7.5/10
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79 user 51 critic

The Man with the Golden Arm (1955)

Approved | | Drama, Romance | 16 January 1956 (Brazil)
A strung-out junkie deals with a demoralizing drug addiction while his crippled wife and card sharks pull him down.

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Writers:

(screenplay), (screenplay) | 1 more credit »
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Nominated for 3 Oscars. Another 5 nominations. See more awards »
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Cast

Complete credited cast:
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John Conte ...
Doro Merande ...
Vi
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Sam Markette
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Williams
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Dominiwski
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Detective Bednar
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Storyline

Frankie Machine is a skilled card dealer and one-time heroin addict. When he returns home from jail, he struggles to find a new livelihood and to avoid slipping back into addiction. Written by Mike Campanelli <mjc@rubinbaum.com>

Plot Summary | Plot Synopsis

Taglines:

An "unthinkable" theme See more »

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

16 January 1956 (Brazil)  »

Also Known As:

Der Mann mit dem goldenen Arm  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Frank Sinatra is mentioned twice in Nelson Algren's 1949 novel on which the film is based. See more »

Goofs

When Frankie returns to his apartment after his release, the top edge of the set and the studio lights are clearly visible as the camera pans across the room. See more »

Quotes

Frankie Machine: Guy teaches me drumming down there, says I'm a natural, arms made of pure gold.
See more »

Connections

Referenced in Daddy-O (1958) See more »

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User Reviews

 
Only the subject matter of this film is dated.
28 February 2001 | by (Virginia) – See all my reviews

We have moved far beyond this tentative foray into a forbidden area-drug addiction-for the 1950s. As such, the film may seem dated. The Man with the Golden Arm served its function is peeling back a layer of the underside of society, an eye-opener to a Southern country boy in 1955 when I first viewed this film in the theater. After some serious consideration about being too young, I was allowed to go. It was powerful and affecting then and still maintains some sharp, painful moments of the soul stripped naked. As a movie depicting the loneliness at the core of being, it succeeds.

Filled with angst, Frank Sinatra, in his best role, creates a vulnerability that makes him sympathetic to the viewer. He conveys his helplessness and ineffectualness in a beautifully restrained performance. As a voice of common sense in the dead-end urban jungle, Kim Novak as Molly is quite good. She is compassionate and yet stands on solid ground. The interaction between Sinatra and Novak is really good. Darren McGavin plays a slimy character and does it very well. Eleanor Parker is superbly irritating and painfully insecure in her role of the pathetic Zosch, the crippled wife of Sinatra. Arnold Stang is another unlikely survivor of the street. Regarded as pitiful and despicable, his character Sparrow provides tart comedic moments.

The music is almost the star of this film-brooding, frenetic, moody, poignant. Elmer Bernstein's score perfectly accentuates the tensions of Frankie Machine's spiritual weakness and physical need for heroin. Molly's theme is bittersweet and captures aurally what the film depicts visually. I know of no other soundtrack that effectively complements the tension and defeat within a man as effectively as does this one.


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