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“Bob The Barber”
By Raymond Benson
One of actor/comedian Bob Hope’s most cherished films is Monsieur Beaucaire, a 1946 remake of a Rudolph Valentino silent picture from 1924, both of which are based on a 1900 novel by Booth Tarkington. Hope’s version, directed by George Marshall, is certainly a loose adaptation because it turned what was a historical romantic drama into a flat-out comedy.
Woody Allen has been known to cite early Bob Hope movies as an inspiration for his onscreen persona in the director’s early “zany” comedies like Bananas and Sleeper. When one views something like Monsieur Beaucaire or My Favorite Blonde (1942), the comparison is strikingly apt. Hope creates a persona of nervous mannerisms, lack of self confidence masked by bravado, clumsy but endearing interaction with the opposite sex, and witty one-liners. Beaucaire exhibits Hope in fine form, producing a good...
“Bob The Barber”
By Raymond Benson
One of actor/comedian Bob Hope’s most cherished films is Monsieur Beaucaire, a 1946 remake of a Rudolph Valentino silent picture from 1924, both of which are based on a 1900 novel by Booth Tarkington. Hope’s version, directed by George Marshall, is certainly a loose adaptation because it turned what was a historical romantic drama into a flat-out comedy.
Woody Allen has been known to cite early Bob Hope movies as an inspiration for his onscreen persona in the director’s early “zany” comedies like Bananas and Sleeper. When one views something like Monsieur Beaucaire or My Favorite Blonde (1942), the comparison is strikingly apt. Hope creates a persona of nervous mannerisms, lack of self confidence masked by bravado, clumsy but endearing interaction with the opposite sex, and witty one-liners. Beaucaire exhibits Hope in fine form, producing a good...
- 1/15/2022
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Stars: Laura Swift, Patrick Knowles, Christopher Tajah, Laurence Kennedy, Julian Rhind-Tutt, Adrian Edmondson, Sally Phillips, Tom Goodman-Hill, Bruce Payne, Stephen Marcus, Bruce Herbelin-Earle | Written and Directed by Matt Mitchell
[Note: With High Fliers Films re-releasing The Rizen on VOD this week, here’s a reposting of our review from the films original DVD release back in early 2018]
The Rizen is a UK indie-horror film set in a black hallway during the early days of the Cold War in 1955. You can tell this a period piece by the handcrafted, vintage style black walls and black floors. If this movies set design got any darker it would write poetry and start cutting itself.
I had a hard time getting into this film before I even hit the play button. The title is The Rizen. No, not “the risen” as in “the dead has risen” if you’re referencing zombies, or “He has risen” if you’re referencing theological zombies.
[Note: With High Fliers Films re-releasing The Rizen on VOD this week, here’s a reposting of our review from the films original DVD release back in early 2018]
The Rizen is a UK indie-horror film set in a black hallway during the early days of the Cold War in 1955. You can tell this a period piece by the handcrafted, vintage style black walls and black floors. If this movies set design got any darker it would write poetry and start cutting itself.
I had a hard time getting into this film before I even hit the play button. The title is The Rizen. No, not “the risen” as in “the dead has risen” if you’re referencing zombies, or “He has risen” if you’re referencing theological zombies.
- 5/28/2020
- by Nik Holman
- Nerdly
The inventive director Roy William Neill makes the first of the Universal Monster rallies an exciting and surprisingly scary thrill-ride. Lon Chaney’s Wolf Man just happens to bump into the Frankenstein monster and in this particular universe, it all seems quite natural. Patrick Knowles plays the doctor who seeks to cure Chaney and revive the monster – now played by Bela Lugosi for the first and only time. The unnerving graveyard scene in which two ill-advised thieves desecrate the Wolf Man’s tomb is a highlight of Universal horror.
The post Frankenstein Meets the Wolf Man appeared first on Trailers From Hell.
The post Frankenstein Meets the Wolf Man appeared first on Trailers From Hell.
- 5/15/2020
- by Charlie Largent
- Trailers from Hell
Stars: Laura Swift, Patrick Knowles, Christopher Tajah, Laurence Kennedy, Julian Rhind-Tutt, Adrian Edmondson, Sally Phillips, Tom Goodman-Hill, Bruce Payne, Stephen Marcus, Bruce Herbelin-Earle | Written and Directed by Matt Mitchell
The Rizen is a UK indie-horror film set in a black hallway during the early days of the Cold War in 1955. You can tell this a period piece by the handcrafted, vintage style black walls and black floors. If this movies set design got any darker it would write poetry and start cutting itself.
I had a hard time getting into this film before I even hit the play button. The title is The Rizen. No, not “the risen” as in “the dead has risen” if you’re referencing zombies, or “He has risen” if you’re referencing theological zombies. As far as I can tell The Rizen is purposefully misspelled like “Kewl Katz” or “Hawt Dawg”. I had to Google...
The Rizen is a UK indie-horror film set in a black hallway during the early days of the Cold War in 1955. You can tell this a period piece by the handcrafted, vintage style black walls and black floors. If this movies set design got any darker it would write poetry and start cutting itself.
I had a hard time getting into this film before I even hit the play button. The title is The Rizen. No, not “the risen” as in “the dead has risen” if you’re referencing zombies, or “He has risen” if you’re referencing theological zombies. As far as I can tell The Rizen is purposefully misspelled like “Kewl Katz” or “Hawt Dawg”. I had to Google...
- 2/20/2018
- by Nik Holman
- Nerdly
Author: Guest
What would you do if a friend turned up on your doorstep with a dead body? Well, that’s exactly what was going through the head of hardworking career man Frank (Patrick Knowles) as his day goes from bad to worse when his bumbling friend Jeff (Dominic Leeder) invokes a drunken friendship clause to get Frank’s help in disposing a human body, no questions asked. Soon enough, the zany Richie (Spencer Burrows) bursts onto the scene completing the moronic trio as the bodies and laughs begin to mount up.
At its core, Deny Everything relies on its characters chemistry in order to succeed and in that regard it hits the target. Frank, Jeff and Richie bounce well off each other within the story although the audience does have to disband a certain degree of belief in reality because it’s never really explored why these three are...
What would you do if a friend turned up on your doorstep with a dead body? Well, that’s exactly what was going through the head of hardworking career man Frank (Patrick Knowles) as his day goes from bad to worse when his bumbling friend Jeff (Dominic Leeder) invokes a drunken friendship clause to get Frank’s help in disposing a human body, no questions asked. Soon enough, the zany Richie (Spencer Burrows) bursts onto the scene completing the moronic trio as the bodies and laughs begin to mount up.
At its core, Deny Everything relies on its characters chemistry in order to succeed and in that regard it hits the target. Frank, Jeff and Richie bounce well off each other within the story although the audience does have to disband a certain degree of belief in reality because it’s never really explored why these three are...
- 7/4/2017
- by Guest
- HeyUGuys.co.uk
Jane Greer, Out of the Past Today is neither Jane Greer's birth nor death anniversary. Even so, Turner Classic Movies is devoting Saturday evening/night to the dangerously seductive star of a number of (mostly) Rko productions of the late '40s and early '50s. And who's complaining? Unfortunately, Out of the Past, perhaps Greer's best-known film and performance, is already in the past. It was shown earlier this evening. Right now, TCM is showing Don Siegel's Mexico-set crime drama The Big Steal, featuring Greer, her Out of the Past co-star Robert Mitchum, William Bendix, Patrick Knowles, and silent-film veterans Ramon Novarro and Don Alvarado. Next comes my favorite Jane Greer performance, as the good girl gone bad — or bad girl attempting to go good — in John Cromwell's The Company She Keeps. This all-but-forgotten little melodramatic gem is a must for another reason as well: Lizabeth Scott,...
- 6/26/2011
- by Andre Soares
- Alt Film Guide
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