Bananas (1971) 7.0
When a bumbling New Yorker is dumped by his activist girlfriend, he travels to a tiny Latin American nation and becomes involved in its latest rebellion. Director:Woody Allen |
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Bananas (1971) 7.0
When a bumbling New Yorker is dumped by his activist girlfriend, he travels to a tiny Latin American nation and becomes involved in its latest rebellion. Director:Woody Allen |
|
| 0Share... |
| Cast overview, first billed only: | |||
| Woody Allen | ... | ||
| Louise Lasser | ... | ||
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Carlos Montalbán | ... | |
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Nati Abascal | ... |
Yolanda
(as Natividad Abascal)
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Jacobo Morales | ... | |
| Miguel Ángel Suárez | ... |
Luis
(as Miguel Suarez)
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David Ortiz | ... |
Sanchez
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René Enríquez | ... |
Diaz
(as Rene Enríquez)
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| Jack Axelrod | ... |
Arroyo
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Howard Cosell | ... |
Himself
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Roger Grimsby | ... |
Himself
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Don Dunphy | ... |
Himself
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| Charlotte Rae | ... |
Mrs. Mellish
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Stanley Ackerman | ... |
Dr. Mellish
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Dan Frazer | ... |
Priest
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Fielding Mellish (a consumer products tester) becomes infatuated with Nancy (a political activist). He attends demonstrations and tries in other ways to convince her that he is worthy of her love, but Nancy wants someone with greater leadership potential. Fielding runs off to San Marcos where he joins the rebels and eventually becomes President of the country. While on a trip to the states, he meets Nancy again and she falls for him now that he is a political leader. Written by Scott R. Vaughn <scott@vaughn.hon.msu.edu>
"Bananas" is one of Woody Allen's earliest films: a pure comedy, with some satirical and political overtones (which are about 100% on-target
- like when the leader of the rebels becomes a dictator himself when he
rises to power). It's a strictly hit-or-miss effort, but, fortunately, the hits are definitely more than the misses. It contains many laugh-out-loud scenes; the whole courtroom sequence, his military training, the scene where he tries to pass unnoticed while he's buying a pornographic magazine, and his reaction to the line "You're not tense, are you?" are among the many highlights. It does have its dead spots, though, and some rather too obvious jokes that can't match the level of the rest (the closing sequence does not work at all, IMO). Marvin Hamlisch's score is unbelievably catchy.