Seven segments related to one another only in that they all purport to be based on sections of the book by David Reuben. The segments range from "Do Aphrodisiacs Work?" in which a court ... See full summary »
Miles, a nebbishy clarinet player who also runs a health food store in NYC's Greenwich Village, is cryogenically frozen, and brought back - 200 years in the future, by anti-government radicals in order to assist them in their attempt to overthrow the oppressive government. When he goes off on his own, he begins to explore this brave new world, which has Orgasmatron booths to replace sex and confessional robots. Written by
John Vogel <firstname.lastname@example.org>
At about 1:03 Miles is passing a 23rd Century McDonald's indicating "Over 795,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000" Served." If translated into American numeration this value would be Seven Hundred, Ninety-five sexdecillion," a value with 51 zeroes. By comparison, Avogadro's Number, 6023E23 (or 6.023^23), or "mole," is a value normally used to count atoms or molecules, and, incidentally, thought to be about the number of grains of sand on all the beaches on earth, give or take a couple orders of magnitude. The value of 795 sexdecillion is very nearly a mole of moles. See more »
The Volkswagen's battery would have long since died. See more »
You have to give yourself up! They won't hurt you. They'll re-structure your brain.
Hey, nobody touches my brain; they may drop it. Then I'll talk like Mr. Lepidus who got hit by lightning.
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Woody Allen's previous efforts, BANANAS and TAKE THE MONEY AND RUN, were exceptionally funny but very uneven films. His being a bit of an amateur in the film business is pretty obvious in these movies. However, by the time he created SLEEPER, he was a lot more polished and consistent film maker. While this is still a very stupid and sophomoric film, it is very funny nevertheless. While there are occasionally bad moments (such as the giant chicken), they are very few and the humor just keeps hitting you again and again. I particularly liked the Orgazmatron and the history lesson he gives the futuristic professors. This film is slapstick and dopey--exactly the type of film that intellectuals (the audience for most later Allen films) will probably hate. This is Allen for the common man--back when he used to be very funny.
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