Seven segments related to one another only in that they all purport to be based on sections of the book by David Reuben. The segments range from "Do Aphrodisiacs Work?" in which a court ... See full summary »
Hundreds of years after humans have settled on Mars, Regulator Rogul and Lord Jens Maul, lead a force of Martians to Earth in order to conquer the planet. Queen Metaphor looks to the gay ... See full summary »
A clarinet player who also runs a health food store is frozen and brought back in the future by anti-government radicals in order to assist them in their attempts to overthrow an oppressive government. When he goes off on his own, he begins to explore this brave new world that has Orgasmatron booths to replace sex and confessional robots. Written by
John Vogel <firstname.lastname@example.org>
We are blessed that Woody was around, making movies as interesting as this when he was.
Already with this one, he began his vast exploration of movie techniques and devices that would last 25 years or so.
The idea is simple in this one: he wanted to use film slapstick from a bygone era. How better to situate that than to move the whole picture into a future era?
We have some truly classic stuff here. The banana joke, The mirror joke. The robot pantomime. The acting out of the Jewish dinner (done in later movies too). The inflated man joke. You can find all these in any number of Keaton. Marx, Laurel & Hardy movies.
The unifying string of time travel, a romance, the leader and his nose is too weak to make this a solidly recommended outing. And it wouldn't be for a couple years until Woody cared about the cinematography at all.
I had forgotten how pretty Diane Keaton was. Very.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
26 of 38 people found this review helpful.
Was this review helpful to you?