The theme is the founding of the state of Israel. The action begins on a ship filled with Jewish immigrants bound for Israel who are being off loaded on Cyprus. An Intelligence officer ... See full summary »
Eva Marie Saint,
Joey Evans is charming, handsome, funny, talented, and a first class, A-number-one heel. When Joey meets the former chorus girl ("She used to be 'Vera...with the Vanishing Veils'") and now ... See full summary »
In the post-war, the alcoholic and bitter veteran military and former writer Dave Hirsch returns from Chicago to his hometown Parkman, Indiana. He is followed by Ginnie Moorehead, a vulgar ... See full summary »
Frankie Machine is a skilled card dealer and one-time heroin addict. When he returns home from jail, he struggles to find a new livelihood and to avoid slipping back into addiction. Written by
Mike Campanelli <firstname.lastname@example.org>
Novelist Nelson Algren initially sold the screen rights to John Garfield's company. Although a script was developed, the actor's sudden early death allowed Otto Preminger to acquire the rights. See more »
Zasha's scrapbook is titled "My Scrapbook of Fatal Accidence" (instead of "accidents"). See more »
You can't hold me, I'm un-incapable. I'm not smart enough to be running around loose and too goofy to be locked up. The neck, will ya let go of the neck... let go of the neck!
See more »
A solid drama to begin with, "The Man With the Golden Arm" is particularly worthwhile for Frank Sinatra's performance as Frankie Machine. The movie was well-conceived, and it would probably have been worth seeing with any decent lead, but Sinatra makes it even better. The story is interesting and at times compelling, as Frankie struggles against himself and his circumstances.
The story is told from the viewpoint of its era, yet the basic elements are timeless enough that the story still holds up very well. The details of Frankie's situation are less important than the general themes of him battling his own desires while also contending against "friends" who simply want to use him for their own purposes.
Sinatra was good at this kind of role, as a character with his own inner demons who must also face hostile surroundings. He channels his nervous energy into expressions and gestures that convey well what is going on inside him. The actor Sinatra deserves to be remembered for roles like this one and his roles in "The Manchurian Candidate" and "From Here to Eternity", rather than for the insubstantial 'Rat Pack' features.
The supporting cast have simpler roles, but they do their jobs satisfactorily. The story moves at a good pace, and it is complemented by an Elmer Bernstein score which, though sometimes jarring, is appropriate. The combination works well as a whole.
19 of 21 people found this review helpful.
Was this review helpful to you?