| Clark Gable | ... | Victor Marswell | |
| Ava Gardner | ... | Eloise Y. Kelly | |
| Grace Kelly | ... | Linda Nordley | |
| Donald Sinden | ... | Donald Nordley | |
| Philip Stainton | ... | John Brown-Pryce | |
| Eric Pohlmann | ... | Leon Boltchak | |
| Laurence Naismith | ... | Skipper | |
| Denis O'Dea | ... | Father Josef | |
| Samburu | ... | Themselves (as Samburu tribe of Kenya Colony) | |
| Wagenia | ... | Themselves (as Wagenia tribe of Belgian Congo) | |
| Bahaya | ... | Themselves (as Bahaya tribe of Tanganyika) | |
| M'Beti | ... | Themselves (as M'Beti tribe of French Equatorial Africa) | |
| rest of cast listed alphabetically: | |||
| Asa Etula | ... | Young native girl (uncredited) | |
| Bruce Seton | ... | Wilson (uncredited) | |
Directed by | |||
| John Ford | |||
Writing credits | ||
| John Lee Mahin | (screenplay) | |
| Wilson Collison | (play) | |
Produced by | |||
| Sam Zimbalist | .... | producer | |
Cinematography by | |||
| Robert Surtees | (director of photography) | ||
| Freddie Young | (director of photography) (as F.A. Young) | ||
Film Editing by | |||
| Frank Clarke | |||
Art Direction by | |||
| Alfred Junge | |||
Makeup Department | |||
| Colin Garde | .... | makeup artist | |
| Maude Onslow | .... | hairdressing (as Maud Onslow) | |
Production Management | |||
| Roy Parkinson | .... | unit manager | |
| Stanley Goldsmith | .... | unit manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Cecil F. Ford | .... | assistant director (as Cecil Ford) | |
| Wingate Smith | .... | assistant director | |
| John Pellatt | .... | assistant director: gorilla footage (uncredited) | |
| Peter Price | .... | third assistant director (uncredited) | |
Sound Department | |||
| Sash Fisher | .... | sound recordist (as A.S. Fisher) | |
| A.W. Watkins | .... | recording director | |
| Hugh Strain | .... | sound assistant (uncredited) | |
Special Effects by | |||
| Tom Howard | .... | special effects | |
| Bert Monk | .... | special effects (uncredited) | |
Stunts | |||
| Bunny Allen | .... | stunt double: Clark Gable (uncredited) | |
Camera and Electrical Department | |||
| Cecil Cooney | .... | camera operator | |
| Skeets Kelly | .... | camera operator (as Graham Kelly) | |
| Neil Binney | .... | assistant camera (uncredited) | |
| Freddie Cooper | .... | camera operator: gorilla footage (uncredited) | |
| Stephen Dade | .... | additional photographer (uncredited) | |
| Jackson Drury | .... | camera operator: gorilla footage (uncredited) | |
| Kelvin Pike | .... | clapper loader (uncredited) | |
| Jack Whitehead | .... | director of photography: gorilla footage (uncredited) | |
| Doug Wolf | .... | camera operator: gorilla footage (uncredited) | |
Costume and Wardrobe Department | |||
| Helen Rose | .... | costumes | |
Other crew | |||
| Joan Bridge | .... | Technicolor colour consultant | |
| Angela Martelli | .... | continuity | |
| Bunny Allen | .... | technical advisor (uncredited) | |
| Frank Allen | .... | researcher (uncredited) | |
| Frank Allen | .... | technical advisor (uncredited) | |
| Yakima Canutt | .... | director: gorilla footage (uncredited) | |
| Eva Monley | .... | production coordinator (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
This is a strange, but good picture coming from John Ford. It's not about the usual themes he normally tackles, it lacks the usual supporting cast from a Ford film. Yet it is a good piece of movie making.
In a biography of John Ford by his grandson he said that Gable and Ford were friends for years, not particularly close, but friends nonetheless. Whenever they were together Ford and Gable talked about working together. Finally Gable got MGM to get Ford for his next film and it was Mogambo.
I like Mogambo because it was the start of a trend in Hollywood to show some realism when dealing with Africa. To this day there are people in the United States whose knowledge about things African were gained from Tarzan movies. African Queen, King Solomon's Mines, and Mogambo were all shot on location and all show the native Africans in reality. I was a kid at this time and my first bit of education about Africa came from Ramar of the Jungle. This is light years better.
Gable was criticized for reprising a role he did 20 years earlier in Red Dust. The plot line stays the same, but in Red Dust, Gable is the hard-nosed manager of a rubber plantation in Malaya. Gable as Vic Marswell here is a world weary and cynical game hunter and safari guide. Both portrayals are very good and very different.
By all accounts it was not a happy set. The usual problems with location in Africa presented themselves. In addition Frank Sinatra was on the set. He was waiting on word whether he would get the part he sought in From Here To Eternity. At the time he was married to Ava Gardner and there's was one of the most tempestuous marriages in Hollywood history. He was jealous of Gable as he was of all Gardner's leading men. To be just Ava kind of encouraged the jealous. When Harry Cohn gave him the word about From Here To Eternity he left with the gratitude of Ford, Gable, Gardner and everyone else, he'd become a royal pain in the neck.
Ava Gardner was one of the most beautiful women God ever created and a lot of times she could get by with that. But when called on to act she could. As Eloise "honeybear" Kelly she's as cynical in her own way as Gable was. They were a perfect fit. This was the last of three films she and Gable made.
I don't think Grace Kelly is shown to best advantage here. Her British accent was a bit affected. I'm not sure why MGM just didn't cast a British actress like Deborah Kerr in the part. Of course she also was involved with From Here To Eternity if I remember.
Mogambo because of the location shooting and much bigger budget is better than its predecessor Red Dust. For all the unhappiness on the set, the stars and its director did some good work.