Orchestrators Jonathan Beard, Ed Trybek, and Henri Wilkinson are known as the Tutti Music Partners, and they had a gargantuan task in bringing composer Bear McCreary's score to life for "The Lord of the Rings: The Rings of Power." Each episode contains around an hour of music, which the trio completed in a span of six months. With a massive orchestra, each episode was about as challenging and as enjoyable as orchestrating for a feature film.
Beard, Trybek, and Wilkinson are no strangers to McCreary's compositions. They've been working with the composer since 2009 on a variety of projects, including "10 Cloverfield Lane," "Godzilla: King of the Monsters," and "Happy Death Day 2U." They have a deep understanding of his music and what he does or doesn't need. The Tutti Music Partners are the orchestrators behind a long list of memorable scores, and recently, the busy trio took the time...
Beard, Trybek, and Wilkinson are no strangers to McCreary's compositions. They've been working with the composer since 2009 on a variety of projects, including "10 Cloverfield Lane," "Godzilla: King of the Monsters," and "Happy Death Day 2U." They have a deep understanding of his music and what he does or doesn't need. The Tutti Music Partners are the orchestrators behind a long list of memorable scores, and recently, the busy trio took the time...
- 10/21/2022
- by Jack Giroux
- Slash Film
A biopic on 18th century virtuoso violinist and composer Joseph Bologne, Chevalier de Saint Georges, featuring Kelvin Harrison Jr. in the title role, “Chevalier” is a delicately assembled cinematic Fabergé egg.
If you watch the film (premiering at the Toronto Film Festival) with the sound off, it can easily be mistaken for a French studio production made in adherence to the Tradition of Quality. But while it purports to celebrate a forgotten historical figure, much of the plot is decidedly ahistorical.
It opens in pre-revolution France, with Joseph crashing a Mozart concert and challenging the prodigy to a violin dual, something like the 18th century Parisian equivalent of Verzuz. While Mozart aims to school the brash unknown and deliver a lesson in humility, Joseph has the goods to upstage him and thoroughly enrapture the audience.
Also Read:
‘Watchmen’ Producer Stephen Williams and ‘Atlanta’ Writer Stefani Robinson Team on ‘Black Mozart...
If you watch the film (premiering at the Toronto Film Festival) with the sound off, it can easily be mistaken for a French studio production made in adherence to the Tradition of Quality. But while it purports to celebrate a forgotten historical figure, much of the plot is decidedly ahistorical.
It opens in pre-revolution France, with Joseph crashing a Mozart concert and challenging the prodigy to a violin dual, something like the 18th century Parisian equivalent of Verzuz. While Mozart aims to school the brash unknown and deliver a lesson in humility, Joseph has the goods to upstage him and thoroughly enrapture the audience.
Also Read:
‘Watchmen’ Producer Stephen Williams and ‘Atlanta’ Writer Stefani Robinson Team on ‘Black Mozart...
- 9/13/2022
- by Martin Tsai
- The Wrap
Post-apocalyptic storytelling is painted by the fears of its filmmaker. The way humanity devolves into chaos and the balance of light and dark looking for a better tomorrow. Whether it is a natural disaster, unspeakable violence, disease or belief, the end of the world storytelling is a platform for emotional performances, cinematography, and score at […]
The post Interview: Composer Jonathan Beard Talks Scoring the Post-Apocalyptic Feature What Still Remains appeared first on Dread Central.
The post Interview: Composer Jonathan Beard Talks Scoring the Post-Apocalyptic Feature What Still Remains appeared first on Dread Central.
- 11/12/2018
- by Jay Kay
- DreadCentral.com
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