producer, the duo completed three major critical successes: The Killing (1956), Paths of Glory (1957), and Lolita (1962). But where Kubrick’s subsequent work has achieved a supreme, hall-of-fame stature, Harris’s own directorial career—consisting of five excellent movies made across a four-decade span—remains, despite the valiant effort of a few notable English-language critics (Michael Atkinson, Jonathan Rosenbaum), on the relative sidelines. The latest attempt to boost Harris’s reputation: BAMcinématek’s week-long retrospective of Harris’s producing and directing output, selected by “Overdue” co-programmers Nick Pinkerton and Nicolas Rapold.Harris and Kubrick stopped working together amidst a pre-production disagreement during the making of what would become Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb »
- Danny King
Anna Magnani in a publicity photo for The Passionate Thief.One thing cinephiles learn fast is just how easy it is, thanks to the limits and whims of distribution, for celebrated films to fade into the background outside their homeland. So one way to begin with Italian director Mario Monicelli is how overshadowed he is today on the world stage. You could say, only half-ironically, that he'd be more famous if only more people had heard of him, or if his global reputation kept up with the one he holds in Italy. Monicelli began filmmaking in the 1930s, was a prolific screenwriter in the 40s, took off as a director in the 50s, and continued making movies without much pause until his death in 2010. In his heyday as a hitmaker, he worked with stars like Anna Magnani, Marcello Mastroianni, Totò, Claudia Cardinale, and Monica Vitti. He once shared a Golden »
- Duncan Gray
At least once a month, Cinelinx will chose one director for an in-depth examination of the “signatures” that they leave behind in their work. This week we’re examining the trademark style and calling signs of Stanley Kubrick as director.
Kubrick’s interest in visual arts began with photography before he became interested in filmmaking. He enjoyed making short films and became very proficient at doing so. Eventually he made his first feature film The Killing Fields (1953) as an exercise in low-budget filmmaking. That film was not a commercial success, and he had to work hard to get funding to keep working as a filmmaker. His next film, Killer’s Kiss (1955) involved a lot of experimentation, so much that it ended up eating into the budget and costing Kubrick a profit. As a result, he decided to work with a professional crew on his next film, The Killing (1956), which also did not become commercially successful, »
- email@example.com (G.S. Perno)
This article contains a spoiler for the ending of Interstellar.
In case you missed it, the Oscars were this past weekend and Birdman was the big winner. The Academy’s choice to award Alejandro González Iñárritu's fever dream was a genuine shock, with Boyhood the running favourite for many months. Nonetheless, some things never change, and in that vein it's certainly a non-surprise the Academy also hardly noticed the most ambitious blockbuster of 2014: the Christopher Nolan space epic, Interstellar. Indeed, I use the phrase "non-surprise", because how could it be a winner when it was only nominated for the bare minimum of five Oscars in technical categories that are reserved as consolation prizes?
This is by all means par for the course with a film that has »
Film ‘Jupiter Ascending’ rises to absurd and hilarious heights
That sound you’re hearing is a massive sigh of relief from David Lynch. He no longer holds the dubious distinction of producing the most expensive B-movie in the history of Hollywood. That honor now belongs to The Wachowskis, whose Jupiter Ascending has officially displacedDune at the top (or bottom) of the heap. This isn’t necessarily a bad thing, however. Jupiter Ascending not only looks spectacular, it’s a laugh riot. Ridiculous dialogue, hammy performances, and enough mythology to baffle Zeus make this disaster a must-see for all lovers of cheese… read the full article.
The Conversation: Drew Morton and Landon Palmer Discuss ‘The Killing’
Stanley Kubrick’s The Killing (1956) is not my favorite work by the visionary director. In fact, the film probably wouldn’t even make it onto a list of my top five Kubrick films. Yet, with »
The Conversation is a new feature at Sound on Sight bringing together Drew Morton and Landon Palmer in a passionate debate about cinema new and old. For their second piece, they will discuss Stanley Kubrick’s film The Killing (1956).
Stanley Kubrick’s The Killing (1956) is not my favorite work by the visionary director. In fact, the film probably wouldn’t even make it onto a list of my top five Kubrick films. Yet, with a career that included such amazing films as Paths of Glory (1957),Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964),2001: A Space Odyssey (1968), Barry Lyndon (1975), and The Shining (1980), that’s not an indication that The Killing is a film of poor quality but an indication that Kubrick’s body of work comes the closest to cinematic perfection than any director I can think of. Thus, while The Killing »
- Landon Palmer
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