IMDb > The Man with the Golden Arm (1955)
The Man with the Golden Arm
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The Man with the Golden Arm (1955) More at IMDbPro »

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Overview

User Rating:
7.5/10   5,704 votes »
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Director:
Writers:
Walter Newman (screenplay) and
Lewis Meltzer (screenplay) ...
(more)
Contact:
View company contact information for The Man with the Golden Arm on IMDbPro.
Release Date:
16 January 1956 (Brazil) See more »
Genre:
Plot:
Strung-out junkie deals with daily demoralizing drug addiction while crippled wife and card sharks continue to pull him down. Full summary » | Full synopsis »
Plot Keywords:
Awards:
Nominated for 3 Oscars. Another 2 wins & 3 nominations See more »
User Reviews:
"C'mon, One Hustler To Another." See more (71 total) »

Cast

  (in credits order) (verified as complete)

Frank Sinatra ... Frankie Machine

Eleanor Parker ... Zosch Machine

Kim Novak ... Molly

Arnold Stang ... Sparrow

Darren McGavin ... Louie

Robert Strauss ... Schwiefka
John Conte ... Drunky
Doro Merande ... Vi

George E. Stone ... Sam Markette
George Mathews ... Williams
Leonid Kinskey ... Dominiwski
Emile Meyer ... Detective Bednar
rest of cast listed alphabetically:
Jered Barclay ... Junkie in Lock-Up (uncredited)
Leonard Bremen ... Cabbie in Lock-Yp (uncredited)
Paul E. Burns ... Suspenders in Lock-Up (uncredited)

Pete Candoli ... Jazz Musician (uncredited)
Harold 'Tommy' Hart ... Officer Kvorka (uncredited)
Mike Lally ... Club Safari Bartender (uncredited)

Shelly Manne ... Himself (uncredited)
Frank Marlowe ... Yantek (uncredited)
Joe McTurk ... Meter-Reader (uncredited)
Frank Mills ... Street Vagrant (uncredited)

Gordon Mitchell ... (uncredited)
Jack Mulhall ... Turnkey (uncredited)
Ralph Neff ... Chester (uncredited)
Norman Papson ... Newspaper Boy (uncredited)

'Snub' Pollard ... Street Vagrant (uncredited)
Ernest Raboff ... Bird-Dog (uncredited)
Frank Richards ... Blind Barfly (uncredited)
Suzanne Ridgeway ... Brunette in Window (uncredited)

Shorty Rogers ... Himself (uncredited)
Jeffrey Sayre ... Club Safari Patron (uncredited)
Charles Seel ... Proprietor (uncredited)
Martha Wentworth ... Vangie (uncredited)

Will Wright ... Harry Lane (uncredited)
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Directed by
Otto Preminger 
 
Writing credits
Walter Newman (screenplay) and
Lewis Meltzer (screenplay)

Nelson Algren (from the novel by)

Ben Hecht  uncredited

Produced by
Otto Preminger .... producer
 
Original Music by
Elmer Bernstein 
 
Cinematography by
Sam Leavitt (director of photography)
 
Film Editing by
Louis R. Loeffler 
 
Production Design by
Joseph C. Wright  (as Joe Wright)
 
Set Decoration by
Darrell Silvera 
 
Makeup Department
Hazel Keats .... hair stylist
Ben Lane .... makeup artist
Helene Parrish .... hair stylist
Bernard Ponedel .... makeup artist
Jack Stone .... makeup artist
 
Production Management
Jack McEdward .... production manager
 
Second Unit Director or Assistant Director
James Engle .... assistant director
Horace Hough .... assistant director
 
Art Department
Saul Bass .... poster designer (uncredited)
 
Sound Department
Jack Solomon .... sound engineer
 
Stunts
Paul Baxley .... stunts (uncredited)
Martha Crawford .... stunt double: Eleanor Parker (uncredited)
Helen Thurston .... stunts (uncredited)
 
Camera and Electrical Department
James Almond .... lighting technician
Albert Myers .... camera operator
Morris Rosen .... head grip
Eugene Kornman .... still photographer (uncredited)
Val O'Malley .... camera operator (uncredited)
Robert Willoughby .... special still photographer (uncredited)
 
Costume and Wardrobe Department
Joe King .... wardrobe: men
Mary Ann Nyberg .... costume supervisor
Adele Parmenter .... wardrobe: women
 
Editorial Department
Tony de Zarraga .... assistant editor (uncredited)
 
Music Department
Leon Birnbaum .... music editor
Shorty Rogers .... musician: jazz sequences
Shorty Rogers and His Giants .... musician: jazz sequences (as Shorty Rogers and his Giants)
Elmer Bernstein .... conductor (uncredited)
Jack Hayes .... arranger (uncredited)
Milt Holland .... musician: percussionist (uncredited)
Shelly Manne .... musician (uncredited)
Leo Shuken .... arranger (uncredited)
Fred Steiner .... orchestrator (uncredited)
 
Other crew
Saul Bass .... title designer
Kathleen Fagan .... script supervisor
Otto Preminger .... presenter
Max Slater .... assistant to producer (as Maximilian Slater)
Jack Entratter .... technical advisor (uncredited)
David Haft .... assistant to producer (uncredited)
 
Crew verified as complete


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Additional Details

Also Known As:
Runtime:
119 min
Country:
Language:
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Mono (RCA Sound Recording)
Certification:
Argentina:13 | Australia:PG | Australia:M (TV rating) | Finland:K-16 | France:U | Portugal:M/12 | Sweden:15 | UK:X (original rating) | UK:15 (video rating) | USA:TV-14 | USA:Approved (PCA #17011) | West Germany:16 (f)

Did You Know?

Trivia:
A poster for director Otto Preminger's Carmen Jones (1954) is prominently featured on the building across the street from the saloon during the opening scene.See more »
Goofs:
Crew or equipment visible: In the first scene between Frankie and Zosch the shadow of the camera is frequently visible as it moves around the set.See more »
Quotes:
Frankie Machine:Right now I need a fix. Just one fix to help me stop hurting'...
[Molly suggests he quit using]
Frankie Machine:You mean just stop? Cold turkey? You don't understand... the pain...
Molly:What else can you do?
Frankie Machine:All I need is one shot, just one.
Molly:All right.
[She takes money from a drawer]
Molly:Here. Take it. Go on and take it all. Cause all that you're gonna need after that one shot is another and then another and then another. Take it.
[She throws her money at him]
Molly:Take it. Why should you hurt like other people hurt? Yeah, so you had a dog's life with never a break. Why try to face it like most people do? No, just roll up all your pains into one big hurt and then flatten it with a fix.
See more »
Movie Connections:
Referenced in Tapang sa tapang (1997)See more »
Soundtrack:
Jazz sequencesSee more »

FAQ

This FAQ is empty. Add the first question.
37 out of 39 people found the following review useful.
"C'mon, One Hustler To Another.", 22 October 2005
Author: bkoganbing from Buffalo, New York

The Man With a Golden Arm was one of a trio of great films around that same time that dealt with drug addiction. The other two were Monkey On My Back and A Hatful of Rain. But I think of the three this one is the best.

Maybe if Otto Preminger had shot the thing in the real Chicago instead of those obvious studio sets the film might have been better yet. Who knows, maybe Preminger couldn't get enough money to pay for the location. It's the only flaw I find in the film.

Frank Sinatra is a heroin addicted card dealer who was busted for covering for his boss Robert Strauss when the game was raided. He took the cure while in jail and wants a new life as a jazz drummer. But a whole lot of people are conspiring against him.

First Bob Strauss who wants him back dealing, especially because a couple of heavyweight gamblers are in town. He uses a few underhanded methods to get Sinatra's services back. Secondly Darren McGavin is the local dope dealer who wants Sinatra good and hooked as a customer again. And finally Eleanor Parker his clinging wife who's working a con game to beat all, just to keep him around.

Frank Sinatra got a nomination for Best Actor for this film, but lost to Ernest Borgnine in Marty. Sinatra might have won for this one if he hadn't won for From Here to Eternity in the Supporting Actor category a few years back and that Marty was such an acclaimed film in that year. His scenes going through withdrawal locked up in Kim Novak's apartment will leave you shaken.

Eleanor Parker does not get enough credit for her role. She's really something as the crazy scheming wife who wants Sinatra tied to her no matter what the cost. If she had not been nominated that same year for Interrupted Melody, she might have been nominated for this. 1955 marked the high point of her career.

Darren McGavin got his first real notice as the very serpentine drug peddler. His performance is guaranteed to make your flesh crawl.

Elmer Bernstein contributed a great jazz score to accentuate the general dinginess of the bleak Chicago neighborhood the characters live in. Not a place you'd want to bring up your family.

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